An archaeological exploration of the mysterious world of cave art through the ages
Divides the ancient world into three broad climatic categories to offer insight into the way artists addressed key environmental challenges, in a lavishly illustrated and captioned reference that includes coverage of each global region and religion.
In die Die Anfange der Kunst" macht sich Ernst Grosse daran, Ziele und Wege der Kunstwissenschaft zu erlautern, wobei er selbst sein Werk als einen ersten Versuch sieht und es auch als einen solchen bewertet haben mochte. Nimmt man dies als Grundlage, so sind es anregende fragmentartige und dennoch schon sehr detaillierte Ausfuhrungen zu kunstlerischen Einzelthemen wie Ornamentik, Bildnerei, Tanz, Poesie und Musik im Allgemeinen, die Grosse hier vorlegt. Sorgfaltig bearbeiteter Nachdruck der Originalausgabe von 1894.
Traces the evolution of art throughout numerous cultures to offer insight into how regional and historical factors shaped aesthetic development, in a global survey that draws connections between different locations and cultures while citing famous and lesser-known landmarks.
The American Agnes Martin is one of the most revered artists of the second half of the twentieth century. She exerted considerable effect and influence not only on her contemporaries but also on later generations of artist. This carefully designed catalogue presents her life and work to German audiences.
This extensively illustrated dictionary provides information on over 2,500 artists, paintings, sculptures, drawings, prints, schools and movements throughout the world, including entries on contemporary art and artists, techniques, materials, terms, and writers who have influenced artists.
Der Bildband,originelles Werkverzeichnis, präsentiert mit 350 Werken aus beinahe 50 Schaffensjahren des bedeutenden Künstlers bestimmte Entwicklungslinien und die Vielfalt künstlerischer Techniken.
The breathtakingly beautiful art created deep inside the caves of western Europe has the power to dazzle even the most jaded observers. Emerging from the narrow underground passages into the chambers of caves such as Lascaux, Chauvet, and Altamira, visitors are confronted with symbols, patterns, and depictions of bison, woolly mammoths, ibexes, and other animals. Since its discovery, cave art has provoked great curiosity about why it appeared when and where it did, how it was made, and what it meant to the communities that created it. David Lewis-Williams proposes that the explanation for this lies in the evolution of the human mind. Cro-Magnons, unlike the Neanderthals, possessed a more advanced neurological makeup that enabled them to experience shamanistic trances and vivid mental imagery. It became important for people to "fix," or paint, these images on cave walls, which they perceived as the membrane between their world and the spirit world from which the visions came. Over time, new social distinctions developed as individuals exploited their hallucinations for personal advancement, and the first truly modern society emerged. Illuminating glimpses into the ancient mind are skillfully interwoven here with the still-evolving story of modern-day cave discoveries and research. The Mind in the Cave is a superb piece of detective work, casting light on the darkest mysteries of our earliest ancestors while strengthening our wonder at their aesthetic achievements.
Reich illustrierte Darstellung der Naturgeschichte der Mammuts und ihrer Bedeutung für die eiszeitliche Kultur.
This text presents a representative anthology of examples of painting, architecture and sculpture to provide a critical overview of Spain. From Iberian and Roman beginnings, the book traces the development of the arts in Spain, examining the magnificent Islamic and Christian foundations at Cordoba and the Escorial, the idiosyncratic masterworks of El Greco, the Golden Age of Zurbaran and Velazquez, the art of Goya, and the innovative works of Picasso, Dali and Miro, and revealing that many of the most characteristic Spanish artistic currents had their origins at the dawn of history.
Two of the greatest living authorities on Ice Age art delve hundreds of thousands of years into the human past to discover the earliest works of art ever made, drawing on decades of new research Where is the world’s very first art located? When, and why, did people begin experimenting with different materials, forms, and colors? Prehistorians have long been asking these questions, but only recently have they been able to piece together the first chapter in the story of art. Overturning the traditional Eurocentric vision of our artistic origins, Paul Bahn and Michel Lorblanchet seek out the earliest art across the whole world. There are clues that even three million years ago distant human ancestors were drawn to natural curiosities that appeared representational, such as the face-like “Makapansgat cobble" from South Africa, not carved but naturally weathered to resemble a human face. In the last hundred thousand years people all over the world began to create art: the oldest known paint palettes in South Africa’s Blombos Cave, the famous Venus figures across Europe all the way to Siberia, and magnificent murals on cave walls in every continent except Antarctica. This book is the first to assess the discovery, history, and significance of these varied forms of art: the artistic impulse developed in the human mind wherever it traveled.
Mit mehr als 150.000 verkauften Exemplaren gilt der Band Archaeology: Theories, Methods and Practice im englischsprachigen Raum bereits jetzt als Standardwerk im Fach Archaologie. Diese jetzt erstmals auf Deutsch vorliegende sorgfaltig uberarbeitete und zum Teil vollig neu geschriebene Fassung ist eine ausserst gut lesbare Einfuhrung fur alle, die sich fur Archaologie interessieren und eine kompakte Darstellung der Methoden und Praxis archaologischer Arbeit suchen. Beruhmte Archaologen und Ausgrabungsstatten passieren Revue. Inhaltlich ist das Buch auf der Hohe der Forschung, auch die neuesten technischen Methoden und Technologien werden behandelt. (Philipp von Zabern 2009)
Western Arnhem Land, in the Top End of Australia’s Northern Territory, has a rich archaeological landscape, ethnographic record and body of rock art that displays an astonishing array of imagery on shelter walls and ceilings. While the archaeology goes back to the earliest period of Aboriginal occupation of the continent, the rock art represents some of the richest, most diverse and visually most impressive regional assemblages anywhere in the world. To better understand this multi-dimensional cultural record, The Archaeology of Rock Art in Western Arnhem Land, Australia focuses on the nature and antiquity of the region’s rock art as revealed by archaeological surveys and excavations, and the application of novel analytical methods. This volume also presents new findings by which to rethink how Aboriginal peoples have socially engaged in and with places across western Arnhem Land, from the north to the south, from the plains to the spectacular rocky landscapes of the plateau. The dynamic nature of Arnhem Land rock art is explored and articulated in innovative ways that shed new light on the region’s deep time Aboriginal history.
Präsentiert werden die prägenden VertreterInnen der Digital Art mit ihren wichtigsten Werken. Zudem wird die Geschichte dieser Kunstrichtung von den Anfängen in den achtziger Jahren bis in die Gegenwart nachgezeichnet - mit einem Ausblick in die Zukunft. Überdies werden die Wechselwirkungen zwischen den verschiedenen gesellschaftlichen Entwicklungen und der Gegenwartskunst deutlich.
Body painting, scarification, piercing and tattooing. This book presents some of the finest examples from over the globe.

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