Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and a Baby, which Hollywood has reworked for American audiences; and foreign films based on American works, among them Yugoslav director Emir Kusturica's Time of the Gypsies, which is a "makeover" of Coppola's Godfather films. As these essays demonstrate, films are remade by other films (Alfred Hitchcock went so far as to remake his own The Man Who Knew Too Much) and by other media as well. The editors and contributors draw upon narrative, film, and cultural theories, and consider gender, genre, and psychological issues, presenting the "remake" as a special artistic form of repetition with a difference and as a commercial product aimed at profits in the marketplace. The remake flourishes at the crossroads of the old and the new, the known and the unknown. Play It Again, Sam takes the reader on an eye-opening tour of this hitherto unexplored territory. Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and a Baby, which Hollywood has reworked for American audiences; and foreign films based on American works, among them Yugoslav director Emir Kusturica's Time of the Gypsies, which is a "makeover" of Coppola's Godfather films. As these essays demonstrate, films are remade by other films (Alfred Hitchcock went so far as to remake his own The Man Who Knew Too Much) and by other media as well. The editors and contributors draw upon narrative, film, and cultural theories, and consider gender, genre, and psychological issues, presenting the "remake" as a special artistic form of repetition with a difference and as a commercial product aimed at profits in the marketplace. The remake flourishes at the crossroads of the old and the new, the known and the unknown. Play It Again, Sam takes the reader on an eye-opening tour of this hitherto unexplored territory.
Comedy Characters: 3 male, 8 female Interior Set Allan Felix has this thing about Humphrey Bogart. If only he had some of Bogart's technique... Bookish and insecure with women, Allan's hero, Bogey comes to the rescue, with a fantastic bevy of beauties played out in hilarious fantasy sequences. Fixed up by friends with gorgeous women, he's so awkward that even Bogey's patience is tried. Allan mostly resembles a disheveled, friendly dog and this is what ultimately charms his best friend's wife, Linda into bed. It's a tough life, making it in the world of beautiful people but if you can't be a hero it helps to have one... "Hilarious...a cheerful romp. Not only are Mr. Allen's jokes and their follow ups, asides and twists audaciously brilliant, but he has a great sense of character."-The New York Times "A funny, likeable comedy that has a surprising amount of wistful appeal."-New York Post
When her husband comes home from work one day to announce he's moving out, Samantha Rutgers thinks it's a joke. She hopes it's a joke. It's not. He packs his suitcase and moves out. For twenty-five years, Sam was a corporate wife, a stay-at-home mom. Now she's divorced, adrift, and alienated from her daughter who blames her for the divorce. Ill equipped to be a single woman in a whole new dating culture, she would have foundered without help from an old friend who challenges her to finish up the art degree she put on hold when she married. Her classes open the door to a job at an advertising agency, where Sam makes several new friends and one enemy. There she meets Frank Reynolds, who invites her to take that first step into new love. Gradually, as she slowly builds a new life for herself, Sam learns how to stand strong in the face of adversity, personal and professional.
Chronicling the journey of ninety-year-old Sam Massell, each chapter is a book unto itself on the separate parts of his life. He has excelled in four careers, including twenty years in commercial real estate, twenty-two years in elected offices, thirteen years in the tourism industry, and is now in his thirtieth year of association management. In 1969, Sam Massell was elected the first Jewish mayor of Atlanta, Georgia. Since leaving office he has been inducted into numerous "Halls of Fame" for service in fields of business, government, civil rights, hospitality, and influence. When a young boy, and self-described "dead-end kid," Massell searched for identity between the mischief of his only two friends-one who ended up in juvenile detention-and operating his own oversized Coca-Cola stand. Later, he pioneered professionally as a specialist in building medical offices, struggled between pride and prejudice for being Jewish, and as a liberal Democrat, organized and managed a nonprofit civic group among one hundred (mostly) conservative Republican business leaders. Politically, Massell changed Atlanta's City elections to nonpartisan, created Atlanta's Urban Design Commission, allowed Muhammad Ali to fight when fifty other cities would not, established Metro Atlanta's mass transit system (MARTA), appointed the first woman to the City Council, named the first blacks to City department head status, and developed the Omni, Atlanta's first enclosed arena. Most importantly, his legacy will be his peaceful guidance of Atlanta (then population 500,000) through its transformation from an all-white power structure to a black city government. This is a textbook case of behind-the-scenes fact and frivolity of the sins of a workaholic and the success of an idea man, a leader, and the subject of a well-written history.
A bearded collie-turned-matchmaker named Sam fetches some romance for his sweet mistress, Phillippa "Pippa" Morgan, in the form of a handsome viscount ready to play Bogey to Pippa's Bacall. By the author of The Emperor's New Clothes. Original.
Comedy Characters: 3 male, 8 female Interior Set Allan Felix has this thing about Humphrey Bogart. If only he had some of Bogart's technique... Bookish and insecure with women, Allan's hero, Bogey comes to the rescue, with a fantastic bevy of beauties played out in hilarious fantasy sequences. Fixed up by friends with gorgeous women, he's so awkward that even Bogey's patience is tried. Allan mostly resembles a disheveled, friendly dog and this is what ultimately charms his best friend's wife, Linda into bed. It's a tough life, making it in the world of beautiful people but if you can't be a hero it helps to have one... "Hilarious...a cheerful romp. Not only are Mr. Allen's jokes and their follow ups, asides and twists audaciously brilliant, but he has a great sense of character."-The New York Times "A funny, likeable comedy that has a surprising amount of wistful appeal."-New York Post
Sam Schoenfeld was a basketball wizard! He was one of the most outstanding basketball players of his generation, and was compared favorably to Nat Holman, who was considered the very best. He became one of the top high school basketball coaches in New York City history, and then went on to become one of the best college basketball officials as well. This book details the unlimited passion that Sam had for the game of basketball and of his impressive contributions and achievements in it. The reader is taken along for an exciting ride through the short but full life of an extraordinary man!
A group of intrepid aviators embark on a two month adventure flying their eight single engine aircraft from Europe to South Africa and back. Southbound we assemble with our aircraft at the starting point of Crete from where we fly down the east coast of Africa to Cape Town then after a two week rest the remaining six aircraft fly back up the west coast of Africa to Ibiza and from there make our individual journeys home.
Bug Club Lime Plus books give high attaining children age-appropriate fiction and non-fiction stories which help them to work at greater depth, and allow you to measure their reading progress.
Fly back 151 years to watch as Sam and Alisha's ancestors become Canadian. Set in the great outdoors, there are more than three flies on this adventure. Book #2 of the TIMEFLIES Adventure Series.

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