The greatest English version of the stories of King Arthur, Le Morte Darthur was completed in 1469-70 by Sir Thomas Malory, `knight prisoner'. This generously annotated edition, in a new abridgement by Helen Cooper based on the Winchester manuscript, represents what Malory wrote more closely than the first version printed by William Caxton. - ;The definitive English version of the stories of King Arthur, Le Morte Darthur was completed in 1469-70 by Sir Thomas Malory, `knight-prisoner'. In a resonant prose style, Malory charts the tragic disintegration of the fellowship of the Round Table, destroyed from within by warring factions. Recounting the life of King Arthur, the knightly exploits of Sir Lancelot du Lake, Sir Tristram, Sir Gawain, and the quest for the Holy Grail, Le Morte Darthur depicts the contradictions that underscore the Fellowship's chivalric ideals. A pervading tension cumulates in the revelation of Lancelot and Guenivere's illicit passion, and in Arthur's powerlessness to prevent a related outbreak of violence and revenge. This generously annotated edition is based on the authoritative Winchester manuscript and represents what Malory wrote more closely than the first version printed by William Caxton. Intelligently abridged from the original to make a single substantial volume, the translation is supplemented by a fine Introduction, a Glossary, and extensive Notes -
Presents the epic story of King Arthur, his Knights of the Round Table, the sword of Excalibur, and his tragic and poetic death
Als Mitte des 19. Jahrhunderts Schah Naser König von Persien wird, befi ndet sich sein Reich in vieler Hinsicht noch im Mittelalter. Der junge Schah ist hin- und hergerissen zwischen seinen beiden wichtigsten Beratern: seiner Mutter Mahdolia, der die Familientradition heilig ist, und dem Wesir Mirza Kabir, der Persien an die europäische Moderne anbinden möchte. In atmosphärischen Bildern erweckt Kader Abdolah die Welt der persischen Könige zum Leben. Ein spannender Roman, in dem sich die Geschichte des Iran, aber auch die aktuellen Ereignisse in der arabischen Welt spiegeln.
Writing Historical Fiction: A Writers' & Artists' Companion is an invaluable companion for a writer working in this challenging and popular literary genre, whether your period is Ancient Rome or World War II. PART 1 includes reflections on the genre and provides a short history of historical fiction. PART 2 contains guest contributions from Margaret Atwood, Ian Beck, Madison Smartt Bell, Ronan Bennett, Vanora Bennett, Tracy Chevalier, Lindsay Clarke, Elizabeth Cook, Anne Doughty, Sarah Dunant, Michel Faber, Margaret George, Philippa Gregory, Katharine McMahon, Valerio Massimo Manfredi, Hilary Mantel, Alan Massie, Ian Mortimer, Kate Mosse, Charles Palliser, Orhan Pamuk, Edward Rutherfurd, Manda Scott, Adam Thorpe, Stella Tillyard, Rose Tremain, Alison Weir and Louisa Young. PART 3 offers practical exercises and advice on such topics as research, plots and characters, mastering authentic but accessible dialogue and navigating the world of agents and publishers.
Seminal essays on one of the most crucial issues in Arthurian studies.
Mit einem Nachwort von Dieter Kühn. Mit dem Werkbeitrag aus Kindlers Literatur Lexikon. Mit dem Autorenporträt aus dem Metzler Lexikon Weltliteratur. Der Heilige Gral. Wer ihn hütet, genießt göttlichen Segen – und Speis und Trank im Überfluss. Parzival macht sich auf den Weg, doch als Ritter sucht er den Kampf, und mit dem Schwert ist der Gral nicht zu erlangen. Kurz nimmt er an Artus' Tafelrunde Platz, doch Parzival muss seine eigenen Abenteuer bestehen, bis er Gralskönig wird. Wolframs Roman, europäisch vor der Zeit, ist eines der bedeutendsten Werke der deutschen Literatur.
This distinctive comparison of Islamic and Christian mysticism focuses on the mystic journey in the two faith traditions.

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