Includes "one-year access to the poetry writing content on WritersMarket.com"--Cover.
The Poet's Market 2019 provides how-to material on preparing and submitting manuscripts, identifying markets, relating to editors, and other solid information that makes the book an ideal beginner's resource as well as advanced marketing guide. Catch up on the latest developments in poetry writing and publishing through articles on the business and promotion of poetry.
Offers practical advice on submitting manuscripts; lists journals, magazines, and book publishers that use poetry; and describes contests, awards, grants, and associations.
Publishing a poetry book is a big accomplishment. Writing and publishing are complicated. Selling your book is an entirely different beast. The publishers of Local Gems Press have sold tens of thousands of copies of their poetry books and are here to share their secrets. Learn about what goes on behind the scenes with poetry books published by academic presses. Learn about the statistics for what makes a best-selling poetry book. Learn how to host amazing book launches and live events. Learn how to partner with local businesses and charitable organizations to sell your book. Learn about how to take advantage of the online world and tap into the ever-growing online marketplace. And more. Published by Local Gems Press www.localgemspoetrypress.com
The Society of Classical Poets is reviving poetry with rhyme and meter and the response has been widespread and tremendous. Since the Society was founded in 2012, we have grown from a daily blog with weekly posts to a major non-profit organization publishing the highest quality poetry on a daily basis, as well as insightful essays, reviews, and the most exquisite art. People have been waiting for the return of real poetry, poetry that has clear thinking, discipline in form, and virtue in spirit, and now it has arrived.
The "World" in Robert Lee Brewer's Solving the World's Problems is a slippery world ... where chaos always hovers near, where we are (and should be) "splashing around in dark puddles." And one feels a bit dizzy reading these poems because (while always clear, always full of meaning) they come at reality slantwise so that nothing is quite the same and the reader comes away with a new way of looking at the ordinary objects and events of life. The poems are brim-full of surprises and delights, twists in the language, double-meanings of words, leaps of thought and imagination, interesting line-breaks. There are love and relationship poems, dream poems, poems of life in the modern world. And always the sense (as he writes) of "pulling the world closer to me/leaves falling to the ground/ birds flying south." I read these once, twice with great enjoyment. I will go back to them often. -Patricia Fargnoli, former Poet Laureate of New Hampshire and author of Then, Something
Small-time finance journalist Matthew Prior gave up his day-job and gambled everything on setting up a website offering financial advice ... in witty blank verse. Then he woke up one day in the middle of the worst crisis since the 30s with no business, a shedload of debt, a lot of guilt and a great deal of suspicion about his wife who spends her time flirting online with her childhood sweetheart - a real guy with a real, man's job. So when Matt's offered some high-grade dope, and finds he can sell a little bit of it on, he thinks that maybe this is where the future lies... As Matt battles to save his marriage, his children's future and his sanity too, The Financial Lives of the Poets becomes a hugely funny but heartfelt novel about how we can reach the edge of ruin - and pull back.
The ONE Thing has made more than 275 appearances on national bestseller lists, including #1 Wall Street Journal, NewYork Times, and USA Today. It won 12 book awards, has been translated into 26 languages, chosen as one of the Top 5 Business Books of 2013 by Hudson’s Booksellers and one of Top 30 Business Books of 2013 by Executive Book Summaries. Voted one of Top 100 Business Books of All Time on Goodreads. People are using this simple, powerful concept to focus on what matters most in their personal and work lives. Companies are helping their employees be more productive with study groups, training, and coaching. Sales teams are boosting sales. Churches are conducting classes and recommending for their members. By focusing their energy on one thing at a time people are living more rewarding lives by building their careers, strengthening their finances, losing weight and getting in shape, deepening their faith, and nurturing stronger marriages and personal relationships. YOU WANT LESS. You want fewer distractions and less on your plate. The daily barrage of e-mails, texts, tweets, messages, and meetings distract you and stress you out. The simultaneous demands of work and family are taking a toll. And what’s the cost? Second-rate work, missed deadlines, smaller paychecks, fewer promotions—and lots of stress. AND YOU WANT MORE. You want more productivity from your work. More income for a better lifestyle. You want more satisfaction from life, and more time for yourself, your family, and your friends. NOW YOU CAN HAVE BOTH—LESS AND MORE. In The ONE Thing, you’ll learn to • cut through the clutter • achieve better results in less time • build momentum toward your goal • dial down the stress • overcome that overwhelmed feeling • revive your energy • stay on track • master what matters to you The ONE Thing delivers extraordinary results in every area of your life—work, personal, family, and spiritual. WHAT’S YOUR ONE THING?
From Dylan Thomas’s eighteen straight whiskies to Sylvia Plath’s desperate suicide in the gas oven of her Primrose Hill kitchen; from Chatterton’s Pre-Raphaelite demise to Keats’ death warrant in a smudge of arterial blood, the deaths of poets have often cast a backward shadow on their work. The post-Romantic lore of the dissolute drunken poet has fatally skewed the image of poets in our culture. Novelists can be stable, savvy, politically adept and in control, but poets should be melancholic, doomed and self-destructive. Is this just an illusion , or is there some essential truth behind it? What is the price of poetry? In this book, two contemporary poets embark on a series of journeys to the death places of poets of the past, in part as pilgrims, but also as investigators, interrogating the myth.
This volume presents new versions of key chapters from the recent Routledge/Open University textbook, Creative Writing: A Workbook with Readings for writers who are specialising in writing poetry. It offers the novice writer engaging and creative activities, making use of insightful, relevant readings from the work of well-known authors to illustrate the techniques presented. Using his experience and expertise as a teacher as well as a poet, Bill Herbert guides aspiring writers through such key writing skills as: drafting voice imagery rhyme form theme. The volume is further updated to include never-before published dialogues with prominent poets such as Vicki Feaver, Gillian Allnutt, Kathleen Jamie, Linda France, Douglas Dunn, Sean O'Brien and Jo Shapcott. Concise and practical, Writing Poetry offers an inspirational guide to the methods and techniques of this challenging and rewarding genre and is a must-read for aspiring poets.
From the nuts and bolts of craft to the sources of inspiration, this book is for anyone who wants to write poetry-and do it well. The Poet's Companion presents brief essays on the elements of poetry, technique, and suggested subjects for writing, each followed by distinctive writing exercises. The ups and downs of writing life—including self-doubt and writer's block—are here, along with tips about getting published and writing in the electronic age. On your own, this book can be your "teacher," while groups, in or out of the classroom, can profit from sharing weekly assignments.
Lists publishers, magazines, and other markets that publish fictional works, and offers articles on how to develop one's writing skills and improve the odds of getting published.
In A Poet’s Guide to Poetry, Mary Kinzie brings her decades of expertise as poet, critic, and director of the creative writing program at Northwestern University to bear in a comprehensive reference work for any writer wishing to better understand poetry. Detailing the formal concepts of poetry and methods of poetic analysis, she shows how the craft of writing can guide the art of reading poems. Using examples from the major traditions of lyric and meditative poetry in English from the medieval period to the present, Kinzie considers the sounds and rhythms of poetry along with the ideas and thought-units within poems. Kinzie also shares her own successful classroom tactics that encourage readers to approach a poem as if it were provisional. The three parts of A Poet’s Guide to Poetry lead the reader through a carefully planned introduction to the ways we understand poetry. The first section provides careful, step-by-step instruction to familiarize students with the formal elements of poems, from the most obvious feature through the most subtle. The second part carefully examines meter and rhythm, as well as providing a theoretical and practical overview of free verse. The final section offers helpful chapters on writing in form. Rounding out the volume are writing exercises for beginning and advanced writers, a dictionary of poetic terms, and a bibliography of further reading. For this new edition, Kinzie has carefully reworked the introductory material and first chapter, as well as amended the annotated bibliography to include the most recent works of criticism. The updated guide also contains revised exercises and adjustments throughout the text to make the work as lucid and accessible as possible.
Agbabi, Armitage, Burnside, Duffy, Dunmore, Fanthorpe, Heaney, Motion, Nagra, O'Brien and more Poems of the Decade brings together more than one hundred poems from the many thousands submitted to the Forward Prizes for Poetry in the first decade of the 21st century.The Forwards are among the world's most coveted poetry honours. They have been awarded annually since 1992 for the Best Collection, Best First Collection and Best Single Poem published in Britain and Ireland, and the roster of winning, shortlisted and highly commended poets regularly juxtaposes familiar canonical names with fresh voices.This anthology of anthologies draws on the ten Forward Books of Poetry published to accompany the prizes between 2001 and 2010. It is the perfect introduction to a wide range of contemporary poetry: works that speak of violence, danger and fear, of love and all that opposes love, in forms of language broken and reshaped by the need to communicate what it is to be alive now, here.'These annual anthologies of the poems in the running for the Forward Prizes remain the best way of encountering the richness that new poetry has to offer.' Daily Telegraph
An impassioned call for a return to reading poetry and an incisive argument for poetry’s accessibility to all readers, by critically acclaimed poet Matthew Zapruder In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry—and poetry alone—can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it. Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.
In 1991, Dana Gioia's provocative essay "Can Poetry Matter?" was published in the Atlantic Monthly, and received more public response than any other piece in the magazine's history. In his book, Gioia more fully addressed the question: Is there a place for poetry to be part of modern American mainstream culture? Ten years later, the debate is as lively and heated as ever. Graywolf is pleased to re-issue this highly acclaimed collection in a handsome new edition, which includes a new Introduction by distinguished critic and poet, Dana Gioia. An acclaimed poet, essayist, anthologist, BBC commentator, and critic, Dana Gioia is the author of Interrogations at Noon, a collection of poems that received the American Book Award, and Nosferatu, a libretto. He was recently nominated to be Chairman of the National Endowment for the Arts and lives in Santa Rosa, California, with his family. National Book Critics Circle Award Finalist When it was originally published in the Atlantic Monthly in 1991, Gioia's landmark article "Can Poetry Matter?" received more public response than any other piece in the magazine's history. This provocative essay collection, a contemporary classic now appearing in a special tenth-anniversary edition and featuring a new Introduction by the author, addresses more fully Gioia's key question: Is there a place for poetry in modern American mainstream culture? "This book is destined to be a classic."—Michael J. Bugeja, Columbus Dispatch "Gioia is an engaged, thoroughgoing, enthusiastic reader, one who infuses us with his passion for poetry. If you're an educated general reader, and you read only one book about contemporary poetry, this should be that book."—Ray Olson, Booklist "No one, I think, has written with greater clarity or greater poignancy—or with a greater sense of urgency, either—about the 'subculture' in which the art of poetry is still confined."—Hilton Kramer, The New Criterion "Can Poetry Matter? is an important book, and anyone who professes to care about the state of American poetry will have to take it into account."—World Literature Today "This book is destined to be a classic."—Michael J. Bugeja, Columbus Dispatch