Based upon Machiavelli's first-hand experience as an emissary of the Florentine Republic to the courts of Europe, The Prince analyses the usually violent means by which men seize, retain, and lose political power. This fluent new translation is accompanied by comprehensive notes and an introduction that dispels some of the myths associated with Machiavelli, and considers the true purpose of The Prince.
Beginning with Cimabue and Giotto in the 13th century, Vasari traces the development of Italian art across three centuries to the golden epoch of Leonardo and Michelangelo.
The complex moral ambiguities of seduction and revenge make Les Liaisons dangereuses (1782) one of the most scandalous and controversial novels in European literature. The subject of major film and stage adaptations, the novel's prime movers, the Vicomte de Valmont and the Marquise de Merteuil, form an unholy alliance and turn seduction into a game - a game which they must win. This new translation gives Laclos a modern voice, and readers will be able a judge whether the novel is as `diabolical' and `infamous' as its critics have claimed, or whether it has much to tell us about the kind of world we ourselves live in. David Coward's introduction explodes myths about Laclos's own life and puts the book in its literary and cultural context. - ;The complex moral ambiguities of seduction and revenge make Les Liaisons dangereuses (1782) one of the most scandalous and controversial novels in European literature. The subject of major film and stage adaptations, the novel's prime movers, the Vicomte de Valmont and the Marquise de Merteuil, form an unholy alliance and turn seduction into a game - a game which they must win. This new translation gives Laclos a modern voice, and readers will be able a judge whether the novel is as `diabolical' and `infamous' as its critics have claimed, or whether it has much to tell us about the kind of world we ourselves live in. David Coward's introduction explodes myths about Laclos's own life and puts the book in its literary and cultural context. - ;The Oxford World's Classic edition offers students an excellent introduction to this classic text and also important notes and chronologies. - Dr. Paraic Finnerty, University of Portsmouth.
Dieses Werk ist Teil der Buchreihe TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit der Buchreihe TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten
David Hume: Dialoge über die natürliche Religion Demea, ein orthodox Gläubiger, der Skeptiker Philo und der Deist Cleanthes diskutieren den physiko-teleologischen Gottesbeweis, also die Frage, ob aus der Existenz von Ordnung und Zweck in der Welt auf einen intelligenten Schöpfer oder Baumeister zu schließen ist. Entstanden um 1751, revidierte Fassung 1761. Erstdruck (postum) unter dem Titel »Dialogues Concerning Natural Religion«: London 1779. Erste deutsche Übersetzung durch Karl Gottfried Schreiter unter dem Titel »Gespräche über natürliche Religion«: Leipzig (Weygand) 1781. Der Text folgt der Übersetzung durch Friedrich Paulsen von 1877. Vollständige Neuausgabe mit einer Biographie des Autors. Herausgegeben von Karl-Maria Guth. Berlin 2016. Textgrundlage ist die Ausgabe: David Hume: Dialoge über natürliche Religion. Über Selbstmord und Unsterblichkeit der Seele. Ins Deutsche übersetzt und mit einer Einleitung versehen von Friedrich Paulsen, 3. Auflage, Leipzig: Felix Meiner, 1905 (Philosophische Bibliothek, Bd. 36). Die Paginierung obiger Ausgabe wird in dieser Neuausgabe als Marginalie zeilengenau mitgeführt. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: David Hume (1766) Porträt von Allan Ramsay. Gesetzt aus der Minion Pro, 11 pt.
'About things that are within our power and those that are not.' Epictetus's Discourses have been the most widely read and influential of all writings of Stoic philosophy, from antiquity onwards. They set out the core ethical principles of Stoicism in a form designed to help people put them into practice and to use them as a basis for leading a good human life. Epictetus was a teacher, and a freed slave, whose discourses have a vivid informality, animated by anecdotes and dialogue. Forceful, direct, and challenging, their central message is that the basis of happiness is up to us, and that we all have the capacity, through sustained reflection and hard work, of achieving this goal. They still speak eloquently to modern readers seeking meaning in their own lives. This is the only complete modern translation of the Discourses, together with the Handbook or manual of key themes, and surviving fragments. Robin Hard's accurate and accessible translation is accompanied by Christopher Gill's full introduction and comprehensive notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Vom "Leviathan", einem der bedeutendsten theoretischen Werke über die Ursprünge und Grundlagen der Idee des Staates und der bürgerlichen Gesellschaft, liegt nun erstmalig eine deutschsprachige Ausgabe vor, die den Text der englischen Erstausgabe von 1651 vollständig und nach den allgemein anerkannten philologischen Kriterien textgetreu darbietet. Die Ausgabe enthält die umfangreichen Marginalien der Erstausgabe und ist quellenkritisch kommentiert. Mit einer Einführung, Chronologie, Literaturverzeichnis, Register und umfangreiche Anmerkungen.
The Charterhouse of Parma (1839) is a compelling novel of passion and daring, of prisons and heroic escape, of political chicanery and sublime personal courage. Set at the beginning of the nineteenth century, amidst the golden landscapes of northern Italy, it traces the joyous but ill-starred amorous exploits of a handsome young aristocrat called Fabrice del Dongo, and of his incomparable aunt Gina, her suitor Prime Minister Mosca, and Clélia, a heroine of ethereal beauty and earthly passion. These characters are rendered unforgettable by Stendhal's remarkable gift for psychological insight. `Never before have the hearts of princes, ministers, courtiers, and women been depicted like this,' wrote Honoré de Balzac. `Stendhal's tableau has the dimensions of a fresco but the precision of the Dutch masters.' The great achievement of The Charterhouse of Parma is to conjure up the excitement and romance of youth while never losing sight of the harsh realities which beset the pursuit of happiness, nor the humour and patient irony with which these must be viewed. This new translation captures Stendhal's narrative verve, while the Introduction explores the novel's reception and the reasons for its enduring popularity and power. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
„Der Staat“ ist ein Werk des griechischen Philosophen Platon, in dem über die Gerechtigkeit und ihre mögliche Verwirklichung in einem idealen Staat diskutiert wird. An dem fiktiven, literarisch gestalteten Dialog beteiligen sich sieben Personen, darunter Platons Brüder Glaukon und Adeimantos und der Redner Thrasymachos. Platons Lehrer Sokrates ist die Hauptfigur. Weitere Anwesende hören lediglich zu.
This book argues broadly that any historical narrative about republicanism needs to place Marlowe at the front of its genealogy, and that his interest in republican ideals is sustained from the beginning to the end of his meteoric career. More specifically, this study will nonetheless argue that it is difficult to discern a clear republican form of government in Marlowe's works. What we can discern is 'republican representation', the author's representational foregrounding of his own republican frame of art. This study is the first to situate the complex Marlowe corpus within the context of the advent of English Republicanism.
This volume aims to assess the longstanding debate over the role played by the Italian Renaissance in shaping the modern Western worldview.
Love... it means too much to me, far more than you can understand. At its simplest, Anna Karenina is a love story. It is a portrait of a beautiful and intelligent woman whose passionate love for a handsome officer sweeps aside all other ties - to her marriage and to the network of relationships and moral values that bind the society around her. The love affair of Anna and Vronsky is played out alongside the developing romance of Kitty and Levin, and in the character of Levin, closely based on Tolstoy himself, the search for happiness takes on a deeper philosophical significance. One of the greatest novels ever written, Anna Karenina combines penetrating psychological insight with an encyclopedic depiction of Russian life in the 1870s. The novel takes us from high society St Petersburg to the threshing fields on Levin's estate, with unforgettable scenes at a Moscow ballroom, the skating rink, a race course, a railway station. It creates an intricate labyrinth of connections that is profoundly satisfying, and deeply moving. Rosamund Bartlett's translation conveys Tolstoy's precision of meaning and emotional accuracy in an English version that is highly readable and stylistically faithful. Like her acclaimed biography of Tolstoy, it is vivid, nuanced, and compelling.
Wozu braucht man Feinde? Umberto Eco beschäftigt sich in seinen kurzen, pointierten Texten mit den aktuellen Fragen unserer Gegenwart – aber auch mit dem Mythos der einsamen Insel und der imaginären Astronomie, mit Themen aus Kunst, Religion, Mythos, Geographie und Geschichte. Und so gelingt es ihm, aus dem weit Auseinanderliegenden etwas ganz anderes zu machen: Stellungnahmen eines leidenschaftlichen Essayisten, dem es gelingt, den Leser genau von dem zu überzeugen, was ihm selbst am allermeisten am Herzen liegt.

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