This volume presents multiple sides to dress codes in schools. It recognizes the intimate relationship between its subject and reader as it weaves together different points of view that concern students' rights to wear what they want to wear. Can students fight dress codes? Should teachers have dress codes? Are uniforms a way of controlling young people? Should school uniforms accommodate Muslim culture? These questions and more are answered in this book.
Examines the debate over whether or not to have dress codes or uniforms in public schools.
One of our surest freedoms is being able to wear what we want to wear, to express our own sense of Self. Because this expression can go wildly off the rails, we have dress codes. Teens need to understand that while dress codes may be a downer, they're in place for very compelling reasons. This collection of personal accounts and factual articles explain why we have these codes. Readers will evaluate whether dress codes help students learn, and whether they set the proper tone. They will learn about the relation between safety and dress codes, and between the Constitution and dress codes.
"There's no news like hearing irrefutable proof that you're not the sole cause of your parents' woes, your father's drinking, your unshakable feeling that you're not put together quite right and finding out the problem all along was your father's unrequited yearning for angora." —Noelle Howey from Dress Codes Throughout her childhood in suburban Ohio, Noelle struggled to gain love and affection from her distant father. In compensating for her father's brusqueness, Noelle idolized her nurturing tomboy mother and her conservative grandma who tried to turn her into "a little lady." At age 14, Noelle's mom told her the family secret straight out: "Dad likes to wear women's clothes." As Noelle copes with a turbulent adolescence, further confused by the male and female role models she had as a girl, her father begins to metamorphose into the loving parent she had always longed for—only now outfitted in pedal pushers and pink lipstick. Could becoming a woman make her father a completely different person? With edgy humor, courage, and remarkable sensitivity, Noelle Howey challenges all of our beliefs in what constitutes gender and a "normal" family.
What's your readers' fashion; preppy, punk, goth, a mix, or something altogether different? Author Tom Streissguth takes on the world of style, fashion, marketing, and the question of dress codes and uniforms, and the history of some of the more interesting fashion choices.
Student Dress Codes and the First Amendment: Legal Challenges and Policy Issues explores the legal issues that arise when a school prohibits various types of student attire. Administrators must respect a student’s constitutional right to free speech, yet still maintain an environment that is conducive to learning, thus often creating conflicts.
Rich with illustrations, this revised and updated second edition of Dress Codes systematically analyzes the meaning and relevance of clothing in American culture. Presented here is an up-to-date analysis of images of power and authority, gender, seduction (the sexy look, the alluring look, the glamorous look, the vulnerable look), wealth and beauty, youth and health, and leisure and political hierarchy. Taken together, the chapters offer to the student and the general reader a complete "semiotics of clothing" in a form that is highly readable, very entertaining, and thoroughly informative. The illustrations provide fascinating glimpses into the history of American fashion and clothing-along with their antecedents in Europe-as well as a fine collection of images from the more familiar world of contemporary America.Rubinstein has identified six distinct categories of dress in American society, upon which Dress Codes is based. "Clothing signs" were instituted by those in authority, have one meaning, indicate behavior, and are required attire (police uniforms, or the clothing of ministers and priests); ?clothing symbols," on the other hand, reflect the achievement of cultural values?wealth, beauty, you and health. The wearing of clothing symbols?designer clothing or jewelry?may have several meanings; '`'clothing tie-signs,? which are specific types of clothing that indicate membership in a community outside mainstream culture (Hasidic, Amish, or Hare Krishna attire). They were instituted by those in authority, have one meaning, they indicate expected behavior, and are required attire; ?clothing tie symbols? emanate from hopes, fears, and dreams of particular groups. They include trendy styles such as hip-hop, hippie, and gothic. Another category, ?contemporary fashion,? reflects consumer sentiments and the political and economic forces of the period. ?Personal dress,? refers to the "I" component we bring in when dressing the public self (bowtie, dramatic, or artistic attire). Many of these images have their roots in the ?collective memory? of western society. Written in a lively and entertaining style,Dress Codes will fascinate both general readers and students interested in the history of fashion and costume, fashion design, human development, and gender studies.
Costume and Cinema: Dress Codes in Popular Film presents an overview of the literature on film costume, together with a series of detailed case studies which highlight how costume is a key signifier in film texts. Sarah Street demonstrates how costume relates in fundamental ways to the study of film narrative and mise-en-scène, in some cases constituting a language of its own. In particular the book foregrounds the related issues of adaptation and embodiment in a variety of different genres and investigates this under-explored area through extensive analysis of popular films including The Talented Mr Ripley, Desperately Seeking Susan, and The Matrix.
This book represents the most thorough exposition on our present understanding of the impetuses, debates, legalities, and effectiveness of school uniform policies that have rapidly entered the discourse of school reform in the United States. In it, David Brunsma provides an antidote to the ungrounded, anecdotal components that define the contemporary conversation regarding policies of standardized dress in American K-12 districts and schools.
Sociologists have long been curious about the ways in which city dwellers negotiate urban public space. How do they manage myriad interactions in the shared spaces of the city? In Urban Nightlife, sociologist Reuben May undertakes a nuanced examination of urban nightlife, drawing on ethnographic data gathered in a Deep South college town to explore the question of how nighttime revelers negotiate urban public spaces as they go about meeting, socializing, and entertaining themselves. May’s work reveals how diverse partiers define these spaces, in particular the ongoing social conflict on the streets, in bars and nightclubs, and in the various public spaces of downtown. To explore this conflict, May develops the concept of “integrated segregation”—the idea that diverse groups are physically close to one another yet rarely have meaningful interactions—rather, they are socially bound to those of similar race, class, and cultural backgrounds. May’s in-depth research leads him to conclude that social tension is stubbornly persistent in part because many participants fail to make the connection between contemporary relations among different groups and the historical and institutional forces that perpetuate those very tensions; structural racism remains obscured by a superficial appearance of racial harmony. Through May’s observations, Urban Nightlife clarifies the complexities of race, class, and culture in contemporary America, illustrating the direct influence of local government and nightclub management decision-making on interpersonal interaction among groups. Watch a video with Reuben A. Buford May: Watch video now. (
The writer's research was implemented from 1976-1986 & revisited from 1984-1994. The writer, as an advocate, persevered for twenty years garnering, synthesizing, extrapolating, delineating & explicating the contentious question of Dress Code Legislation for the public schools. It is the writer's belief that this research study on dress codes & how they complement the public educational system played a 'pivotal' role in the newly signed S.B. 1269 Dress Code Legislation in California on August 23, 1994. If public schools are representing a 'serious place'? Then, the time is indeed 'ripe' for educators to reassess the impact our public schools are having upon the lives of students. An excellent resource & reference book explicating Mandatory Dress Codes, Standards & School Uniforms & their positive impact upon, improving cognition, self-reliance/esteem, citizenry of tomorrow, eliminate gang colors, less money on clothes & alternatives to uniforms, based on extensive research conducted in a number of U.S. cities/possessions & part of Western Europe. The conclusions can be of great value to teachers, students, parents, principals, school districts, Boards of Education, university/college teacher training programs, & all public/private sector employers interested in developing & implementing 'practical' mandatory dress codes, standards or uniforms.
Drei Gebiete beschäftigen moderne Nomaden im Alltag immer wieder: Wie verhalte ich mich korrekt, auch in anderen Kulturkreisen? Wie organisiere ich einen Anlass für Gäste, auch unter ungewohnten Bedingungen? Und wie präsentiere ich mich? Lauter Nebensächlichkeiten, könnte man denken. Inzwischen wissen wir, dass das Leben deutlich entspannter wird, wenn diese Nebensächlichkeiten zu Meeting & Greeting, Wining & Dining sowie Dress Codes & Styling geklärt sind. Wer mit Respekt und Aufmerksamkeit auftritt, gewinnt. Wer die Regeln kennt, ist im Vorteil. Die Autoren vermitteln, was sie international erprobt haben und täglich praktizieren: Ihr Know-how basiert auf jahrzehntelanger Erfahrung auf dem diplomatischen Parkett, in der Hotellerie und auf ihrer Tätigkeit in den Bereichen Etikette und Image-Coaching.
As a dynamic tradition, Judaism has always relied on experts to interpret sacred texts for modern times. Responding to the questions posed to him from congregants, other rabbis, and Jews around the world, Rabbi Allen blends his special sensitivity with profound scholarship in addressing a wide range of religious issues. This book is a window into how an ancient tradition can still keep its relevance today.
The first in a five volume set, this book reestablishes dress as a foundational context for crossdressing. This major study demonstrates the interplay between sex, gender, and clothes, especially as these relate to transgender behaviors, of which crossdressing is the best-known.
“A poetic love letter to the complexities of teenage identity, and the frustrations of growing up in a place where everything fits in a box—except you.”—David Arnold, New York Times bestselling author of Kids of Appetite "Courtney Stevens firmly reasserts herself as a master storyteller of young adult fiction; crafting stories bursting with humor, heart, and the deepest sort of empathy."—Jeff Zentner, 2017 Morris Award Winner for The Serpent King "Courtney Stevens carries us into the best kind of mess: deep friendships, small town Southern gossip, unexpected garage art, and unfolding romantic identity."—Jaye Robin Brown, author of Georgia Peaches and Other Forbidden Fruit As the tomboy daughter of the town’s preacher, Billie McCaffrey has always struggled with fitting the mold of what everyone says she should be. She’d rather wear sweats, build furniture, and get into trouble with her solid group of friends: Woods, Mash, Davey, Fifty, and Janie Lee. But when Janie Lee confesses to Billie that she’s in love with Woods, Billie’s filled with a nagging sadness as she realizes that she is also in love with Woods…and maybe with Janie Lee, too. Always considered “one of the guys,” Billie doesn’t want anyone slapping a label on her sexuality before she can understand it herself. So she keeps her conflicting feelings to herself, for fear of ruining the group dynamic. Except it’s not just about keeping the peace, it’s about understanding love on her terms—this thing that has always been defined as a boy and a girl falling in love and living happily ever after. For Billie—a box-defying dynamo—it’s not that simple. Readers will be drawn to Billie as she comes to terms with the gray areas of love, gender, and friendship, in this John Hughes-esque exploration of sexual fluidity.
Urban ethnography is the firsthand study of city life by investigators who immerse themselves in the worlds of the people about whom they write. Since its inception in the early twentieth century, this great tradition has helped define how we think about cities and city dwellers. The past few decades have seen an extraordinary revival in the field, as scholars and the public at large grapple with the increasingly complex and pressing issues that affect the ever-changing American city-from poverty to the immigrant experience, the changing nature of social bonds to mass incarceration, hyper-segregation to gentrification. As both a method of research and a form of literature, urban ethnography has seen a notable and important resurgence. This renewed interest demands a clear and comprehensive understanding of the history and development of the field to which this volume contributes by presenting a selection of past and present contributions to American urban ethnographic writing. Beginning with an original introduction highlighting the origins, practices, and significance of the field, editors Mitchell Duneier, Philip Kasinitz, and Alexandra Murphy guide the reader through the major and fascinating topics on which it has focused -- from the community, public spaces, family, education, work, and recreation, to social policy, and the relationship between ethnographers and their subjects. An indispensable guide, The Urban Ethnography Reader provides an overview of how the discipline has grown and developed while offering students and scholars a selection of some of the finest social scientific writing on the life of the modern city.
The International Center of Photography exhibition Dress Codes: The Third ICP Triennial of Photography and Video, is a global survey of contemporary photography and video art. The exhibition features over 100 recent works by 34 artists from 18 countries. The artists includes Mickalene Thomas, Yto Barrada, Kimsooja, Thorsten Brinkmann, Cindy Sherman, Stan Douglas, and Lorna Simpson.

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