Juniper is looking for love, Robert is trying to avoid it, Ollie doesn’t know what it is and Meg has resigned herself to never having it. As these four people move through a July day in London, they orbit each other, unaware that they are hurtling towards one moment that could devastate them all.
A dark, volatile new play that asks if we can ever let go.
“My mother always said to Live Big. Live as much as I could.’’ Three generations of women. For each, the chaos of what has come before brings with it a painful legacy. “I have Stayed. I have Stayed - I have Stayed for as long as I possibly can.” Anatomy of a Suicide premiered at the Royal Court Theatre, London, in the Jerwood Theatre Downstairs on 3 June 2017, in a production directed by Katie Mitchell.
A new theatrical provocation by Alice Birch, co-commissioned by NT Connections and theatre company Clean Break. [BLANK] is no traditional play, it's a series of sixty scenes - some of which may feel connected, others less so - about adults and children impacted by the criminal justice system. It's about what life is like when adults feel absent from it. But it can be about whatever you like - readers and performers can choose as many or as few scenes in order to construct their own narratives.
An unsettling, powerful new piece of theatre tackling pornography and violence against women.
Alice Birch examines the language, behavior and forces that shape women in the 21st century and asks what's stopping us from doing something truly radical to change them. From the best-selling playwright of Many Moons and Little Light, a feminist call to action.
Though many try, only the court jester is able to fulfill Princess Lenore's wish for the moon.
Three A.M. on a hot midsummer’s night in Manchester. A party taking place in a shabby Victorian terrace house. In the back garden Tony and Ruth meet, thanks to a stolen can of beer. On the floor above, Don and Edie are having a party of their own. As the night progresses, love is definitely in the air – but then so is the smell of cheap lager. And even cheaper aftershave. Kiss Me Like You Mean It was shortlisted for the Meyer-Whitworth Award, and has subsequently been produced in various venues around the world, including a successful three month run in Paris in 2004.
One of Shakespeare’s most original and eloquent plays, A Midsummer Night’s Dream brilliantly interweaves four contrasting groups of characters to present a many-sided view of love in all its aspects: its joys and sadness, its idealism and selfishness, its physical and spiritual elements. This performing edition was prepared for Propeller’s all-male company of twelve actors, at the Watermill Theatre, Newbury, and toured the West End in 2003. Propeller’s markedly contemporary approach to Shakespeare brought great success for Rose Rage, their version of the Henry VI plays, whichwon the TMA/Barclays Theatre Award for the best touring production of 2001.
David conducts an office romance by e-mail. He has love at his fingertips. But a shocking admission unravels his relationship piece by chilling piece. Jess loves David. She believes happiness can be bought OCo but it doesnOCOt come cheap in a world of easy credit. Jess and DavidOCOs ideal blend of love and money is killing them. Funny but heart wrenching, this ingenious drama dares us to enter a dislocated world of bad debts and even worse desires. Love and Money opened at the Manchester Royal Exchange in October 2006 with a transfer to the Young Vic, London."
D'you ever look in the mirror and you don't recognise the person looking back at you? Tom Cavallero, Hollywood actor, and his girlfriend Iona are spending Christmas in England with his oldest friends, Bea and Kitty. Bea's new lover, Tad, would rather hole up quietly with his copy of Pathology For Beginners. Her daughter Joni would rather be in Shepherds Bush. Northumberland in a blizzard isn't quite what Tom was expecting. And how can anyone relax when Iona's filming their every move? She's making a documentary about 'the real Tom'. But who is that exactly? And what's out there in the garden that disturbs them all so much? Tom, Bea and Kitty go back a long way. They've known each other since they were young and unformed. But who have they become? And what price have they paid? Ancient Lights premiered at the Hampstead Theatre in November, 2000. "An acute and funny writer, Stephenson carves out a welcome territory that is distinctive, contemporary and theatrical." - Independent
‘I’m going to try and tell you everything. I’m going to try.’ Every teenager thinks they’re the only one not having sex. But for Alana, it may well be true. She really wants to, but every time she gets close to doing it something just seems to get in the way... Soon she can’t help wondering: is it this tricky for everyone else? Because no one ever said it was going to be this complicated. A bracingly candid account of sex and shame, gut wrenching and side-splitting by turns, Skin A Cat is a truly alternative coming of age story about going all the way.
‘Your appeal is that you look piss ordinary. You’re not ugly and you’re not a Kardashian. You look like a normal person. A normal person that makes porn ...’ Nicola Barker is in trouble. A video has been made, and she is the unwitting star. In a bid to stop the footage being used against her, Nicola makes a snap decision: to post it online herself. What started as a drunken night in a dirty club ends with a unique business opportunity for Nicola and her two sisters, changing the meaning of ‘amateur porn’ forever. A darkly comic new play from the writer/director team behind A First World Problem, this is a blistering study of our attitudes to porn, and the women who make it for themselves.
Presents the results of Project Oberon: an entire software environment for a modern workstation created by the authors during 1986-89. The primary goal of the project was to design and implement a system from scratch and to structure it in such a way that it could be described, explained, and unders
‘There is only one thing I fear in life, my friend... One day the black will swallow the red.’ Under the watchful gaze of his young assistant and the threatening presence of a new generation of artists, Mark Rothko takes on his greatest challenge yet: to create a definitive work for an extraordinary setting. A moving and compelling account of one of the greatest artists of the 20th century whose struggle to accept his growing riches and praise became his ultimate undoing.. Nominated for 7 Olivier Awards (2009) and winner of six Tony Awards 2010 including Best New Play.
DUST A woman. A suicide. A choice. A fly on the wall. A funeral. A Bakewell tart. A life. A lie. A truth. An ending. Of sorts. Alice thinks that life isn’t worth living. So she kills herself. Sort of. She is stuck, a fly on the wall. Forced to watch the aftermath of her suicide and its ripple effect on her family and friends, Alice quickly learns that death changes people. And that death is not the change she hoped for. A FIRST WORLD PROBLEM It’s the final term in Britain’s most elite school for girls. Three young women hold envelopes that will determine the rest of their lives. One of these girls is not the sort of young lady their school is supposed to produce. There is porn on her laptop and pills in her book bag, and she is about to make a very big mistake... Savagely funny and excruciatingly honest, Milly Thomas’ debut play A First World Problem gives a rare insight into the cruelty of adolescence.
‘You can’t tell your mum the streets are full of psychos and it’s pure fluke you get home alive every night.’ A controversial new gaming experience is inspiring a generation. In Killology, players are rewarded for torturing victims, scoring points for ‘creativity’. But Killology isn’t sick. In fact it’s marketed by its millionaire creator as a deeply moral experience. Because yes, you can live out your darkest fantasies, but you don’t escape their consequences. Out on the streets, not everybody agrees with him. ‘There is an instinctive revulsion against taking a human life. And that revulsion can be conquered.’ Killology by Gary Owen was co-produced by Sherman Theatre, Cardiff, and the Royal Court Theatre, London. It premiered at Sherman Theatre in March 2017 and in the Jerwood Theatre Upstairs at the Royal Court Theatre in May 2017.
No, Alice, I don't want to become a man, I just want to stop trying to be a woman. It's New Year in Rotterdam, and Alice has finally plucked up the courage to email her parents and tell them she's gay. But before she can hit send, her girlfriend reveals that he has always identified as a man and now wants to start living as one. Now Alice must face a question she never thought she'd ask . . . does this mean she's straight? A bittersweet comedy about gender, sexuality and being a long way from home. Rotterdam received its world premiere at Theatre503, London, in October 2015, before transferring to Trafalgar Studios, London, in May 2016.
A bold reimagining of Hans Christian Andersen's tale of love, loss and desire, transported to a contemporary setting. Beneath the ocean's waves there is no death or pain or separation. Above, the modern world is beset with war, poverty and desire. On her sixteenth birthday, a mermaid rises up to the surface, leaving her childhood behind for ever when she falls in love with a mortal prince. She knows that she can no longer live at the bottom of the ocean - but must she destroy herself in order to be loved? Polly Teale's Mermaid was first performed by Shared Experience and Nottingham Playhouse on a UK tour in 2015.
‘Men, who forgetting they were born of women, nourished of women, and if they were not of the means of women, they would be quite extinguished out of the world, and a final end of them all; do like vipers deface the wombs wherein they were bred.’ Emilia Bassano, ‘To the Vertuous Reader’ In 1611 Emilia Bassano penned these words to her ‘Vertuous Reader’, as part of a volume of radical, feminist and subversive poetry. It was one of the first published collections of poetry written by a woman in England. The little we know of Emilia Bassano is restricted to the possibility that she may have been the ‘Dark Lady’ of Shakespeare’s Sonnets – and the rest of Her Story has been erased by History. Commissioned specifically for Shakespeare’s Globe, and with an all-female cast, this world premiere will reveal the life of Emilia: poet, mother and feminist. This time, the focus will be on this exceptional woman who managed to outlive all the men the history books tethered her to.

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