CHAPTERS FOR A FATHERLESS GENERATION With honest humor and raw self-revelation, bestselling author Donald Miller tells the story of growing up without a father and openly talks about the issues that befall the fatherless generation. Raw and candid, Miller moves from self-pity and brokenness to hope and strength, highlighting a path for millions who are floundering in an age without positive male role models. Speaking to both men and women who grew up without a father—whether that father was physically absent or just emotionally aloof—this story of longing and ultimate hope will be a source of strength. Single moms and those whose spouses grew up in fatherless homes will find new understanding of those they love as they travel along this literary journey. This is a story of hope and promise. And if you let it, Donald Miller’s journey will be an informal guide to pulling the rotted beams out from our foundations and replacing them with something upon which we can build our lives.
Donald Miller's dad left when he was very young. From that point onwards, Donald felt different. Different from the other boys in his class; different from the other boys at camp. He discovered that growing up without a father to show him the ropes is hard work. Dads have essential wisdom to impart to their sons, but without one, life seems a whole lot harder. With honest humour and raw self-revelation, bestselling author Donald Miller talks about growing up without a father and discusses the issues that befall the ‘fatherless generation’.
Born in 1884, Frank R. Paul was slated to study for the priesthood; instead, he studied art and architectural and mechanical drafting. The impact of these studies is evident in his brilliant and original science fiction artwork. To say that Frank R. Paul is the father of science fiction illustration art is an understatement. His fertile imagination, amply demonstrated by the paintings and drawings in this book, speak for themselves and his legacy continues to influence the field today. Here, in this compendium, is the very first collection ever published showcasing many of Paul's full color science fiction artwork along with appreciations and critical essays by Sir Arthur C. Clarke and by Stephen Koshak; Jerry Weist and Roger Hill; Sam Moskowitz; Gerry de la Ree; Forrest J. Ackerman; and Frank Wu.
Daughters, Fathers, and the Novel is a provocative study of the father-daughter story--a neglected dimension of the family romance. It has important implications for the history of the novel, for our understanding of key texts in that history, and for theories concerning the representation of gender, family relations, and heterosexuality in Western culture. In the English and American novel, argues Lynda Zwinger, "the good woman" . . . is a father's daughter, . . . constructed to the very particular specifications of an omnipresent and unvoiced paternal desire." Zwinger supports her case with an analysis of both "high-brow" and "low-brow" novels and with ingenious textual analyses of five novels: Clarissa Harlowe, Dombey and Son, Little Women, The Golden Bowl, and The Story of O. In the dominant discourse of Anglo-American culture, the father's daughter provides the cornerstone for the patriarchal edifice of domesticity and the alibi for patriarchal desire. Zwinger's analysis of the sexual politics embodied in the figure of this sentimental daughter raises compelling critical and cultural issues. Zwinger shows how different readings of Clarissa's story form a sentimental composite that makes her available in perpetuity to heterosexual desire. Dombey and Son illuminates the erotic dimension of the sentimental, the titillation always inherent in the spectacle of virtue in distress. Zwinger's analysis of Little Women in the context of Louisa May Alcott's own life-text focuses upon the problems of a daughter trying to write the filial romance. The Golden Bowl deploys the daughter of sentiment as a "cover story" for a feminine version of the Oedipal story, founded on the daughter who can't say yes, but doesn't say no. The Story of O reveals the pornographic dimension in romantic and sentimental love. In her conclusion, Zwinger offers an overview of the nineteenth-century novel, asking what difference it makes when the writer is a daughter. She shows how the daughter's family romance pictures the father as inadequate, ironically requiring the sentimental daughter as a patriarchal prop. She develops a useful concept of hysteria and argues that generic "disorder" and hysterical "intrusions" mark the family romance novels of Jane Austen, Emily and Charlotte Brontë, and George Eliot. And finally, she makes the case that the daughter's choice to stay home is not necessarily an act of simple complicity, for by staying home she comes as close as she can to disrupting the father-daughter romance.
New York executive Michael McGuire finds his relationship with his son changed and his life endangered when he becomes involved in an IRA gunrunning plot
From one of our greatest living writers comes a “powerful story” (New York Post) about sin cloaked in sacrament, shame that enforces silence, and the courage of one priest who dares to speak the truth. Sent away from his native Australia to Canada due to his radical preaching against the Vietnam War, apartheid, and other hot button issues, Father Frank Docherty now enjoys a satisfying career as a psychologist and monk. When he returns to Australia to lecture on the future of celibacy and the Catholic Church, he is unwittingly pulled into the lives of two people—a young man and an ex-nun—both of whom claim to have been sexually abused by a prominent monsignor. As a member of the commission investigating sex abuse within the Church, and as a man of character and conscience, Docherty decides he must confront each party involved and try to bring the matter to the attention of both the Church and the secular authorities. What follows will shake him to the core and call into question many of his own choices. This riveting and timely novel is “the work of a richly experienced and compassionate writer [with] an understanding of a deeply wounded culture” (Sydney Morning Herald). It is an exploration of what it is to be a person of faith in the modern world, and of the courage it takes to face the truth about an institution you love.
From a New York Times–bestselling author, a “gripping and beautifully written” novel of love and family set against the backdrop of Cold War Berlin (Bookpage). Berlin, 1961. Days before the Wall rises, three teenagers from an American school in West Germany travel to the Communist side of the divided city to join a May Day rally. One of them has brought along a flight bag belonging to his father, a US intelligence officer. Before long, the teens are in the custody of the secret East German police, the notorious Stasi. Unbeknownst to them, their parents have unfinished business, reaching back to World War II, which will pull the three friends into the vortex of an international incident. Told through flashbacks by alternating narrators, Secret Father is a novel of missed signals, cloaked motives, false postures, and panicked responses that tragically echo across borders and generations. Like the classic period thrillers of Graham Greene, James Carroll’s politically charged coming-of-age tale provides a “somber and evocative look at some of the most frightening times in one of the most frightening places in the Cold War” (Kirkus Reviews). “Carroll writes with rich, lyrical ease,” raves Publishers Weekly. “His characters are richly drawn, and the pieces of his impeccably paced story fit together with the cool precision of a Mercedes-Benz.”
This book examines the changing roles of fathers in the nineteenth century as seen in the lives and fiction of Victorian authors. Fatherhood underwent unprecedented change during this period. The Industrial Revolution moved work out of the home for many men, diminishing contact between fathers and their children. Yet fatherhood continued to be seen as the ultimate expression of masculinity, and being involved with the lives of one’s children was essential to being a good father. Conflicting and frustrating expectations of fathers and the growing disillusionment with other paternal authorities such as church and state yielded memorable portrayals of fathers from the best novelists of the age. The essays in this volume explore how Victorian authors (the Brontës, Dickens, Gaskell, Trollope, Eliot, Hardy, and Elizabeth Sewall and Mary Augusta Ward) responded to these tensions in their lives and in their fiction. The stern Victorian father cliché persisted, but it was countered by imaginative, involved, albeit faulty fathers and surrogate fathers. This volume poses fathering questions that are still relevant today: What does it mean to be a good father? And, with distrust in patriarchal authorities continuing to increase, are there any sources of authority left that one can trust?
In His Father’s Footsteps is a powerful, compassionate story of fathers and sons, set in the dramatically transforming years following the Second World War, by the masterful Danielle Steel. April, 1945. As the Americans storm the Buchenwald concentration camp, among the survivors are Jakob and Emmanuelle, barely more than teenagers. Each of them has lost everything and everyone in the unspeakable horrors of the war. But when they meet, they find hope and comfort in each other. Jakob and Emmanuelle marry, and resolve to make a new life in New York. The Steins build a happy, prosperous life for themselves and their new family, but their pasts cast a long shadow over the present. Years later, as the Sixties are in full swing, their son Max is an ambitious, savvy businessman, determined to throw off the sadness that has hung over his family since his birth. But as Max’s life unfolds, he must learn that there is meaning in his heritage that will help shape his future . . .
Never-before-revealed secrets of the characters, leading to the creation of the government’s covert Fringe Division. In 2008, Peter Bishop is estranged from his father and running shady operations in Southeast Asia. His latest scam lands him in a life-or-death situation involving weird events beyond the ken of modern science. On the run, he finds himself pursued by strange specters of his past… and his future. The Fringe Division is summoned when the unimaginable occurs. Armed with experimental technology, special agent Olivia Dunham, “fringe” scientist Walter Bishop, and his son Peter Bishop investigate cases that lie beyond the realm of possibility.
Cy Riemer, divorced and middle-aged, tries to come to terms with his feelings about his grown children and himself as a father and a man
An innovative study of two of England’s most popular, controversial, and influential writers, Father and Son breaks new ground in examining the relationship between Kingsley Amis and his son, Martin Amis. Through intertextual readings of their essays and novels, Gavin Keulks examines how the Amises’ work negotiated the boundaries of their personal relationship while claiming territory in the literary debate between mimesis and modernist aesthetics. Theirs was a battle over the nature of reality itself, a twentieth-century realism war conducted by loving family members and rival, antithetical writers. Keulks argues that the Amises’ relationship functioned as a source of literary inspiration and that their work illuminates many of the structural and stylistic shifts that have characterized the British novel since 1950.
"Winner of the 2013 Mary McCarthy Prize in Short Fiction Selected by Edith Pearlman"--
Father and Son tells the story of five days following Glen Davis’s return to the small Mississippi town where he grew up. Five days. In this daring psychological thriller, these are five days you’ll never forget. Convicted and sentenced on a vehicular homicide charge, Glen is the bad seed--the haunted, angry, drunken, and dangerous son of Virgil and Emma Davis. Bobby Blanchard is the sheriff, as different from Glen as can be imagined, but in love with the same woman--the mother of Glen’s illegitimate son. Before he’s been back in town thirty-six hours, Glen has robbed his war-crippled father, bullied and humiliated his younger brother, and rejected his son, David. Bobby finds himself sorting through the mayhem Glen leaves in his wake--a murdered bar owner, a rape, Glen’s terrorized family, and the little boy who needs a father. And, as he gets closer and closer to the murderous Glen, tension builds like a Mississippi thunderstorm about to break loose. This classic face-off of good against evil is told in the clear, unflinching voice that won Larry Brown some of literature’s most prestigious awards. And, reverberating with dark excitement, biblical echoes, and a fast, cinematic pacing, this novel puts a new side of his genius on display--the ability to build suspense to an almost unbearable pitch. Father and Son is the story of a powerfully complex kinship, an exhilarating and heart-stopping story. 1997 Southern Book Critics Circle Award for Fiction
Gathers seventy stories by Paley, Hannah, Barthelme, Cheever, Updike, Tallent, Carver, Boyle, Williams, Oates, Hemingway, and Malamud
Even for those who have never read Jules Verne (1828--1905), the author's very name conjures visions of the submarine in Twenty Thousand Leagues Under the Sea, the epic race in Around the World in Eighty Days, the spacecraft in From the Earth to the Moon, and the daring descent in Journey to the Center of the Earth. One of the most widely translated authors of all time, Verne has inspired filmmakers since the early silent period and continues to fascinate audiences more than one hundred years after his works were first published. His riveting plots and vivid descriptions easily transform into compelling scripts and dramatic visual compositions. In Hollywood Presents Jules Verne, Brian Taves investigates the indelible mark that the author has left on English-language cinema. Adaptations of Verne's tales have taken many forms -- early movie shorts, serials, feature films, miniseries, and television shows -- and have been produced as both animated and live-action films. Taves illuminates how, as these stories have been made and remade over the years, each new adaptation looks back not only to Verne's words but also to previous screen incarnations. He also examines how generations of actors have portrayed iconic characters such as Phileas Fogg and Captain Nemo, and how these figures are treated in pastiches such as Journey 2: The Mysterious Island (2012). Investigating the biggest box-office hits as well as lower-budget productions, this comprehensive study will appeal not only to fans of the writer's work but also to readers interested in the ever-changing relationship between literature, theater, and film.
Not Me is a remarkable debut novel that tells the dramatic and surprising stories of two men–father and son–through sixty years of uncertain memory, distorted history, and assumed identity. When Heshel Rosenheim, apparently suffering from Alzheimer’s disease, hands his son, Michael, a box of moldy old journals, an amazing adventure begins–one that takes the reader from the concentration camps of Poland to an improbable love story during the battle for Palestine, from a cancer ward in New Jersey to a hopeless marriage in San Francisco. The journals, which seem to tell the story of Heshel’s life, are so harrowing, so riveting, so passionate, and so perplexing that Michael becomes obsessed with discovering the truth about his father. As Michael struggles to come to grips with his father’s elusive past, a world of complex and disturbing possibilities opens up to him–a world in which an accomplice to genocide may have turned into a virtuous Jew and a young man cannot recall murdering the person he loves most; a world in which truth is fiction and fiction is truth and one man’s terrible–or triumphant–transformation calls history itself into question. Michael must then solve the biggest riddle of all: Who am I? Intense, vivid, funny, and entirely original, Not Me is an unsparing and unforgettable examination of faith, history, identity, and love. From the Hardcover edition.
A young brother and sister try to rehabilitate their father on their own after he slips into a drug-induced coma and then emerges suffering from brain damage, in a novel that addresses the crisis in authority and faith in American families. Original.