The fairy tale lives again in this book of forty new stories by some of the biggest names in contemporary fiction. Neil Gaiman, “Orange” Aimee Bender, “The Color Master” Joyce Carol Oates, “Blue-bearded Lover” Michael Cunningham, “The Wild Swans” These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party. Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico. Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.
Eight marvelous, melancholy new fairy tales for daring readers.
Once upon a time fairy tales weren't meant just for children, and neither is Angela Carter's Book of Fairy Tales. This stunning collection contains lyrical tales, bloody tales and hilariously funny and ripely bawdy stories from countries all around the world- from the Arctic to Asia - and no dippy princesses or soppy fairies. Instead, we have pretty maids and old crones; crafty women and bad girls; enchantresses and midwives; rascal aunts and odd sisters. This fabulous celebration of strong minds, low cunning, black arts and dirty tricks could only have been collected by the unique and much-missed Angela Carter. Illustrated throughout with original woodcuts.
New edition (revised and expanded) available 8/13/02. Fairy tales are one of the most enduring forms of literature, their plots retold and characters reimagined for centuries. In this elegant and thought-provoking collection of original essays, Kate Bernheimer brings together twenty-eight leading women writers to discuss how these stories helped shape their imaginations, their craft, and our culture. In poetic narratives, personal histories, and penetrating commentary, the assembled authors bare their soul and challenge received wisdom. Eclectic and wide-ranging, Mirror, Mirror on the Wall is essential reading for anyone who has ever been bewitched by the strange and fanciful realm of fairy tales. Contributors include: Alice Adams, Julia Alvarez, Margaret Atwood, Ann Beattie, Rosellen Brown, A. S. Byatt, Kathryn Davis, Chitra Banerjee Divakaruni, Deborah Eisenberg, Maria Flook, Patricia Foster, Vivian Gornick, Lucy Grealy, bell hooks, Fanny Howe, Fern Kupfer, Ursula K. Le Guin, Carole Maso, Jane Miller, Lydia Millet, Joyce Carol Oates, Connie Porter, Francine Prose, Linda Gray Sexton, Midori Snyder, Fay Weldon, Joy Williams, Terri Windling. From the Trade Paperback edition.
Elegant and brutal, the stories in Kate Bernheimer's latest collection occupy a heightened landscape, where the familiar cedes to the grotesque and nonsense just as often devolves into terror. These are fairy tales out of time, renewing classic stories we think we know, like one of Bernheimer's girls, whose hands of steel turn to flowers, leaving her beautiful but alone. Kate Bernheimer is the author of the short story collection Horse, Flower, Bird and the editor of My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales and the journal Fairy Tale Review.
Grounded in social history, this text refocuses the lens through which we look at fairy tales. It examines the tales told by the "conteuses" (French story-telling women in the 1690s) and the late 20th-century tales by women writers that derive in part from this centuries-old tradition.
Breaks new ground in fairy-tale studies by offering male writers a chance to reflect on their relationships to fairy tales.
All the selections in Richard M. Dorson's Folktales Told around the World were recorded by expert collectors, and the majority of them are published here for the first time. The tales presented are told in Africa, Asia, the Middle East, Europe, North and South America, and Oceania. Unlike other collections derived in large part from literary texts, this volume meets the criteria of professional folklorists in assembling only authentic examples of folktales as they were orally told. Background information, notes on the narrators, and scholarly commentaries are provided to establish the folkloric character of the tales.
“Look inside this world and find wonder.” —KATE BERNHEIMER, editor of My Mother She Killed Me, My Father He Ate Me and author of The Girl Who Wouldn’t Brush Her Hair A book arrives by Owl, left under an old fir tree in the snow. With it, a mysterious message: another world’s scientists have discovered the laws of the universe are found in—fairy tales. Is it true? Snotty—the unlikely hero of this tale—is a streetwise adolescent mastermind transported to a mystical realm where the fate of the world rests on discovering who he really is. As Snotty’s perceptions of might and right are upended, the scholarly footnotes point toward a deeper truth—that in the endless fight against evil, the toughest warriors come from the most despised group of all: the smallest, the poorest, the funniest, the snottiest. A fantastic adventure story, smart political allegory, and philosophical treatise, this is a book to be savored by adults of all ages. The History of Arcadia series tells the story of a world that was literally formed by a story, by one person discovering and claiming who she really is . . . and of the subsequent events that led first to a deceptively happy world, then to an inevitably tragic outcome, and finally to a slow rebuilding of the world on foundations more deeply and thoughtfully laid. Each book includes bonus Arcadian legends and fairy tales, and relates how the manuscript crossed the barriers between Arcadia and our own world to arrive at Exterminating Angel Press. The first two novels in the series are Snotty Saves the Day and Lily the Silent. Tod Davies lives with her husband and her two dogs at the foot of the Rocky Mountains, in Boulder, Colorado and in the alpine valley of Colestin, Oregon, where she discovered Snotty Saves the Day, the first Arcadian manuscript. Illustrator Gary Zaboly is the author and illustrator of The Barack Obama Coloring Book (Dover Publications) and many books on American military and frontier history. He lives with his wife Cora in Riverdale, New York, overlooking the Hudson River.
Thirteen tales are unspun from the deeply familiar, and woven anew into a collection of fairy tales that wind back through time. Acclaimed Irish author Emma Donoghue reveals heroines young and old in unexpected alliances--sometimes treacherous, sometimes erotic, but always courageous. Told with luminous voices that shimmer with sensuality and truth, these age-old characters shed their antiquated cloaks to travel a seductive new landscape, radiantly transformed.Cinderella forsakes the handsome prince and runs off with the fairy godmother; Beauty discovers the Beast behind the mask is not so very different from the face she sees in the mirror; Snow White is awakened from slumber by the bittersweet fruit of an unnamed desire. Acclaimed writer Emma Donoghue spins new tales out of old in a magical web of thirteen interconnected stories about power and transformation and choosing one's own path in the world. In these fairy tales, women young and old tell their own stories of love and hate, honor and revenge, passion and deception. Using the intricate patterns and oral rhythms of traditional fairy tales, Emma Donoghue wraps age-old characters in a dazzling new skin. 2000 List of Popular Paperbacks for YA
A "dark and funny debut"(Seattle-Times) about a young police officer struggling to maintain a sense of reality in a town where the dead outnumber the living. Colma, California, the "cemetery city" serving San Francisco, is the resting place of the likes of Joe DiMaggio, Wyatt Earp, and William Randolph Hearst. It is also the home of Michael Mercer, a by-the-book rookie cop struggling to settle comfortably into adult life. Instead, he becomes obsessed with the mysterious fate of his predecessor, Sergeant Wes Featherstone, who spent his last years policing the dead as well as the living. As Mercer attempts to navigate the drama of his own daily life, his own grip on reality starts to slip-either that, or Colma's more famous residents are not resting in peace as they should be.
"Kennedy is a world class writer."--The New York Times Book Review A brilliant American debut from one of Scotland's most acclaimed writers, named by Granta as one of the Twenty Best Young British Novelists. Emotionally numb, crippled with insomnia, and caught in a frightening, abusive marriage, Helen Brindle believes that God has recently left her. She spends her days performing banal domestic chores in front of a blaring television. On the BBC one day she watches a self-help guru expound on, among other things, the "rules" of masturbation and the importance of "interior lives." Edward G. Gluck, she discovers has developed a program that guides lost souls toward contentment. Helen seeks him out, hoping to find an answer. Instead she discovers Gluck's own sadomasochistic obsession, and his profound shame and disgust. And what they both encounter, painfully, is the love each fears and both yearn to embrace. "A darkly comic tale.... [that] is hilariously funny about sexual obsession and brilliantly perceptive about the dynamics of human relationships."--The Baltimore Sun From the Trade Paperback edition.
After strangling her husband, Masako Katori, a middle-aged wife and mother working the night shift at a Tokyo factory, enlists the aid of four co-workers to conceal the crime. Reprint. 50,000 first printing.
Brilliant, original sci-fi and fantasy stories featuring brave and bold heroines Thirteen urban and paranormal tales of strong women, armed with weapons they are not afraid to use, as well as fists and feet of fury, who face monsters and bad guys-and are not above rescuing men in the process.
Tales told by the old Georgian slave, featuring Brer Bár, Brer Fox, Brer Rabbit, and their animal friends.
An audacious New Face of Fiction debut: nine riveting stories that announce a major writer in the tradition of Yann Martel and Barbara Gowdy. Unexpected humour and tenderness intertwine with loneliness and hopefulness in this remarkable book from an already acclaimed writer. In nine richly varied stories, written in intense, clear-eyed prose, the reader is led into an exploration of the human need for connection, however tenuous or absurd, and at whatever cost. The stories operate with heartbreaking precision, drawing us past the surface of characters’ lives and into the moments of decision and recognition that shape these people irrevocably. Here are stories striking in the range of their shifting tone and the reach of their subjects. We are introduced to a support group for people who suspect their benign nature has caused benign tumours to grow inside them. The title story zeroes in on a girl with Fred Hoyle syndrome whose age expands and contracts like the universe. A recently widowed woman talks to her husband’s ashes, which are entombed in a hollowed-out curling stone. A store detective’s valiant act to save a pair of pink calfskin gloves is entwined with the unfortunate results of an unsuccessful space mission. Rendering grief, loneliness, hope, love and happiness with exquisite subtlety and intelligence, Neil Smith proves himself an able chronicler of the human condition. Bang Crunch constitutes a significant achievement by a powerful new writer. From the Hardcover edition.
In five richly imaginative novellas and a short story, Zhu Wen depicts the violence, chaos, and dark comedy of China in the post-Mao era. A frank reflection of the seamier side of his nation's increasingly capitalist society, Zhu Wen's fiction offers an audaciously plainspoken account of the often hedonistic individualism that is feverishly taking root. Set against the mundane landscapes of contemporary China-a worn Yangtze River vessel, cheap diners, a failing factory, a for-profit hospital operating by dated socialist norms-Zhu Wen's stories zoom in on the often tragicomic minutiae of everyday life in this fast-changing country. With subjects ranging from provincial mafiosi to nightmarish families and oppressed factory workers, his claustrophobic narratives depict a spiritually bankrupt society, periodically rocked by spasms of uncontrolled violence. For example, I Love Dollars, a story about casual sex in a provincial city whose caustic portrayal of numb disillusionment and cynicism, caused an immediate sensation in the Chinese literary establishment when it was first published. The novella's loose, colloquial voice and sharp focus on the indignity and iniquity of a society trapped between communism and capitalism showcase Zhu Wen's exceptional ability to make literary sense of the bizarre, ideologically confused amalgam that is contemporary China. Julia Lovell's fluent translation deftly reproduces Zhu Wen's wry sense of humor and powerful command of detail and atmosphere. The first book-length publication of Zhu Wen's fiction in English, I Love Dollars and Other Stories of China offers readers access to a trailblazing author and marks a major contribution to Chinese literature in English.
15 original stories about those who earn their living through spellcraft From a boy who discovers life can be an illusion...to a man who maintains company security through enchantment...to a young woman who inherits a real magic shop...to a gambler who needs a sure way to beat the odds...to a woman who creates unique chocolates-here are 15 imaginative tales that run the whole gamut of wizardly professions.
Normal 0 false false false MicrosoftInternetExplorer4 As a child, Lucy dreams of talking fairies and lives contentedly in the wooded suburbs of Boston; she grows up to be a successful animator of fairy-tale films. Or does she? She claims at moments to be a witch in the woods. Like her sisters, who appeared in Bernheimer’s first two novels (The Complete Tales of Ketzia Gold and The Complete Tales of Merry Gold), Lucy has a secret, but she is unable to fasten onto anything but brightness. Novelist Donna Tartt writes, “Lucy’s particular brand of optimism, blind to its own shadow, is very American—she is innocence holding itself apart so fastidiously that it becomes its opposite.” This novel is a perfect end to the Gold family series, and the perfect introduction, for new readers, to Bernheimer’s enchanting body of work.