Fifty years of reading Homer—both alone and with students—prepared Eva Brann to bring the Odyssey and the Iliad back to life for today's readers. In Homeric Moments, she brilliantly conveys the unique delights of Homer's epics as she focuses on the crucial scenes, or moments, that mark the high points of the narratives: Penelope and Odysseus, faithful wife and returning husband, sit face to face at their own hearth for the first time in twenty years; young Telemachus, with his father Odysseus at his side, boldly confronts the angry suitors; Achilles gives way to boundless grief at the death of his friend Patroclus. Eva Brann demonstrates a way of reading Homer's poems that yields up their hidden treasures. With an alert eye for Homer's extraordinary visual effects and a keen ear for the musicality of his language, she helps the reader see the flickering campfires of the Greeks and hear the roar of the surf and the singing of nymphs. In Homeric Moments, Brann takes readers beneath the captivating surface of the poems to explore the inner connections and layers of meaning that have made the epics "the marvel of the ages." "Written with wit and clarity, this book will be of value to those reading the Odyssey and the Iliad for the first time and to those teaching it to beginners."—Library Journal "Homeric Moments is a feast for the mind and the imagination, laid out in clear and delicious prose. With Brann, old friends of Homer and new acquaintances alike will rejoice in the beauty, and above all the humanity, of the epics." —Jacob Howland, University of Tulsa, Author of The Paradox of Political Philosophy "In Homeric Moments, Eva Brann lovingly leads us, as she has surely led countless students, through the gallery of delights that is Homer's poetry. Brann's enthusiasm is as infectious as her deep familiarity with the works is illuminating."—Rachel Hadas "Brann invites us to enter a conversation [about Homer] in which information and formal arguments jostle with appreciations and frank conjectures and surmises to increase our pleasure and deepen the inward dimension of our humanity."—Richard Freis, Millsaps College "For anyone eager to experience the profundity and charm of Homer's great epic poems, Eva Brann's book will serve as a passionate and engaging guide. Brann displays a deep sensitivity to the cadence and flow of Homeric poetry, and the kind of knowing intimacy with its characters that comes from years of teaching and contemplation. Her relaxed but informative approach succeeds in conveying the grandeur of the great Homeric heroes, while making them continually resonate for our own lives. Brann helps us see that this poetry has an urgency for our own era as much as it did for a distant past."—Ralph M. Rosen, University of Pennsylvania, Author of Old Comedy and The Iambographic Tradition "The most enjoyable books about Homer are always written by those who have read and taught him the most. Eva Brann's collection of astute observations, unusual asides, and visual snapshots of the Iliad and the Odyssey reveals a lifelong friendship with the poet, and is as pleasurable as it is informative. Homeric Moments is rare erudition without pedantry, in a tone marked by good sense without levity."—Victor Davis Hanson, author of The Other Greeks and co-author of Who Killed Homer?
Ovid's Homer examines the Latin poet's engagement with the Homeric poems throughout his career. Boyd offers detailed analysis of Ovid's reading and reinterpretation of a range of Homeric episodes and characters from both epics, and demonstrates the pervasive presence of Homer in Ovid's work. The resulting intertextuality, articulated as a poetics of paternity or a poetics of desire, is particularly marked in scenes that have a history of scholiastic interest or critical intervention; Ovid repeatedly asserts his mastery as Homeric reader and critic through his creative response to alternative readings, and in the process renews Homeric narrative for a sophisticated Roman readership. Boyd offers new insight into the dynamics of a literary tradition, illuminating a previously underappreciated aspect of Ovidian intertextuality.
In Ulysses and Us, Declan Kiberd argues that James Joyce's Ulysses offers a humane vision of a more tolerant and decent life under the dreadful pressures of the modern world. As much a guide to contemporary life as it is virtuoso work of literary criticism, Ulysses and Us offers revolutionary insights to the scholar and the first-time reader alike. Leopold Bloom, the half-Jewish Irishman who is the hero of James Joyce's Ulysses, teaches the young Stephen Dedalus (modelled on Joyce himself) how he can grow and mature as an artist and an adult human being. Bloom has learned to live with contradictions, with anxiety and sexual jealousy, and with the rudeness and racism of the people he encounters in the city streets, and in his apparently banal way sees deeper than any of them. He embodies an intensely ordinary kind of wisdom, Kiberd argues, and in this way offers us a model for living well, in the tradition of the literature upon which Joyce drew in writing Ulysses, such as Homer, Dante and the Bible. 'Declan Kiberd's brilliantly informed and highly entertaining advocacy liberates Joyce's greatest book from the dungeon of unreadable masterpieces.' Joseph O'Connor
The philosopher Alfred North Whitehead once said that all of Western philosophy was "but a series of footnotes to Plato." By the same token, one could argue that all of Western civilization is but an extension of the ancient Greek cultural legacy. The Greeks invented tragedy, comedy, lyric poetry, history, philosophy, and democracy. They also made remarkable advances in science, medicine, and mathematics. In the author’s view, what ties this wide-ranging intellectual ferment together is a restless search for wisdom. The author looks at ten outstanding examples of Greek wisdom, offering fresh and engaging portraits of the epic poets (Homer, Hesiod); dramatists (Aeschylus, Sophocles, Euripides, Aristophanes); historians (Herodotus, Thucydides); and philosophers (Plato, Aristotle) against the background of Greek history. In each case he asks what the author has to tell us— regardless of genre—about our place in the world and how we should live our lives. By surveying some of the highest peaks of ancient civilization, the author argues that we gain perspective on the historical terrain that lies below. This book presents an eloquent and convincing case that a study of the Greek classics, as Gustave Flaubert explained, makes us "greater, wiser, purer." From the Hardcover edition.
Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. The volume brings together four major works by one of the greatest classical dramarists: Electra, translated by Anne Carson and Michael Shaw, a gripping story of revenge, manipulation, and the often tense conflict of the human spirit; Aias, translated by Herbert Golder and Richard Pevear, an account of the heroic suicide of the Trojan war hero better known as Ajax; Philoctetes, translated by Carl Phillips and Diskin Clay, a morally complex and penetrating play about the conflict between personal integrity and public duty; and The Women of Trachis, translated by C.K. Williams and Gregory W. Dickerson, an urgent tale of mutability in a universe of precipitous change. These four tragedies were originally available as single volumes. This new volume retains the informative introductions and explanatory notes of the original editions and adds a single combined glossary and Greek line numbers.
Noted classicist Vivante explores the function of verse as a fundamental form of human expression, and argues that the force of Homer's poetry largely lies in the implicit significance of its verse-rhythm.
Attributed to Homer, The Iliad, along with The Odyssey, is among the oldest literary documents in the Greek language. This epic war story depicts seven key weeks during the battle for Ilium, or Troy, culminating in the decisive battle between Achilles and Hector. More importantly, The Iliad attempts to define the qualities of the heroic character. Here in a single volume, students will find some of the leading critical analyses available on this ancient work. Completely updated, and incorporating the best new material available, this Bloom s Modern Critical Interpretations edition is especially suited for those working on complex research papers. The full-length essays are accompanied by additional helpful features, including a chronology, background information on the contributors, and a bibliography.
Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.
This collection of essays, written by former pupils, celebrates the career of Jasper Griffin, one of the foremost modern scholars of classical epic. The volume surveys the epic tradition from the eighth century BC to the nineteenth century of our era. Individual chapters focus on: Homer and the oral epic tradition; Homer in his religious context; Herodotus and Homer; Hellenistic epic; Virgil in his literary context; Virgil in his political-cultural context; the Augustan poets and the Aeneid; Statius' Thebaid; Old English and Old Irish epic; Renaissance epic: Tasso and Milton; and the Victorians. The aim of the book is to situate writers of epic in their literary and cultural contexts--an enterprise captured in the term "interaction" in the title. The chapters singly offer insights into some of the foundational poems of the European epic tradition and together take a bold, holistic look at that tradition.
The recent success of Hollywood blockbusters such as Troy, Alexander and 300 demonstrates how popular Greek antiquity still is and how well it can be marketed. Today as in the golden age of the peplum-genre, its myths, the Homeric heroes, the Attic tragedies, and less frequently historical personages such as Alexander the Great or the Spartan king Leonidas represent Hellas. The authors of this volume highlight the many and varied forms of the reception of ancient Hellas in the history of the cinema, from mythology to Roman Greece, from the era of silent films to the new millennium. In this, they are examining classic films, recent releases, and lesser known and often overlooked productions.