Renaissance England's great tragedy of intellectual overreaching is as relevant and unsettling today as it was when first performed at the end of the sixteenth century.
This introductory guide to one of Marlowe's most widely-studied plays offers a scene-by-scene theatrically aware commentary, a brief history of the text and first performances, case studies of key performances and productions, a survey of screen adaptations, and a wide sampling of critical opinion and further reading.
Das Verlorene Paradies handelt vom Kampf des Guten gegen den Bösen. Es ist ein Meisterwerk der europäischen Literatur.
Doctor Faustus is a classic; its imaginative boldness and vertiginous ironies have fascinated readers and playgoers alike. But the fact that this play exists in two early versions, printed in 1604 and 1616, has posed formidable problems for critics. How much of either version was written by Marlowe, and which is the more authentic? Is the play orthodox or radically interrogative? Michael Keefer’s early work helped to establish the current consensus that the 1604 text was censored and revised; the Keefer edition, praised for its lucid introduction and scholarship, was the first to restore two displaced scenes to their correct place. Most competing editions presume that the 1604 text was printed from authorial manuscript, and that the 1616 text is of little substantive value. But in 2006 Keefer’s fresh analysis of the evidence showed that the 1604 quarto’s Marlovian scenes were printed from a corrupted manuscript, and that the 1616 quarto (though indeed censored and revised) preserves some readings earlier than those of the 1604 text. This edition has been updated and revised. Keefer’s critical introduction reconstructs the ideological contexts that shaped and deformed the play, and the text is accompanied by textual and explanatory notes and excerpts from sources.
Doctor Faustus, is Christopher Marlowe's most popular play and is often seen as one of the overwhelming triumphs of the English Renaissance. It has had a rich and varied critical history often arousing violent critical controversy. This guide offers students an introduction to its critical and performance history, surveying notable stage productions from its initial performance in 1594 to the present and including TV, audio and cinematic versions. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated biography provide a basis for further individual research.
Henrik Ibsen: Nora oder Ein Puppenheim Originaltitel: Et dukkehjem. Uraufführung Kopenhagen, 21.12.1879, Erstdruck: Kopenhagen (Gyldendal) 1879. Hier in der Übers. v. M. v. Borch. Vollständige Neuausgabe mit einer Biographie des Autors. Herausgegeben von Karl-Maria Guth. Berlin 2016, 2. Auflage. Textgrundlage ist die Ausgabe: Ibsen, Henrik: Ein Puppenheim. [Übers. v. M[arie] von Borch], in: Henrik Ibsen: Sämtliche Werke, Vierter Band. Hg. v. Julius Elias u. Paul Schlenther, Berlin: S. Fischer, 1907. Die Paginierung obiger Ausgabe wird in dieser Neuausgabe als Marginalie zeilengenau mitgeführt. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Lucien Métivet, Illustration aus dem journal humoristique, 1898. Gesetzt aus Minion Pro, 11 pt.
In The End of Satisfaction, Heather Hirschfeld recovers the historical specificity and the conceptual vigor of the term “satisfaction” during the sixteenth and early seventeenth centuries. Focusing on the term’s significance as an organizing principle of Christian repentance, she examines the ways in which Shakespeare and his contemporaries dramatized the consequences of its re- or de-valuation in the process of Reformation doctrinal change. The Protestant theology of repentance, Hirschfeld suggests, underwrote a variety of theatrical plots “to set things right” in a world shorn of the prospect of “making enough” (satisfacere). Hirschfeld’s semantic history traces today’s use of “satisfaction”—as an unexamined measure of inward gratification rather than a finely nuanced standard of relational exchange—to the pressures on legal, economic, and marital discourses wrought by the Protestant rejection of the Catholic sacrament of penance (contrition, confession, satisfaction) and represented imaginatively on the stage. In so doing, it offers fresh readings of the penitential economies of canonical plays including Dr. Faustus, The Revenger’s Tragedy, The Merchant of Venice, and Othello; considers the doctrinal and generic importance of lesser-known plays including Enough Is as Good as a Feast and Love’s Pilgrimage; and opens new avenues into the study of literature and repentance in early modern England.
"Discusses the causes and effects of global climate change, as well as possible solutions to the problem"--Provided by publisher.
Alle Romane von John le Carré jetzt als E-Book! - Magnus Pym, Angehöriger der britischen Botschaft in Wien und dort für Geheimaufträge zuständig, ist spurlos verschwunden. Seine Frau, sein Vorgesetzter und die Londoner Geheimdienststellen werden zunehmend unruhig. Und auch andernorts beginnt man, sich Sorgen zu machen.

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