Throwing down the theoretical gauntlet, Lee Edelman outlines a radically uncompromising new ethics of queer theory. His searing polemic takes aim at the figure of the child, whom he contends is the lynchpin of an entire rhetoric and politics of "reproductive futurity." Edelman argues that in the popular imaginary, the child--innocent, angelic, and imperiled--represents the possibility of the future and the queer is constructed as its radical negation, as the embodiment of morbidity, corruption, and stasis. He insists that in such a thoroughly heteronormative culture, the efficacy of queerness lies in its resistance to the social and political order. In No Future, Edelman urges queers to abandon accommodation and embrace their status as figures beyond the consensus of those always "fighting for the children." Looking to literature and film, No Future offers several models of queer characters who take a perverse pleasure in repudiating the cult of the child. Edelman makes a compelling case for imagining Charles Dickens's Ebeneezer Scrooge without Tiny Tim and George Eliot's Silas Marner without little Eppie. Looking to Alfred Hitchcock's films North by Northwest and The Birds, he embraces two of the director's most notorious creations: the sadistic Leonard stepping on the hand that holds the heterosexual couple above the abyss and the birds themselves, predators attacking couples and children. Edelman breathes new life into psychoanalytic theory as he brings it to bear not just upon film and literature but also upon current political issues such as gay marriage and gay parenting. A call to arms for a queer theory too often banalized, No Future is sure to incite passionate debate.
The establishment of South Africa's Truth and Reconciliation Commission was a pioneering international event. Never had any country sought to move forward from despotism to democracy both by exposing the atrocities committed in the past and achieving reconciliation with its former oppressors. At the center of this unprecedented attempt at healing a nation has been Archbishop Desmond Tutu, whom President Nelson Mandela named as Chairman of the Truth and Reconciliation Commission. With the final report of the Commission just published, Archbishop Tutu offers his reflections on the profound wisdom he has gained by helping usher South Africa through this painful experience. In No Future Without Forgiveness, Tutu argues that true reconciliation cannot be achieved by denying the past. But nor is it easy to reconcile when a nation "looks the beast in the eye." Rather than repeat platitudes about forgiveness, he presents a bold spirituality that recognizes the horrors people can inflict upon one another, and yet retains a sense of idealism about reconciliation. With a clarity of pitch born out of decades of experience, Tutu shows readers how to move forward with honesty and compassion to build a newer and more humane world. From the Trade Paperback edition.
The first book of its kind in English, Beyond No Future: Cultures of German Punk explores the texts and contexts of German punk cultures. Notwithstanding its "no future" sloganeering, punk has had a rich and complex life in German art and letters, in German urban landscapes, and in German youth culture. Beyond No Future collects innovative, methodologically diverse scholarly contributions on the life and legacy of these cultures. Focusing on punk politics and aesthetics in order to ask broader questions about German nationhood(s) in a period of rapid transition, this text offers a unique view of the decade bookended by the "German Autumn†? and German unification. Consulting sources both published and unpublished, aesthetic and archival, Beyond No Future's contributors examine German punk's representational strategies, anti-historical consciousness, and refusal of programmatic intervention into contemporary political debates. Taken together, these essays demonstrate the importance of punk culture to historical, political, economic, and cultural developments taking place both in Germany and on a broader transnational scale.
An innovative history of British youth culture during the 1970s and 1980s, charting the full spectrum of punk's cultural development.
"[Brault] has stirred quite a few cultural minds, both in Canada and abroad, to re-think the direction of cultural policy."---The Globe and Mail "[No Culture, No Future] brings together all of the demonstrations of this new cultural consciousness that has developed in the past ten years, and paints a picture that is often personal."---Le Devoir "Simon Brault has collected ten years of thought and energy and led discussions on the role arts and culture should play in our lives."---La Presse "This book promises to stir debate in the cultural community, or at least a good discussion."---Rue Frontenac "[No Culture, No Future] is a call to action with, as a backdrop, an ode to artistic creation and human generosity."---Le libraire
There's never been a better time to be outside the consensus -- and if you don't believe it, then peer into these genre-defining essays from The Baffler, the magazine that's been blunting the cutting edge of American culture and politics for a quarter of a century. Here's Thomas Frank on the upward-falling cult of expertise in Washington, D.C., where belonging means getting the major events of our era wrong. Here's Rick Perlstein on direct mail scams, multilevel marketing, and the roots of right-wing lying. Here's John Summers on the illiberal uses of innovation in liberal Cambridge, Massachusetts. And here's David Graeber sensing our disappointment in new technology. (We expected teleportation pods, antigravity sleds, and immortality drugs. We got LinkedIn, which, as Ann Friedman writes here, is an Escher staircase masquerading as a career ladder.) Packed with hilarious, scabrous, up to-the-minute criticism of the American comedy, No Future for You debunks "positive thinking" bromides and business idols. Susan Faludi debunks Facebook executive Sheryl Sandberg's phony feminist handbook, Lean In. Evgeny Morozov wrestles "open source" and "Web 2.0" and other pseudorevolutionary meme-making down to the ground. Chris Lehmann writes the obituary of the Washington Post, Barbara Ehrenreich goes searching for the ungood God in Ridley Scott's film Prometheus, Heather Havrilesky reads Fifty Shades of Grey, and Jim Newell investigates the strange and typical case of Adam Wheeler, the student fraud who fooled Harvard and, unlike the real culprits, went to jail. No Future for You offers the counternarrative you've been missing, proof that dissent is alive and well in America. Please be warned, however. The writing that follows is polemical in nature. It may seek to persuade you of something.Copublished with The Baffler. ContributorsChris Bray, Mark Dancey, Barbara Ehrenreich, Susan Faludi, Thomas Frank, Ann Friedman, James Griffioen, David Graeber, A. S. Hamrah, Heather Havrilesky, Chris Lehmann, Rhonda Lieberman, Anne Elizabeth Moore, Evgeny Morozov, Jim Newell, Rick Perlstein, John Summers, Maureen Tkacik
Putin's bestselling biographer reveals how, in the space of a generation, Russia surrendered to a more virulent and invincible new strain of autocracy.
A fascinating, accessible introduction to Islam from the #1 New York Times bestselling author of Zealot and host of Believer FINALIST FOR THE GUARDIAN FIRST BOOK AWARD In No god but God, internationally acclaimed scholar Reza Aslan explains Islam—the origins and evolution of the faith—in all its beauty and complexity. This updated edition addresses the events of the past decade, analyzing how they have influenced Islam’s position in modern culture. Aslan explores what the popular demonstrations pushing for democracy in the Middle East mean for the future of Islam in the region, how the Internet and social media have affected Islam’s evolution, and how the war on terror has altered the geopolitical balance of power in the Middle East. He also provides an update on the contemporary Muslim women’s movement, a discussion of the controversy over veiling in Europe, an in-depth history of Jihadism, and a look at how Muslims living in North America and Europe are changing the face of Islam. Timely and persuasive, No god but God is an elegantly written account that explains this magnificent yet misunderstood faith. Praise for No god but God “Grippingly narrated and thoughtfully examined . . . a literate, accessible introduction to Islam.”—The New York Times “[Reza] Aslan offers an invaluable introduction to the forces that have shaped Islam [in this] eloquent, erudite paean to Islam in all of its complicated glory.”—Los Angeles Times Book Review “Wise and passionate . . . an incisive, scholarly primer in Muslim history and an engaging personal exploration.”—The New York Times Book Review “Acutely perceptive . . . For many troubled Muslims, this book will feel like a revelation, an opening up of knowledge too long buried.”—The Independent (U.K.) “Thoroughly engaging and excellently written . . . While [Aslan] might claim to be a mere scholar of the Islamic Reformation, he is also one of its most articulate advocates.”—The Oregonian
There's never been a better time to be outside the consensus -- and if you don't believe it, then peer into these genre-defining essays from The Baffler, the magazine that's been blunting the cutting edge of American culture and politics for a quarter of a century. Here's Thomas Frank on the upward-falling cult of expertise in Washington, D.C., where belonging means getting the major events of our era wrong. Here's Rick Perlstein on direct mail scams, multilevel marketing, and the roots of right-wing lying. Here's John Summers on the illiberal uses of innovation in liberal Cambridge, Massachusetts. And here's David Graeber sensing our disappointment in new technology. (We expected teleportation pods, antigravity sleds, and immortality drugs. We got LinkedIn, which, as Ann Friedman writes here, is an Escher staircase masquerading as a career ladder.) Packed with hilarious, scabrous, up to-the-minute criticism of the American comedy, No Future for You debunks "positive thinking" bromides and business idols. Susan Faludi debunks Facebook executive Sheryl Sandberg's phony feminist handbook, Lean In. Evgeny Morozov wrestles "open source" and "Web 2.0" and other pseudorevolutionary meme-making down to the ground. Chris Lehmann writes the obituary of the Washington Post, Barbara Ehrenreich goes searching for the ungood God in Ridley Scott's film Prometheus, Heather Havrilesky reads Fifty Shades of Grey, and Jim Newell investigates the strange and typical case of Adam Wheeler, the student fraud who fooled Harvard and, unlike the real culprits, went to jail. No Future for You offers the counternarrative you've been missing, proof that dissent is alive and well in America. Please be warned, however. The writing that follows is polemical in nature. It may seek to persuade you of something.Copublished with The Baffler. ContributorsChris Bray, Mark Dancey, Barbara Ehrenreich, Susan Faludi, Thomas Frank, Ann Friedman, James Griffioen, David Graeber, A. S. Hamrah, Heather Havrilesky, Chris Lehmann, Rhonda Lieberman, Anne Elizabeth Moore, Evgeny Morozov, Jim Newell, Rick Perlstein, John Summers, Maureen Tkacik
In the fictional country of Bauya 3 adolescent boys of very different backgrounds form a firm friendship, convinced that nothing could break the ties that bind them. But their loyalties are put to the test by prejudice and emerging sexuality.
Paul W. Carlin, Th.D, Ph.D. of The Therapon Institute. (An Christian counseling licensing and certification institution) writes Forgive as an interrelated concept among the disciplines of psychology, theology and spiritual growth has grown since the 1990's. Christian counselors and clinicians now point to forgiveness as a useful and necessary part of the wounded person's healing process. Dr. J. M. Brandsma writes in the Baker Encyclopedia of Psychology and Counseling, "Forgiveness is overcoming of negative thoughts, feelings, and behaviors not by denying the offense or the right to be hurt or angry, but by viewing the offender with acceptance ( if not compassion) so that the forgiver can be healed. Forgiveness is not denial or indifference, pardon, reconciliation, condoning, excusing, passive forgetting, weakness, or an interpersonal game. Forgiveness in do way cancels the crime, but it works to take care of the distortions caused by the unhealthy aspects of anger and resentment so that the person may achieve peace of mind and body." How to forgive is the big question. In the 12 steps to forgiveness, Michael has imparted revelation truth in a simple and organized format that will be extremely helpful. Now, with the introduction of Michael's book, "forgiveness focus groups," can become a reality. The work is Biblical and powerful and much needed in the kingdom of God. The ministry and there laity are both crippled by the plague of unforgiveness. Marriages fail, churches crumble and lives are eventually emotionally destroyed because of unforgiveness. Washed up on the beaches of rescue missions and the streets of our large cities are mentally impaired people who were drowned in the sea of unforgiveness. May God bless and use Michael's book to set many Christians free. Paul W. Carlin, Th.D, Ph.D. The Therapon Institute
When a rogue debutant Slayer begins to use her power for evil, Giles is forced to recruit the rebellious Faith, who isn't exactly known for her good deeds. Giles offers Faith a clean slate if she can stop this snooty Slayer from wreaking total havoc—that is, if Buffy doesn't beat her to it. Georges Jeanty (The American Way) remains at the top of his game as series artist, and Whedon continues as Executive Producer in this direct follow-up to Season Seven of the smash-hit TV series. * Eisner award-winning writer Brian K. Vaughan (Y:The Last Man, Ex Machina) tackles Joss Whedon's Buffy the Vampire Slayer Season Eight. * Collecting issue #6-10 of the Buffy the Vampire Slayer Season Eight series. * "The dialogue is Whedonesque and I can hear how the actors would read there lines. It's fun and witty and we're treated to more fantastical stories than the WB/UPN could ever pony up the money to do." -Comic Book Resources Executive produced by Buffy creator Joss Whedon.
Predicts the pace of environmental change during the next thirty years and the ways in which the individual must face and learn to cope with personal and social change
The perfect graduation gift "Meet the new Stephen Hawking . . . The Order of Time is a dazzling book." --The Sunday Times From the bestselling author of Seven Brief Lessons on Physics, a concise, elegant exploration of time. Why do we remember the past and not the future? What does it mean for time to "flow"? Do we exist in time or does time exist in us? In lyric, accessible prose, Carlo Rovelli invites us to consider questions about the nature of time that continue to puzzle physicists and philosophers alike. For most readers this is unfamiliar terrain. We all experience time, but the more scientists learn about it, the more mysterious it remains. We think of it as uniform and universal, moving steadily from past to future, measured by clocks. Rovelli tears down these assumptions one by one, revealing a strange universe where at the most fundamental level time disappears. He explains how the theory of quantum gravity attempts to understand and give meaning to the resulting extreme landscape of this timeless world. Weaving together ideas from philosophy, science and literature, he suggests that our perception of the flow of time depends on our perspective, better understood starting from the structure of our brain and emotions than from the physical universe. Already a bestseller in Italy, and written with the poetic vitality that made Seven Brief Lessons on Physics so appealing, The Order of Time offers a profoundly intelligent, culturally rich, novel appreciation of the mysteries of time.
When a rogue debutant Slayer begins to use her power for evil, Giles is forced to recruit the rebellious Faith, who isn't exactly known for her good deeds. Giles offers Faith a clean slate if she can stop this snooty Slayer from wreaking total havoc—that is, if Buffy doesn't beat her to it. Georges Jeanty (The American Way) remains at the top of his game as series artist, and Whedon continues as Executive Producer in this direct follow-up to Season Seven of the smash-hit TV series. * Eisner award-winning writer Brian K. Vaughan (Y:The Last Man, Ex Machina) tackles Joss Whedon's Buffy the Vampire Slayer Season Eight. * Collecting issue #6-10 of the Buffy the Vampire Slayer Season Eight series. * "The dialogue is Whedonesque and I can hear how the actors would read there lines. It's fun and witty and we're treated to more fantastical stories than the WB/UPN could ever pony up the money to do." -Comic Book Resources Executive produced by Buffy creator Joss Whedon.
Repeatedly declared dead by the media, the women’s movement has never been as vibrant as it is today. Indeed as Stanford professor and award-winning author Estelle B. Freedman argues in her compelling new book, feminism has reached a critical momentum from which there is no turning back. A truly global movement, as vital and dynamic in the developing world as it is in the West, feminism has helped women achieve authority in politics, sports, and business, and has mobilized public concern for once-taboo issues like rape, domestic violence, and breast cancer. And yet much work remains before women attain real equality. In this fascinating book, Freedman examines the historical forces that have fueled the feminist movement over the past two hundred years–and explores how women today are looking to feminism for new approaches to issues of work, family, sexuality, and creativity. Freedman begins with an incisive analysis of what feminism means and why it took root in western Europe and the United States at the end of the eighteenth century. The rationalist, humanistic philosophy of the Enlightenment, which ignited the American Revolution, also sparked feminist politics, inspiring such pioneers as Mary Wollstonecraft and Susan B. Anthony. Race has always been as important as gender in defining feminism, and Freedman traces the intricate ties between women’s rights and abolitionism in the United States in the years before the Civil War and the long tradition of radical women of color, stretching back to the impassioned rhetoric of Sojourner Truth. As industrialism and democratic politics spread after World War II, feminist politics gained momentum and sophistication throughout the world. Their impact began to be felt in every aspect of society–from the workplace to the chambers of government to relations between the sexes. Because of feminism, Freedman points out, the line between the personal and the political has blurred, or disappeared, and issues once considered “merely” private–abortion, sexual violence, homosexuality, reproductive health, beauty and body image–have entered the public arena as subjects of fierce, ongoing debate. Freedman combines a scholar’s meticulous research with a social critic’s keen eye. Sweeping in scope, searching in its analysis, global in its perspective, No Turning Back will stand as a defining text in one of the most important social movements of all time. From the Hardcover edition.

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