This Book Is A Refreshing And Insightful Study Of T.S. Eliot S Poetry, Prose And Plays. Each Chapter Highlights The Contemporary Relevance Of Eliot S Works With Special Emphasis On The Social Dimension. The Study Explores The Wider Meaning Of Life And Literature And Its Interpenetration As They Get Filtered Through The Writings Of This Great Twentieth Century Writer. The Author Never Loses His Perspective And Clearly Achieves His Goal Of Making T.S. Eliot S Works More Enjoyable And Illuminating. Surely, The Book Is A Fine Tribute To Eliot Who Made Our Life More Tolerable, Meaningful And Delightful And Would Immensely Help Students Of Literature.The Book Would Be Of Great Use To The Students And Researchers Of English Literature.
Students often approach the complex poetry of T. S. Eliot with some degree of trepidation, but as this comprehensive text demonstrates, that need not be the case. With its thoughtful analysis and engaging writing style, this guide provides readers with the tools they need to approach Eliot’s works with confidence, while at the same time encouraging them to draw their own meaning from the words and sounds of the poetry. The text also explores Eliot’s life beyond his poems, including his extensive work as an essayist, editor, and critic. Given this context, readers will establish a deeper understanding of the poet as well as his work.
Albert Gelpi's American Poetry after Modernism is a study of sixteen major American poets of the postwar period, from Robert Lowell to Adrienne Rich. Gelpi argues that a distinctly American poetic tradition was solidified in the later half the twentieth century, thus severing it from British conventions.
Derek Mahon is one of the leading poets of his time, both in Ireland and beyond, famously offering a perspective that is displaced from as much as grounded in his native country. From prodigious beginnings to prolific maturity, he has been, through thick and thin, through troubled times and other, a writer profoundly committed to the art of poetry and the craft of making verse. He has also been no-less a committed reviser of his work, believing the poem to be more than a record in verse, but a work of art never finished. This virtuoso study by Hugh Haughton provides the most comprehensive account imaginable of Mahon's oeuvre. Haughton's brilliant writing always serves and illuminates the poetry, yielding extraordinary insights on almost every page. The poetry, its revisions and reception, are the subject here, but so thorough is the approach that what is offered also amounts indirectly to an intellectual biography of the poet and with it an account of Northern Irish poetry vital to our understanding of the times.
The Oxford Handbook of William Wordsworth deploys its forty-eight original essays, by an international team of scholar-critics, to present a stimulating account of Wordsworth's life and achievement and to map new directions in criticism. Nineteen essays explore the highlights of a long career systematically, giving special prominence to the lyric Wordsworth of Lyrical Ballads and the Poems in Two Volumes and to the blank verse poet of 'The Recluse'. Most of the other essays return to the poetry while exploring other dimensions of the life and work of the major Romantic poet. The result is a dialogic exploration of many major texts and problems in Wordsworth scholarship. This uniquely comprehensive handbook is structured so as to present, in turn, Wordsworth's life, career, and networks; aspects of the major lyrical and narrative poetry; components of 'The Recluse'; his poetical inheritance and his transformation of poetics; the variety of intellectual influences upon his work, from classical republican thought to modern science; his shaping of modern culture in such fields as gender, landscape, psychology, ethics, politics, religion and ecology; and his 19th- and 20th-century reception-most importantly by poets, but also in modern criticism and scholarship.
As a city that seems to float between Europe and Asia, removed by a lagoon from the tempos of terra firma, Venice has long seduced the Western imagination. Since the 1797 fall of the Venetian Republic, fantasies about the sinking city have engendered an elaborate series of romantic clichés, provoking conflicting responses: some modern artists and intellectuals embrace the resistance to modernity manifest in Venice's labyrinthine premodern form and temporality, whereas others aspire to modernize by "killing the moonlight" of Venice, in the Futurists' notorious phrase. Spanning the history of literature, art, and architecture—from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri, Italo Calvino, Jeanette Winterson, and Robert Coover—Killing the Moonlight tracks the pressures that modernity has placed on the legacy of romantic Venice, and the distinctive strains of aesthetic invention that resulted from the clash. In Venetian incarnations of modernism, the anachronistic urban fabric and vestigial sentiment that both the nation-state of Italy and the historical avant-garde would cast off become incompletely assimilated parts of the new. Killing the Moonlight brings Venice into the geography of modernity as a living city rather than a metaphor for death, and presents the archipelago as a crucible for those seeking to define and transgress the conceptual limits of modernism. In strategic detours from the capitals of modernity, the book redrafts the confines of modernist culture in both geographical and historical terms.
Dantean Dialogues is a collection of essays by some of the world's most outstanding Dante scholars., These essays enter into conversation with the main themes of the scholarship of Amilcare Iannucci (d. 2007), one of the leading researchers on Dante of his generation and arguably Canada’s finest scholar of the Italian poet. The essays focus on the major themes of Iannucci’s work, including the development of Dante’s early poetry, Dante’s relation to classical and biblical sources, and Dante’s reception. The contributors cover crucial aspects of Dante’s work, from the authority of the New Life to the novelty of his early poetry, to key episodes in the Comedy, to the poem’s afterlife. Together, the essays show how Iannucci’s reading of central cruxes in Dante’s texts continues to inspire Dante studies – a testament to his continuing influence and profound intellectual legacy.
http://www.worldscientific.com/worldscibooks/10.1142/3738
The author follows the experiments of Aldous Huxley in the art of unpleasure, connecting modernism's signature characteristics, such as irony, allusiveness, and obscurity, to an ambitious attempt to reconfigure bliss.
An introduction to mystical and esoteric Christianity for the general reader, this book takes an in-depth look at the deeper, symbolic meanings behind the central concepts and practices of the Christian tradition including prayer, love, evil, forgiveness and salvation.
What does music have to say about modernity? How can this apparently unworldly art tell us anything about modern life? In Out of Time, author Julian Johnson begins from the idea that it can, arguing that music renders an account of modernity from the inside, a history not of events but of sensibility, an archaeology of experience. If music is better understood from this broad perspective, our idea of modernity itself is also enriched by the specific insights of music. The result is a rehearing of modernity and a rethinking of music - an account that challenges ideas of linear progress and reconsiders the common concerns of music, old and new. If all music since 1600 is modern music, the similarities between Monteverdi and Schoenberg, Bach and Stravinsky, or Beethoven and Boulez, become far more significant than their obvious differences. Johnson elaborates this idea in relation to three related areas of experience - temporality, history and memory; space, place and technology; language, the body, and sound. Criss-crossing four centuries of Western culture, he moves between close readings of diverse musical examples (from the madrigal to electronic music) and drawing on the history of science and technology, literature, art, philosophy, and geography. Against the grain of chronology and the usual divisions of music history, Johnson proposes profound connections between musical works from quite different times and places. The multiple lines of the resulting map, similar to those of the London Underground, produce a bewildering network of plural connections, joining Stockhausen to Galileo, music printing to sound recording, the industrial revolution to motivic development, steam trains to waltzes. A significant and groundbreaking work, Out of Time is essential reading for anyone interested in the history of music and modernity.
When ex-headmistress Anne Mustoe gave up her job, bought a bike and took to the road, she couldn't even mend a puncture. 12,000 miles and 15 months later, she was home. Her epic solo journey took her around the world, through Europe, India, the Far East and the United States. From Thessaloniki to Uttar Pradesh, from Chumphon to Singapore, she faced downpours, blizzards and blistering deserts, political turmoil and amorous waiters - alternated with great kindness from strangers along the way. A Bike Ride is the first in the series of Anne Mustoe's successful and inspiring travelogues.
Illusions of Gold, the third volume of David Kynaston's magnificent quartet, The City of London, sweeps us from 1914 to 1945, through years of fluctuating fortunes that began with the City at an all-time high, and ended with the 'Square Mile' ravaged by bombs, at its lowest ebb ever. With unerring judgement and story-telling verve, Kynaston takes us through the City's vain attempt to recover the glory days before the First World War, in the return to the Gold Standard. He follows its tussles with government over control of monetary policy, investigates its increasingly important links with British industry and gives a pioneering account of its controversial role in the politics of appeasement. Kynaston's great strength is his combination of vivid narrative with meticulous scholarship, based on an unparalleled variety of unpublished sources. The City of London is now hailed as one of the most ambitious and rewarding historical projects of recent times.
Arguing that Antarctica is the most mediated place on earth and thus an ideal location for testing the limits of bio-political management of population and place, this book remaps national and postcolonial methods and offers a new look on a 'forgotten' continent now the focus of ecological concern.
"Multiverse" cosmologies imagine our universe as just one of a vast number of others. While this idea has captivated philosophy, religion, and literature for millennia, it is now being considered as a scientific hypothesis—with different models emerging from cosmology, quantum mechanics, and string theory. Beginning with ancient Atomist and Stoic philosophies, Mary-Jane Rubenstein links contemporary models of the multiverse to their forerunners and explores the reasons for their recent appearance. One concerns the so-called fine-tuning of the universe: nature's constants are so delicately calibrated that it seems they have been set just right to allow life to emerge. For some thinkers, these "fine-tunings" are evidence of the existence of God; for others, however, and for most physicists, "God" is an insufficient scientific explanation. Hence the allure of the multiverse: if all possible worlds exist somewhere, then like monkeys hammering out Shakespeare, one universe is bound to be suitable for life. Of course, this hypothesis replaces God with an equally baffling article of faith: the existence of universes beyond, before, or after our own, eternally generated yet forever inaccessible to observation or experiment. In their very efforts to sidestep metaphysics, theoretical physicists propose multiverse scenarios that collide with it and even produce counter-theological narratives. Far from invalidating multiverse hypotheses, Rubenstein argues, this interdisciplinary collision actually secures their scientific viability. We may therefore be witnessing a radical reconfiguration of physics, philosophy, and religion in the modern turn to the multiverse.
'This is a complex book. It offers clarification and a sense of reassurance, but does not intend to provide answers, and is not for those seeking concrete direction. This will be a powerful read for many in a place of loss, chaos or existential angst' - Alison Cooper, Psychothearpy and Counselling Drawing on sources as diverse as medical and psychological theory, anthropology, religious and spiritual tradition, art and poetry, experienced psychotherapist Elizabeth Wilde McCormick explores the different elements of the edge - the images, dangers, safe places, and offers a unique handbook which charts that often lonely and alien territory.

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