Much Ado About Nothing includes two quite different stories of romantic love. Hero and Claudio fall in love almost at first sight, but an outsider, Don John, strikes out at their happiness. Beatrice and Benedick are kept apart by pride and mutual antagonism until others decide to play Cupid. The authoritative edition of Much Ado About Nothing from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, is now available as an ebook. Features include: · The exact text of the printed book for easy cross-reference · Hundreds of hypertext links for instant navigation · Freshly edited text based on the best early printed version of the play · Full explanatory notes conveniently placed on pages facing the text of the play · Scene-by-scene plot summaries · A key to famous lines and phrases · An introduction to reading Shakespeare’s language · Illustrations from the Folger Shakespeare Library’s vast holdings of rare books · An essay by a leading Shakespeare scholar providing a modern perspective on the play
Much Ado has always been popular on the stage. This edition pays especial attention to the history and range of theatrical interpretation, in which the famous actors, from the time of Garrick to the present, have appeared as the sparring lovers Benedick and Beatrice. A full commentary includes annotation of the many sexual jokes in the play that have been obscured by the complexity of Elizabethan language. In this new edition, Travis D. Williams reviews recent stage, television, film and critical interpretations of the play, considering treatment of the play's special interest in language, bodies and gender.
Shakespeare's comedy play "Much Ado About Nothing" pivots around the impediments to love for young betrothed Hero and Claudio when Hero is falsely accused of infidelity and the "lover's trap" set for the arrogant and assured Benedick who has sworn of marriage and his gentle adversary Beatrice. The merry war between Benedick and Beatrice with the promptings of their friends soon dissolves into farcical love, while Hero's supposed infidelity is shown to be little more than "much ado about nothing."
This cutting of Shakespeare's utterly charming and popular comedy MUCH ADO ABOUT NOTHING features five key scenes, including Beatrice and Benedick's classic initial word-battle, and the uproarious hide-and-seek deception of the two ''lovers. '' The next scenes are the brutal rejection of Hero at the altar by a deceived Claudio and the timeless manhandling of the English language by the bumbling constable Dogberry. In the fifth and final scene, Shakespeare resolves the play's conflicts and confusions, and love reigns again. This cutting really tells the story, and includes some sidesplitting stage business, particularly the back-and-forth physical and verbal parrying between Benedick and Beatrice.
Presents the original text of Shakespeare's play side by side with a modern version.
A flexible yet structured resource package specifically targeting the GCSE and AS Assessment Objectives and the criteria for the study of Shakespeare, designed to enhance students' knowledge, understanding and response. The series covers ten of Shakespeare's most popular plays, with accompanying teacher resources.
Shakespeare's stories
Depicts the humorous mishaps which follow when young Claudio is duped into believing his fiancee has been unfaithful
REA's MAXnotes for William Shakespeare's Much Ado About Nothing The MAXnotes offers a comprehensive summary and analysis of Much Ado About Nothing and a biography of William Shakespeare. Places the events of the play in historical context and discusses each act in detail. Includes study questions and answers along with topics for papers and sample outlines.
A Study Guide for William Shakespeare's "Much Ado About Nothing," excerpted from Gale's acclaimed Shakespeare for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Shakespeare for Students for all of your research needs.
Much Ado About Nothing shows the violence of desire as well as its drive towards creative plotting or matchmaking. In this Handbook, Alison Findlay examines the play's comic and tragic potential in the theatre; its attempts to harmonise love and war, attraction and repulsion. The volume: * explores the play's resonance in early performances with reference to the crisis over fast-changing fashions, gendered notions of honour, and the changing personnel of Shakespeare's company * analyses the play from a performance point of view scene by scene, considering the interactions between spectators and actors * surveys key productions and films, including Barry Jackson's radical modernist production of 1919, the recently-rediscovered television film of Zeffirelli's 1965 National Theatre Production, and Kenneth Branagh's 1993 film version * outlines the play's critical history from the eighteenth century to the present day, with a focus on contemporary concerns such as genre hybridity, sources and intertexts, and the instability of signs and appearances.
Equal parts tragedy and history play, Richard III chronicles the rise and short reign of its diabolical title character. Of this masterful creation, esteemed critic Harold Bloom has written, The manipulative, highly self-conscious, obsessed hero-villain moves himself from being the passive sufferer of his own moral and/or physical deformity to becoming a highly active melodramatist. Portrayed as England's curse and as his own worst enemy, the jealous and ambitious Richard would find little glory or peace awaiting him upon his ascension to England's throne. This collection of critical essays about the Bard's Richard III includes classic criticism from a number of notable critics throughout the centuries. Edited by Bloom, this title also features a handy index for quick reference.
Screenplay of the 2012 film version, with an introduction and interview with Joss Whedon.
This major new complete edition of Shakespeare's works combines accessibility with the latest scholarship. Each play and collection of poems is preceded by a substantial introduction that looks at textual and literary-historical issues. The texts themselves have been scrupulously edited and are accompanied by same-page notes and glossaries. Particular attention has been paid to the design of the book to ensure that this first new edition of the twenty-first century is both attractive and approachable.

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