Are you sitting down? It turns out that everything you learned about the First Amendment is wrong. For too long, we’ve been treating small, isolated snippets of the text as infallible gospel without looking at the masterpiece of the whole. Legal luminary Burt Neuborne argues that the structure of the First Amendment as well as of the entire Bill of Rights was more intentional than most people realize, beginning with the internal freedom of conscience and working outward to freedom of expression and finally freedom of public association. This design, Neuborne argues, was not to protect discrete individual rights—such as the rights of corporations to spend unlimited amounts of money to influence elections—but to guarantee that the process of democracy continues without disenfranchisement, oppression, or injustice. Neuborne, who was the legal director of the ACLU and has argued numerous cases before the Supreme Court, invites us to hear the “music” within the form and content of Madison’s carefully formulated text. When we hear Madison’s music, a democratic ideal flowers in front of us, and we can see that the First Amendment gives us the tools to fight for campaign finance reform, the right to vote, equal rights in the military, the right to be full citizens, and the right to prevent corporations from riding roughshod over the weakest among us. Neuborne gives us an eloquent lesson in democracy that informs and inspires.
Many consider Pulitzer Prize-winning composer Milton Babbitt to be the preeminent figure in post-World War II American music. Beyond the extraordinary power of his music, he is also, as he says, "somewhat known as a talker." In fact, he is renowned as an energetic teacher and inspired lecturer. In 1983 at the University of Wisconsin-Madison, Babbitt presented a concise summary of his most essential musical insights in a series of lectures and seminars. These are gathered here, presenting for the first time in book form a comprehensive overview of the subjects that have formed the core of his teaching for the past forty years. Babbitt's central concern in these lectures is the twelve-tone tradition with which he is so closely identified. His discussion of this tradition ranges from close consideration of specific compositional problems to frank evaluation of his own position in that tradition. In his characteristically penetrating way, Babbitt discusses the most controversial issues in twentieth-century music, from serialism and atonality to the responsibility of the listener and the place of music in the university. Until now, few have had direct exposure to Babbitt's ideas. In Madison, he spoke to a variety of audiences and, because of the pedagogical context, his presentation was direct and explanatory. This volume preserves the dazzling constructions and spontaneous excitement of his spoken language. At the time of publication, Milton Babbitt was William Shubael Conant Professor of Music Emeritus at Princeton University. He has been showered with awards during his long and distinguished career, including the Pulitzer Prize (1982) and a prestigious MacArthur Fellowship (1986). He was a member of the National Institute of Arts and Letters and a Fellow of the American Academy of Arts and Sciences.
What can psychoanalysis learn from music? What can music learn from psychoanalysis? Can the analysis of music itself provide a primary source of psychological data? Drawing on Freud's concept of the oral road to the unconscious, Melodies of the Mind invites the reader to take a journey on an aural and oral road that explores both music and emotion, and their links to the unconscious. In this book, Julie Jaffee Nagel discusses how musical and psychoanalytic concepts inform each other, showing the ways that music itself provides an exceptional non-verbal pathway to emotion – a source of 'quasi' psychoanalytical clinical data. The interdisciplinary synthesis of music and psychoanalytic knowledge provides a schema for understanding the complexity of an individual's inner world as that world interacts with social 'reality'. There are three main areas explored: The Aural Road Moods and Melodies The Aural/Oral Road Less Travelled Melodies of the Mind is an exploration of the power of music to move us when words fall short. It suggests the value of using music and ideas of the mind to better understand and address psychological, social, and educational issues that are relevant in everyday life. It will be of interest to psychoanalysts, psychologists, music therapists, musicians, music teachers, music students, social workers, educators, professionals in the humanities and social services as well as music lovers. Julie Jaffee Nagel is a graduate of The Juilliard School, The University of Michigan, and The Michigan Psychoanalytic Institute. She is on the faculty of the Michigan Psychoanalytic Institute and is in private practice in Ann Arbor, Michigan.
Vocal line with piano accompaniment; includes chord symbols
Examines the significance of time in James Madison's theory of majority rule. Madison worried that the drive for instant political gratification might lead to an inflamed majority that would not rule reasonably. His philosophy--that the natural power of time will defuse passions--is incompatible with the current political ethos that values quick decision-making.
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.
Madison made history in the sixties. Landmark civil rights laws were passed. Pivotal campus protests were waged. A spring block party turned into a three-night riot. Factor in urban renewal troubles, a bitter battle over efforts to build Frank Lloyd Wright's Monona Terrace, and the expanding influence of the University of Wisconsin, and the decade assumes legendary status. In this first-ever comprehensive narrative of these issues--plus accounts of everything from politics to public schools, construction to crime, and more--Madison historian Stuart D. Levitan chronicles the birth of modern Madison with style and well-researched substance. This heavily illustrated book also features annotated photographs that document the dramatic changes occurring downtown, on campus, and to the Greenbush neighborhood throughout the decade. Madison in the Sixties is an absorbing account of ten years that changed the city forever.
No document depicts the Constitutional Convention’s charismatic figures, crushing disappointments, and miraculous triumphs with the force of Madison’s Notes. But how reliable is this account? Drawing on digital technologies and textual analysis, Mary Sarah Bilder reveals that Madison revised to a far greater extent than previously recognized.
The recently released Tim Robbins film Cradle Will Rock reawakened worldwide audiences to composer Marc Blitzstein's runaway Broadway hit of 1937, and to the exciting times he lived in. Blitzstein went on to write Regina (based on Lillian Hellman's "The Little Foxes"), the definitive translation of Kurt Weill and Bertolt Brecht's Threepenny Opera, and an enormous amount of other music based squarely in American and Broadway traditions. Mark the Music is an engaging biography of this larger-than-life composer that reads like a novel. Practically every page features an illuminating and revealing pen portrait of the most important creative personalities in American culture—Orson Welles, John Houseman, Ernest Hemingway, Paul Robeson, Sean O'Casey, Agnes de Mille, Lotte Lenya, Melvyn Douglas, Shirley Both, Leonard Bernstein, Aaron Copland, Earl Robinson, Rudolf Bing, and many more. A vibrant journey through mid-20th century America comes to life through the eyes and experience of Marc Blitzstein. The issues that marked Blitzstein's day—censorship, repression, war—are all with us today. This is a story of passion, defiance, glory and tragedy, and ultimately of faith in democratic American values expressed through the arts.
Essays by various authors detailing the richness of music that has emanated from Upper Cumberland region of Tennessee and Kentucky since the 1700's.
Since the emergence of rockOCOnOCOroll in the early 1950s, there have been a number of live musical performances that became hugely influential in the way they shaped the subsequent trajectory and development of popular music. Each, in its own way, introduced new styles, confronted existing practices, shifted accepted definitions, and provided templates for others to follow. Performance And Popular Music explores these processes by focusing on some of the specific occasions when such transformations occurred. An international array of scholars reveal that it is through the dynamics of performance OCo and the interaction between performer and audience OCo that patterns of musical change and innovation can best be recognised."
Examines the songs, albums, and compositions of one of America's most prominent singer-songwriters.
Surveys the life of First Lady Dolley Madison, wife of the fourth president, who was renowned as a hostess, a lady of fashion, and a heroine of the War of 1812.
The Sourcebook for Research in Music, in this revised and greatly expanded second edition, is an invaluable guide to the researcher in navigating the vast proliferation of materials in music research. The editors emphasize English-language and recent sources, and also include essential materials in other languages. An opening chapter of introductory materials, including a list of common bibliographical terms with definitions, German and French bibliographical terms, and the plan of the Library of Congress and the Dewey Decimal music classification systems, is followed by seven bibliographical chapters, covering lists of sources as well as collective annotations that introduce and identify specific items. A reference tool containing varied information relating to research in music, the Sourcebook will serve as a classroom text and as a resource for individual music researchers, librarians, faculty members, students, performing and teaching musicians, and musical amateurs.
All My Friends Are Rock Stars: The music scenes of Rockford IL, Madison & Milwaukee WI; 80's and 90's is a document of the hard rock / metal / punk and alt music scenes of three prominent, Midwestern cities. Not only does this book speak to the local scenes of each city, it also tells story after story of musicians who made it, who came close and who were just glad to be part of it. The book's voice is provided via author commentary, photos / images and compelling interviews that paint colorful snapshots of how dynamic music was and still is, flowing as life's blood through the artistic communities of Rockford, Madison and Milwaukee. This book celebrates the dedication, commitment and spirit of the local musician, the fans and the music scenes. The STARS of this book in order of appearance: Bun E. Carlos / Cheap Trick Mark Snodgrass / "Listen To This" Radio Show Greg / Pure Aggression Brian Carter / Sarkoma Glenn Rene Zeringue Junior / Bludgeoned Nun Dan Gildea / Pinewood Box Dave Ensminger / Pinewood Box A Short History of Punk and Indie Rock in Rockford, Illinois Jerry Sofran / forchristsake / Rude Awakening Ray Horstheimer/ Bugzy Malone Paul Bronson / Zanthus Dave Potter / Music & Program Director of Y95 Midwest Jamfest Todd Houston / Midnite Angel Greg DeCarlo / RIPT Steve Moriarty / RIPT Mike Korn / RAM Magazine Author Commentary Madison and Milwaukee Brad Skaife / Imminent Attack Biff Blumfumgagnge / The Gomers Bill Feeny / Appliances S.F.B. Dan Hobson / Killdozer Mike Turnis / Horny Genius Blunt Rapture / Cattle Prod & Headpump Bucky Pope / Tar Babies O'Cayz Corral Robert Corbitt Cathy Dethmers / O'Cayz Corral Paul Schluter / Last Crack Dave Gregor / Morta Skuld Rich Noonan / Dr. Shrinker Jackie Ramos / Moxy Roxx Greg Kalember / Raven Bitch Morgan Thorn / Megaton Blonde Jack Koshick / Concert Promoter
What is postmodernism? How does it relate to music? This introduction clarifies the concept, providing ways of interpreting postmodern music.
Poetry. African & African American Studies. Music. Borrowing from such sources as archival recordings and news stories, A HUNGER CALLED MUSIC documents the early history of African-American music beginning with work songs and ending with Motown- era soul. Using each genre's historical context and the music itself as inspiration, the poems in the chapbook take on a range of voices and stories from Robert Johnson to Nina Simone, and from a white 1950s record producer to a witness to police brutality. In doing so, the poems work to unearth the commonalities of experience between previous eras and the current one through the intergenerational constant of music.
"In this vividly honest memoir, Uhl details his experiences in Vietnam as first lieutenant of a counterintelligence team attached to the 11th Infantry. He relives the shocking events witnessed during his enlistment, including the abuse and torture of Viet
Regardless of the subject matter, our studies are always searching for a sense of the universal in the specific. Drawing, etchings and paintings are a way of communicating ideas and emotions. The key word here is to communicate. Whether the audience sees the work as laborious or poetic depends on the creative genius of the artist. Some painters use the play of light passing through a landscape or washing over a figure to create an evocative moment that will be both timeless and transitory. The essential role of art remains what is has always been, a way of human expression. This is the role that our participants concentrate on as they discuss art as the expression of the spirit, a creative act through which the artist makes manifest what is within him. Spirit suggests the unity of feeling and thought. Avoiding broad generalities, our participants address specific areas in orchestration with music, architecture, literature and phenomenology. Profs. Souiller, Scholz, Etlin, Sweetser, Josephs show us at what point art is an intimate, profound expression and the magic of a civilization as a whole, springing from its evolving thoughts and embodying ideals, such as the Renaissance, the Baroque, Modernism and at what point it reflects the trans formation of a particular society and its mode of life.

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