This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
Excerpt from History of South Liberty Presbyterian Church, Sharon, Georgia, Founded in May, 1828: Centenary Celebration Sunday, May 6th, 1928 The log church was replaced by the present frame building in 1855, and that was moved to Sharon in 1877. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Explores how all aspects of American culture, history, and national identity have been profoundly influenced by the experience of African Americans and documents African American history from the arrival of the first slave ship to the death of Frederick Douglass.
This book is a historical-theological study of the Reformed doctrine of Justification. After providing a brief history of the doctrine, the work focuses on analyzing the writings of John Calvin, Jonathan Edwards, and N. T. Wright to discern points of development, continuity, and discontinuity within the Reformed tradition itself. Drawing upon their works, this book argues for a "living" theological practice and identity for those who work to formulate Reformed Doctrine.
Francis Palmer Smith was the principal designer of Atlanta-based Pringle and Smith, one of the leading firms of the early twentieth-century South. Smith was an academic eclectic who created traditional, history-based architecture grounded in the teachings of the cole des Beaux-Arts. As The Architecture of Francis Palmer Smith shows, Smith was central to the establishment of the Beaux-Arts perspective in the South through his academic and professional career. After studying with Paul Philippe Cret at the University of Pennsylvania, Smith moved to Atlanta in 1909 to head the new architecture program at the Georgia Institute of Technology. He would go on to train some of the South's most significant architects, including Philip Trammell Shutze, Flippen Burge, Preston Stevens, Ed Ivey, and Lewis E. Crook Jr. In 1922 Smith formed a partnership with Robert S. Pringle. In Atlanta, Savannah, Chattanooga, Jacksonville, Sarasota, Miami, and elsewhere, Smith built office buildings, hotels, and Art Deco skyscrapers; buildings at Georgia Tech, the Baylor School in Chattanooga, and the Darlington School in Rome, Georgia; Gothic Revival churches; standardized bottling plants for Coca-Cola; and houses in a range of traditional "period" styles in the suburbs. Smith's love of medieval architecture culminated with his 1962 masterwork, the Cathedral of St. Philip in Atlanta. As his career drew to a close, Modernism was establishing itself in America. Smith's own modern aesthetic was evidenced in the more populist modern of Art Deco, but he never embraced the abstract machine aesthetic of high Modern. Robert M. Craig details the role of history in design for Smith and his generation, who believed that architecture is an art and that ornament, cultural reference, symbolism, and tradition communicate to clients and observers and enrich the lives of both. This book was supported, in part, by generous grants from the Graham Foundation for Advanced Studies in the Fine Arts and the Georgia Tech Foundation, Inc.
By the end of the eighteenth century, classicism, which arose out of Europe's fascination with ancient Greece and Rome, had also left its mark on America. This study of the classical style in the fine and decorative arts shows the extent to which it influenced the material culture of Savannah, Georgia, from 1800 to 1840. More than 130 examples of objects owned in Savannah in this period are illustrated, described, and discussed. The objects include oil paintings and watercolors, clocks, musical instruments, jewelry, sculptures, engravings, bank notes, needlework, china, silver, brass, lighting fixtures, architectural elements, and furniture. Page Talbott presents an overview of the origins of classicism in Europe and its spread to America. Emphasizing Americans' close identification of classicism with national values and ideals, Talbott also discusses the style in the context of Savannah's social life and its history as a major southern port. She covers not only the principles, methods, and materials of classical design, but also the manufacture, distribution, sale, and ownership of a wide range of functional and decorative objects. Classical Savannah is the companion volume to the Classical Savannah exhibition, which opened in the spring of 1995 at the Telfair Museum of Art in Savannah. Illustrating well over half of the items in the exhibit, and including a detailed checklist of the additional seventy objects not shown in the book, Classical Savannah is a valuable source for historians, designers, decorators, collectors, and anyone interested in this period of America's history.
Presenting America's slaveholders as men and women who were intelligent, honourable, and pious, this text asks how people who were admirable in so many ways could have presided over a social system that proved itself and enormity and inflicted horrors on their slaves.
Among the pressing concerns of Americans in the first century of nationhood were day-to-day survival, political harmony, exploration of the continent, foreign policy, and--fixed deeply in the collective consciousness--hell and eternal damnation. The fear of fire and brimstone and the worm that never dies exerted a profound and lasting influence on Americans' ideas about themselves, their neighbors, and the rest of the world. Kathryn Gin Lum poses a number of vital questions: Why did the fear of hell survive Enlightenment critiques in America, after largely subsiding in Europe and elsewhere? What were the consequences for early and antebellum Americans of living with the fear of seeing themselves and many people they knew eternally damned? How did they live under the weighty obligation to save as many souls as possible? What about those who rejected this sense of obligation and fear? Gin Lum shows that beneath early Americans' vaunted millennial optimism lurked a pervasive anxiety: that rather than being favored by God, they and their nation might be the object of divine wrath. As time-honored social hierarchies crumbled before revival fire, economic unease, and political chaos, "saved" and "damned" became as crucial distinctions as race, class, and gender. The threat of damnation became an impetus for or deterrent from all kinds of behaviors, from reading novels to owning slaves. Gin Lum tracks the idea of hell from the Revolution to Reconstruction. She considers the ideas of theological leaders like Jonathan Edwards and Charles Finney, as well as those of ordinary women and men. She discusses the views of Native Americans, Americans of European and African descent, residents of Northern insane asylums and Southern plantations, New England's clergy and missionaries overseas, and even proponents of Swedenborgianism and annihilationism. Damned Nation offers a captivating account of an idea that played a transformative role in America's intellectual and cultural history.
Lenni Lenape tribes once foraged where Freehold Raceway and development and rejuvination efforts flourish today in Freehold, seat of Monmouth County. Following European colonization in the mid-seventeenth century, this enterprising community perservered through a major battle and countless skirmishes in the American Revolution, immersion in the Civil War, rapid industrialization, and municipal reorganization. The residents overcame social and political strife, preserving spirit and courage to unify both borough and township for generations to come.
African history as world history: Africa and the Roman Empire -- Africa and the rise of Islam -- The mighty kingdoms of Ghana, Mali, and Songhay -- The Atlantic slave trade: Slavery and resistance in South America and the Caribbean -- Slavery and resistance in the United States -- African Americans in the twentieth century.
From the Potomac to the Gulf, artists were creating in the South even before it was recognized as a region. The South has contributed to America's cultural heritage with works as diverse as Benjamin Henry Latrobe's architectural plans for the nation's Capitol, the wares of the Newcomb Pottery, and Richard Clague's tonalist Louisiana bayou scenes. This comprehensive volume shows how, through the decades and centuries, the art of the South expanded from mimetic portraiture to sophisticated responses to national and international movements. The essays treat historic and current trends in the visual arts and architecture, major collections and institutions, and biographies of artists themselves. As leading experts on the region's artists and their work, editors Judith H. Bonner and Estill Curtis Pennington frame the volume's contributions with insightful overview essays on the visual arts and architecture in the American South.
Excerpt from Hints From Southern Epicures Let one pound of beef from the round, chopped very fine, stand for one hour ln one pint of cold water; then put it on the fire, and let it just come to the boil. Remove at once and strain. Season with celery, salt and pepper, or parsley and salt. Serve in cups. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
In this book, cardiologist Dr. Barry Zaret and Genell Subak-Sharpe offer up-to-date facts about the best treatments available for heart disease. There are no short-term fixes and no one-size-fits-all programmes, explain Zaret and Subak-Sharpe. Although certain characteristics are common to each form of heart disease and its treatments, these constants must be tempered against individual variables. The authors outline the constants for the full range of cardiovascular conditions, from angina and heart attacks to high blood pressure and cardiac arrhythmias. They then guide readers through the process of assessing personal variables to develop an individual treatment and life-style programme. Written in a reassuring style, this indispensable guide to heart care offers realistic hope and specific directions for designing a lifelong heart care programme.
The distinguished contributors to this volume -- ministers, scholars, and theological educators -- share personal reflections on the sometimes-difficult transition from being a seminarian to becoming a minister. Based on their own life experiences, they address the two related but different "worlds" of theological school and ministry settings, each with its own set of expectations, values, challenges, focal points, and rewards.Contributors: Wallace M. Alston Jr. Ray S. Anderson M. Craig Barnes Elizabeth F. Caldwell Allan Hugh Cole Jr. Pamela D. Couture Kathy Dawson Carrie Doehring Michael Jinkins L. Gregory Jones Susan Pendleton Jones James F. Kay Cleophus J. LaRue Thomas G. Long Loren B. Mead Bonnie J. Miller-McLemore Earl F. Palmer Stephanie Paulsell Anthony B. Robinson Carol L. Schnabl Schweitzer Theodore J. Wardlaw Traci C. West William H. Willimon J. Philip Wogaman Karen Marie Yust
Provides us with a wonderful insight into Sydney's finest and most interesting architecture. Superb photographs by John Callanan and delightful sketches by John Haskell combine to present a sophisticated picture of this stunning city. Designed as an introductory guide, Sydneysiders and tourists alike will discover unsuspected dimensions to our cultural heritage in this stylish new guide.
Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals