Published to great acclaim in 2006, the hardcover edition of Home Ground: Language for an American Landscape met with outstanding reviews and strong sales, going into three printings. A language-lover's dream, Home Ground revitalized a descriptive language for the American landscape by combining geography, literature, and folklore in one volume. Now in paperback, this visionary reference is available to an entire new segment of readers. Home Ground brings together 45 poets and writers to create more than 850 original definitions for words that describe our lands and waters. The writers draw from careful research and their own distinctive stylistic, personal, and regional diversity to portray in bright, precise prose the striking complexity of the landscapes we inhabit. Home Ground includes 100 black-and-white line drawings by Molly O’Halloran and an introductory essay by Barry Lopez.
Modewarre is the indigenous Wathaurong word for musk duck. Through this icon of land and water, Patricia Sykes explores various histories -- her own, her forbears, the wider histories of identity and place -- in poems that are as concentrated as pearls. three roads meeting in the one bird: modewarre (the indigenous); biziura lobata (the colonial); musk duck (the common). What is home? What is identity? These poems set out on the winding paths of memory and aspiration in search of how these questions might be answered. Their context is local and universal, their voices restless and insistent, their themes as broad or as narrowly defined as the journey demands. The only certainty is that nothing is certain: because the syllables/on the page are not/the land beneath the name. Whether inquiring into the futuristic interventions of intra-uterine surgery, all the soft and hard arguments/living outside the placenta, or into the dispossessions of terrorism, who will provide/the next welcome planet? these poems seek to confront and understand the complex meanings of belonging.
The essence of ‘Home Ground’ is a collection of twenty walks, ranging from about five to fifteen miles in length, situated in the North West of England. The criterion for selection is that each walk must be situated in whole or in part on Ordnance Survey 1:50,000 ‘Landranger’ map no. 103 (Blackburn and Burnley). This was the map used by the author when he first began to explore the area almost fifty years ago, and these long personal associations, heightened by a long absence from the area, make this truly his home ground. Within this relatively small area there is a rich variety of beautiful scenery, largely unsung, all lying within some twenty miles of industrial East Lancashire. From the suburbs of Blackburn to the fringe of the Yorkshire Dales, from the sweeping fells of the Forest of Bowland to the wooded valleys and heights of Calderdale, these walks have something to offer to walkers of practically all tastes. Both the Forest of Bowland and the Pennine Way feature strongly on the map and in the book, and extra sections discuss these features. Especially the Forest of Bowland, recognized as an area of outstanding national beauty but not a national park, is introduced in some detail as its charm and many opportunities for the walker and day visitor are still little known. The Pennine Way, which features in three of the walks, is mentioned more autobiographically as the author recalls his own experience of the Way and its wider relationship to Northern England. About the Author Andrew Stachulski was born in Blackburn in 1950, the son of a Polish father and English mother, and grew up in nearby Great Harwood. He was educated at Accrington Grammar School from 1961 to 1968, when he gained entrance to read Natural Sciences at Fitzwilliam College, Cambridge. He graduated with firstclass honours in 1971 and, after winning a senior scholarship, he remained at the college to study for a Ph. D. under the supervision of Professor Alan (now Sir Alan) Battersby. Following the completion of his doctorate in 1974, he held postdoctoral fellowships with the Medical Research Council and at Jesus College, Oxford until 1978. There followed a long period of employment in the chemical industry, first with Beecham Pharmaceuticals (later SmithKline Beecham) and then Ultrafine Chemicals, Manchester. In 2001 he fulfilled a longheld ambition by returning to academic life at the University of Liverpool, becoming a senior lecturer in 2003. Recently (Jan., 2010) he moved to take up a senior research fellowship at the University of Oxford. Walking has always been a great love of his life, beginning in the Ribble Valley and Pendle country of his native Lancashire. In the mid 1970s he completed a number of Britain’s longdistance footpaths, the Pennine Way, Offa’s Dyke Path and Coast to Coast walk, accompanied by college friends. Subsequently he climbed all the principal fells of the Lake District, where he often returns, and from 1981 again with a college friend he began to climb in the Scottish Highlands. In 2003 he completed the circuit of all the ‘Munros’, the separate Scottish mountains of 3,000 ft. or greater height. His first walks were planned with the aid of the old one inch to one mile Ordnance Survey map of Blackburn and Burnley, and that is truly his home ground. It was particularly following his return to the North in 1991, then living in Greater Manchester, that this book came to be planned. Old walks familiar from childhood, in the Ribble and Hodder valleys, Pendle country, South Pennines and the Forest of Bowland were revisited and built on, and many new ones were added. From these the twenty walks featured in this book have been selected, walks which appeal personally to the author through their beauty or special associations, or which in his view speak most clearly of the characteristics of the area.
Home Ground is a powerful and enduring collection of new writing from established authors, learners, students and tutors who have worked together in Glasgow. The stories and poems in this book are peppered with the landmarks, spaces and places that are emblems of our city. Most of all, they are about people; their hopes and fears, and their trials and triumphs.
When longtime author Robert Root moves to a small town in southeast Wisconsin, he gets to know his new home by walking the same terrain traveled by three Wisconsin luminaries who were deeply rooted in place—John Muir, Aldo Leopold, and August Derleth. Root walks with Muir at John Muir State Natural Area, with Leopold at the Shack, and with Derleth in Sac Prairie; closer to home, he traverses the Ice Age Trail, often guided by such figures as pioneering scientist Increase Lapham. Along the way, Root investigates the changes to the natural landscape over nearly two centuries, and he chronicles his own transition from someone on unfamiliar terrain to someone secure on his home ground.In prose that is at turns introspective and haunting, Walking Home Ground inspires us to see history’s echo all around us: the parking lot that once was forest; the city that once was glacier. "Perhaps this book is an invitation to walk home ground," Root tells us. "Perhaps, too, it’s a time capsule, a message in a bottle from someone given to looking over his shoulder even as he tries to examine the ground beneath his feet."
Collection of short stories by a young Alaskan writer, examining the effects of pipeline construction on two families.
Home Ground and Foreign Territory is an original collection of essays on early Canadian literature in English. Aiming to be both provocative and scholarly, it encompasses a variety of (sometimes opposing) perspectives, subjects, and methods, with the aim of reassessing the field, unearthing neglected texts, and proposing new approaches to canonical authors. Renowned experts in early Canadian literary studies, including D.M.R. Bentley, Mary Jane Edwards, and Carole Gerson, join emerging scholars in a collection distinguished by its clarity of argument and breadth of reference. Together, the essays offer bold and informative contributions to the study of this dynamic literature. Home Ground and Foreign Territory reaches out far beyond the scope of early Canadian literature. Its multi-disciplinary approach innovates literal studies and appeals to literature specialists and general readership alike.
The concept of African American home ground knits together diverse aspects of the American landscape, from elite suburbs and tower apartments to the old homeplaces of the countryside, to the tabletop array of family photos beside the bed of a housebound elder. This fascinating volume focuses on ways African Americans have invested actual and symbolic landscapes with signifigance, gained the means to acquire property, and brought new insight to the interpretation of contemporary, historical, and archaelogical sites. Keep Your Head to the Sky demonstrates how visions of home, past and present, have helped to shape African Americans' sense of place, often under extremely hostile conditions.
This book explores why it is white ethnicity has been rendered invisible, arguing that contemporary people's conceptions of themselves are conditioned by, and derive from, the unknown and forgotten legacy of a colonial past that cannot be confined to the past.
Home is a common denominator; no matter how little we know about each other's tribe, we can agree on the instinct for home, in all its brave and bizarre forms. 17 authors of various ethnic origins living in the US contributed memoirs and stories; includes Ishmael Reed, Pico Iver, Naomi Shihab Nye, Lawson Inada, and Sandra Scofield.
Set in South Africa in the 'fifties and 'sixties, this is the story of Ruth, youngest of three daughters in the flamboyant, theatrical Frank family. Brash, clear-eyed and passionate, Ruth moves through a decade of drama on every front--the family, the servants, the theatre, and the country at large--wondering always how she will escape into the real world" at last."For protagonist Ruth Frank, home ground is a small town in South Africa in the 1950s, in the thick of a feuding theatrical family, where her parents play at "Happy Families" with the same fervor and artifice they bring to their professional productions. Freed is at her best when evoking Sarah and Roger Frank's powerful self-delusion and Ruth's painful realization that her parents are "deaf and blind" to their alienation as a family, as Jews in British colonial society and as whites on a turbulent black continent. The author's ear for dialogue is perceptive, as is her depiction of the Franks' pathetic, uneducated, white lower-class neighbors and the desperate squalor and rage of their black servants. Ruth's coming of agefrom eight to 18serves as the framework for the novel, but the narrative is too insubstantial to sustain the 10-year time span. And the underdeveloped motivation for the vicious sibling rivalry between Ruth and her sisters is less than satisfying."Copyright 1987 Reed Business Information, Inc.--Library Journal"This first person coming-of-age novel takes Ruth Frank, a Jew growing up in South Africa in the 1950sfrom a brash 8-year-old to a plump, pimply adolescent to a head-turning 18-year-old with her first lover. Ruth, the youngest of three daughters of theatrical parents who play at "Happy Families" at home, worries about, among other things, her future, sex, her parents, money (the Frank family wealth also is illusory), and violent black revolution. Looking for the truth about her family, which values appearance above all, and about her segregated country, she is nurtured by the family's black cook, encouraged by a noted British actress, and supported by an Indian friend and her close-knit family. In this warm, well-constructed novel, the South African locale adds depth to Ruth's universal concerns about growing up." Michele Leber, Fairfax Cty. P.L., Va.Copyright 1986 Reed Business Information, Inc.--Library Journal
Like John Muir, David Pitt-Brooke stepped out for a walk one morning—a long walk of a thousand kilometres or more through the arid valleys of southern interior British Columbia. He went in search of beauty and lost grace in a landscape that has seen decades of development and upheaval. In Crossing Home Ground he reports back, providing a day-by-day account of his journey’s experiences, from the practical challenges—dealing with blisters, rain and dehydration—to sublime moments of discovery and reconnection with the natural world. Through the course of this journey, Pitt-Brooke’s encounters with the natural world generate starting points for reflections on larger issues: the delicate interconnections of a healthy landscape and, most especially, the increasingly fragile bond between human beings and their home-places. There is no escaping the impact of human beings on the natural world, not even in the most remote countryside, but he finds hope and consolation in surviving pockets of loveliness, the kindness of strangers and the transformative process of the walking itself, a personal pilgrimage across home ground. Crossing Home Ground is a book that, though rooted in one specific place and time, will evoke a universal sense of recognition in a wide variety of readers. It will appeal to hikers, natural-history enthusiasts and anyone who loves the wild countryside and is concerned about the disappearance of Canada’s natural spaces. Pitt-Brooke’s grassland odyssey is sure to become a classic of British Columbia nature writing.
Set in Brooklyn in the wake of World War II, and in the shadow of Ebbets Field, a young boy is confronted with an emotional tangle of choices that involve baseball, friendship, and family.
Depicts the interconnectedness of the natural world, beginning with an examination of the stream running through the author's backyard in a Vermont valley, and pulling back to explore the rhythms and relationships of a continent
n Home Ground Jeanne Lohmann celebrates her life with gratitude and zest, a wry sense of humor. The poems speak of the vagaries and wisdom of aging, the complex beauty of nature, memories of parents, friends and growing up. Through love and loss and change the work of these generous poems is an adventurous search for"home ground.” JeanneLohmann lives and writes inOlympia Washington. This is her tenth published poetry collection.
The MCG has hosted not only Test matches, Grand Finals and an Olympics, but evangelical crusades, concerts, conscription rallies, papal and royal visits and much more. Megan Ponsford's book of photographs foregrounds the northern side of the MCG, just before the wreckers moved in to commence a complete refurbishment.

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