Callimachus was arguably the most important poet of the Hellenistic age, for two reasons: his engagement with previous theorists of poetry and his wide-ranging poetic experimentation. Of his poetic oeuvre, which exceeded what we now have of Theocritus, Aratus, Posidippus, and Apollonius combined, only his six hymns and around fifty of his epigrams have survived intact. His enormously influential Aetia, the collection of Iambi, the Hecale, and all of his prose output have been reduced to a handful of citations in later Greek lexica and handbooks or papyrus fragments. In recent years excellent commentaries and synthetic studies of the Aetia, the Iambi, and the Hecale have appeared or are about to appear. But there is no modern study in English of the collection of hymns. And while there are excellent commentaries in English on three of the hymns (Apollo, Athena, Demeter), the commentaries on Zeus and on Delos are limited in scope, and there is no commentary at all on the Artemis hymn. Synthetic studies in English for the most part treat only one hymn, not the collection, and tend to focus on Callimachus' intertextual relationships with his predecessors and/or his influence on Roman poetry. Yet recent work is requiring scholars to broaden their perspective and to consider Callimachus' religious, civic, and geo-political contexts much more systematically in attempting to understand the hymns. A further incentive is that apart from the Homeric and Orphic hymns, Callimachus' are the only other hymns that have survived intact; those written in earlier periods are now reduced to fragments. For these reasons a study of the six hymns together is a desideratum. An additional reason is that Callimachus' collection of six hymns is very likely to have been an authorially arranged poetry book, quite possibly the earliest such book that we have intact; therefore, it allows a unique perspective on the evolution of the form. This volume offers a text and commentary of all six hymns for advanced students of classics and classical scholars, as well as interpretive essays on each hymn that integrate what has been the dominant paradigm-intertextuality-into a broader focus on Callimachus' context. Her introduction treats the transmission of the hymns, the potential for and likelihood of the Homeric hymns as models, the hymns as a poetry book, their language and meter (especially in light of recent work done on this topic), performance practices, and their relationship to cult, court, local geographies, and panhellenic sanctuaries. For each hymn Stephens presents the Greek text, a translation, and a brief commentary containing important information or parallels for interpretation.
"This Volume Provides a Compact and Readable edition of all six of Callimachus' hymns. An extensive introduction considers the literary and performance contexts of earlier hymns, the dating of Callimachus' hymns, literary influences on the hymns, the transmission of the texts, and the poet's language, meter, and aural and visual effects. Each hymn is prefaced with a discussion of specific parallels and intertexts, and the hymn's relationship to cult, court, local geographies, and Panhellenic sanctuaries. There follows a Greek text with translation and a commentary designed to facilitate understanding of Callimachus' hymns as a unique literary experiment."_Contracub.
There has been little previous research in ancient studies on the narratological notion of metalepses. The essays in this volume describe the forms, functions, and effects of metalepses in texts and artifacts. The authors demonstrate the diversity and ubiquity of metalepses as they occur in Akkadian and Egyptian literature, in the Hebrew Bible, in rabbinical Midrashim, in ancient pagan literature of all periods, and in early Christian literature.
Callimachus was one of the most influential writers in the ancient world and had a profound effect on the subsequent course of Greek and Roman literature. Dr Hopkinson here thoroughly analyses Callimachus' Sixth Hymn, The Hymn to Demeter providing the first full edition and commentary on the work in English.
Callimachus was one of the most influential writers in the ancient world and had a profound effect on the subsequent course of Greek and Roman literature. Dr Hopkinson here thoroughly analyses Callimachus' Sixth Hymn, The Hymn to Demeter providing the first full edition and commentary on the work in English.
This volume contains a wide range of articles. It provides a survey of current developments in research on one of the most influential authors of Hellenistic poetry and reflects the large amount of scholarly interest in Callimachus during the last decade. In the papers there is a particular focus on issues of metapoetics, intertextuality, fictional orality, the impact of poetic collections and the function of Callimachus' poetry in Ptolemaic Alexandria as well as an interest in the reception of Callimachus' poetry among Roman poets.
This ebook is a selective guide designed to help scholars and students of the ancient world find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated. A reader will discover, for instance, the most reliable introductions and overviews to the topic, and the most important publications on various areas of scholarly interest within this topic. In classics, as in other disciplines, researchers at all levels are drowning in potentially useful scholarly information, and this guide has been created as a tool for cutting through that material to find the exact source you need. This ebook is just one of many articles from Oxford Bibliographies Online: Classics, a continuously updated and growing online resource designed to provide authoritative guidance through the scholarship and other materials relevant to the study of classics. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.aboutobo.com.
Callimachus was one of the most important and influential writers in the ancient world. He was the outstanding poet of the Hellenistic period and had a profound effect on the subsequent course of Greek and Roman literature. The hymns are intricate, allusive and difficult poetry, and need elucidation for the modern reader. 'The Fifth Hymn: The Bath of Pallas', is considered by many to be Callimachus' finest surviving poem. Anthony Bulloch has established a new text of the poem, which is printed here with facing English translation. The substantial introduction and full commentary aim to introduce the poem to a wide audience and to help the modern reader to reconstruct what the ancient reader may have taken for granted as part of the crucial and intellectual background and to achieve an informed and sensitive appreciation of the poem in its full perspective. This will be welcomed by Greek scholars and those interested in Greek and Roman poetry.
Offering unparalleled scope, A Companion to Hellenistic Literature in 30 newly commissioned essays explores the social and intellectual contexts of literature production in the Hellenistic period, and examines the relationship between Hellenistic and earlier literature. Provides a wide ranging critical examination of Hellenistic literature, including the works of well-respected poets alongside lesser-known historical, philosophical, and scientific prose of the period Explores how the indigenous literatures of Hellenized lands influenced Greek literature and how Greek literature influenced Jewish, Near Eastern, Egyptian, and Roman literary works
Hellenistic poets of the third and second centuries BC were concerned with the need both to mark their continuity with the classical past and to demonstrate their independence from it. In this revised and expanded translation of Muse e modelli: la poesia ellenistica da Alessandro Magno ad Augusto, Greek poetry of the third and second centuries BC and its reception and influence at Rome are explored allowing both sides of this literary practice to be appreciated. Genres as diverse as epic and epigram are considered from a historical perspective, in the full range of their deep-level structures, providing a different perspective on the poetry and its influence at Rome. Some of the most famous poetry of the age such as Callimachus' Aitia and Apollonius' Argonautica is examined. In addition, full attention is paid to the poetry of encomium, in particular the newly published epigrams of Posidippus, and Hellenistic poetics, notably Philodemus.
Die Frage nach der Funktion der mit dem Ptolemaerhof in Alexandreia verbundenen Dichtung wurde bislang auf die Antithese aPropaganda fur die Ptolemaero - aOpposition gegen die Ptolemaero reduziert. Ausgehend von einer Analyse der Hofgesellschaft und des hofischen Lebens sowie der Tradition hofischer Poesie wird die Dichtung am Ptolemaerhof in den Kontext der herrscherlichen Orientierung auf Ansehen und Prestige gestellt und auf enthaltene zeitgeschichtliche Bezuge hin untersucht. Sie dient - vom Herrscher respektiert - nicht der Propagierung herrscherlicher Anliegen, sondern ist Ausdruck des Selbstverstandnisses von Dichter und Hofgesellschaft.
Early Skepticism and its founder, Pyrrho of Elis, were introduced to the world by the poet and philosopher Timon of Phlius. This is the first book-length study of Timon s work in English, and includes a new reconstruction of his most influential poem Silloi . All of the extant fragments are translated and discussed as literature rather than as source material for the history of philosophy. The book concludes with a definition of skeptical aesthetics that demonstrates the importance of Timon and early Skepticism to the most influential Hellenistic poets: Callimachus, Theocritus and Apollonius of Rhodes. "
This important new verse translation of the extant works and major fragments of Callimachus includes a full Introduction, covering the poet's life and times, the range of his achievements, and the difficulties in the way of appreciation. It does not offer, as other translations do, a mere selection of fragments but presents them as integral parts of the poetry books in which they originally figured, as these can be reconstructed in the light of modern research. Each fragment is introduced in relation to what precedes and follows it, enabling students and general readers, for the first time ever, to assess what Callimachus was like in his most important productions. In addition to this introductory help, the Notes take up individual points of difficulty, all proper names and adjectives are explained in the Glossary, and comparative tables facilitate identification of the translated fragments in the standard editions.
This work gathers together the principal essays of Richard Hunter, whose work has been fundamental in the modern re-evaluation of Greek literature after Alexander and its reception at Rome and elsewhere. At the heart of Hunter’s work lies the high poetry of Ptolemaic Alexandria and the narrative literature of later antiquity (‘the ancient novel’), but comedy, mime, didactic poetry and ancient literary criticism all fall within the scope of these studies. Principal recurrent themes are the uses and recreation of the past, the modes of poetic allusion, the moral purpose of literature, and the intellectual context for ancient poetry.

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