Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
When adolescents create and act in their own plays, something more than a production and performance results. As Jan Mandell and Jennifer Wolf attest, the power of the arts in learning can lead to a real passion for justice and the courage to question. For teachers, it can mean new ways of thinking about the gifts and talents of their students as learners and explicators of their own skills and knowledge. This book documents what happened when Wolf traveled to Minnesota to observe and participate in Mandell's drama classes. Quickly, both began to dive into research to question more intensely what occurs in the classroom, document the social nature of student learning, and study teacher change and conditions of professional development. Their focus is on how the accumulation and adaptation of knowledge takes place as students and teachers act together in their learning. Mandell and Wolf offer a highly practical model of teacher research as well as a detailed method of performing arts education. They include in every chapter academic essays, classroom activities, theatre exercises, and interviews with students. They supply more support in the appendixes-an annotated bibliography, sample lesson plans, coaching statements, research guidelines, and more.
For the directors and producers who have shied from doing a new play: Cast aside you doubts and pick up a new script. Chris Mackowski shares the experiences and advice of more than 50 other directors. Their insights and suggestions can help you learn how to search for and determine the best way to fit an original play.
Excerpt from Original Plays: Containing Broken Hearts, Engaged, Sweethearts, Dan'l Druce, Gretchen, Tom Cobb, the Sorcerer, H. M.S. Pinafore, the Pirates of Penzance Yes, yes, that's plain enough! (reads) Take pigeon's egg Wrapped in the skin of a beheaded toad. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
1925. Gilbert, English dramatist and writer of humorous verse, is best remembered as librettist of the Gilbert and Sullivan comic operas. The First Series contains: The Wicked World, Pygmalion and Galatea, Charity, The Princess, The Palace of Truth, Trial by Jury and Iolanthe.
Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.