A classic in psychological ethnography and the history of colonialism
Shakespeare's Caliban examines The Tempest's "savage and deformed slave" as a fascinating but ambiguous literary creation with a remarkably diverse history. The authors, one a historian and the other a Shakespearean, explore the cultural background of Caliban's creation in 1611 and his disparate metamorphoses to the present time.
In diesem Buch werden distinkte Formen literarischer Buch- und Schriftvernichtungen in ihren poetischen, narratologischen, medientheoretischen und kulturgeschichtlichen Dimensionen analysiert. Damit werden insbesondere diejenigen Aspekte berücksichtigt, die im 20. Jahrhundert durch die symbolische Last historischer Bücherverbrennungen aus dem Blick geraten sind. In der Verschränkung verschiedener Wissensfelder wie der Schrift- und Lesekultur, der Zensur- und Klandestinaforschung oder der Kolonialismus- und Ideologiegeschichte werden gängige Narrative der Buch- und Schriftvernichtung in Frage gestellt. Dies erfolgt mit dem Ziel, die Wahrnehmung von literarischer Tradition, von Kanonbildung und Zensurpraktiken zu modifizieren. Anhand zahlreicher Einzeltexte der überwiegend europäischen Literatur vom 16. Jahrhundert bis in die Gegenwart wird in dieser Studie der Zusammenhang von Buchleidenschaft und Schriftfeindschaft, philologischer Neugier und Auslöschungsbegehren, Kanonbildung und Buchhinrichtung untersucht. Sie zeigt auf, inwiefern mit den Szenarien der Schriftvernichtung eine regelrechte Aufwertung der Rolle von Buch und Schrift einhergeht. Den transformatorischen Vorgängen des Löschens, Brennens und Einverleibens von Buch und Schrift wird hierbei ein Eigenwert als Praxis des Wissens eingeräumt.
Translated from Spanish. become a kind of manifesto for Latin American and Caribbean writers; the remaining four essays deal with Spanish and Latin-American literature, including the work of Nicaraguan poet Ernesto Cardenal. Cloth edition (unseen), $35. Annotation copyrighted by Book News, Inc., Portland, OR
While "The Tempest" has always been one of Shakespeare's most entertaining and enchanting plays, it continues to stir up passionate debate throughout the world because of its ideas and attitudes toward race, class, political power, and colonialism. This casebook systematically examines these issues, as well as several others, from dramatic and historical perspectives and through parallel contemporary applications. Readers are first introduced to the play with a dramatic analysis that situates the work within Shakespeare's canon and within the romantic tradition. This fresh interpretation also casts much light on the use of imagery and language in setting, character, and thematic development. This casebook draws on the themes and issues introduced, and examines each one in turn with insightful original essays and primary documents. The shipwreck that sets the play in motion is examined in terms of the discovery of the new world, and the prevailing attitudes toward colonialism. A brief chronology of New World events helps situate the historical excerpts. Another intriguing topic explored in the casebook is the diverging Elizabethan views on science and religion, with a particular focus on the role of magic. Primary documents that help readers appreciate the significance of matters of sorcery and the supernatural include excerpts from Reginald Scott's 1584 "The Discovery of Witchcraft, " James I's "Demonology" (1597) as well as Marlowe's "Doctor Faustus." Other topic chapters examine political power and treachery, as well as society in terms of marriage and the court. A full chapter is also devoted to performance and interpretation of the play. The final Contemporary Applications section investigates current global concerns that parallel those in the play, and help readers appreciate Shakespeare's play in relation to the world around us. Readers are shown dramatically contrasting perspectives on colonialism in Zimbawe. The casebook concludes with a fascinating discussion of the parallel elements of fantasy in "The Tempest" and in literary works by popular contemporary writers J.R.R. Tolkien and J. K. Rowling. Understanding "The Tempest" follows the successful casebook format developed specifically for the "Literature in Context" series. Following a dramatic analysis, each topic chapter presents an important historical issue in the play, with insightful narrative essays supported by primary documents. In several chapters, brief chronologies of significant related events help readers understand the historical context of the play and its thematic concerns. As a tool for student research and classroom work, educators will appreciate the numerous topics for written and oral discussion suggested at the conclusion of each unit. Suggested readings further complement the content and research applications of the casebook.
In Shakespeare’s Tempest, Caliban says to Miranda and Prospero: "...you taught me language, and my profit on’t Is, I know how to curse. " With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero’s language? Can he use it to do more than curse? Caliban’s Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be ‘English Literature’. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures. Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.
Paget introduces the general reader to Afro-Caribbean philosophy in this ground-breaking work. Since Afro-Caribbean thought is inherently hybrid in nature, he traces the roots of this discourse in traditional African thought and in the Christian and Enlightenment traditions of Western Europe.
Even the most explicitly political contemporary approaches to Shakespeare have been uninterested by his tyrants as such. But for Shakespeare, rather than a historical curiosity or psychological aberration, tyranny is a perpetual political and human problem. Mary Ann McGrail's recovery of the playwright's perspective challenges the grounds of this modern critical silence. She locates Shakespeare's expansive definition of tyranny between the definitions accepted by classical and modern political philosophy. Is tyranny always the worst of all possible political regimes, as Aristotle argues in his Politics? Or is disguised tyranny, as Machiavelli proposes, potentially the best regime possible? These competing conceptions were practiced and debated in Renaissance thought, given expression by such political actors and thinkers as Elizabeth I, James I, Henrie Bullinger, Bodin, and others. McGrail focuses on Shakespeare's exploration of the conflicting and contradictory passions that make up the tyrant and finds that Shakespeare's dramas of tyranny rest somewhere between Aristotle's reticence and Machiavelli's forthrightness. Literature and politics intersect in Tyranny in Shakespeare, which will fascinate students and scholars of both.
Miranda and Caliban is bestselling fantasy author Jacqueline Carey’s gorgeous retelling of The Tempest. With hypnotic prose and a wild imagination, Carey explores the themes of twisted love and unchecked power that lie at the heart of Shakespeare’s masterpiece, while serving up a fresh take on the play's iconic characters. A lovely girl grows up in isolation where her father, a powerful magus, has spirited them to in order to keep them safe. We all know the tale of Prospero's quest for revenge, but what of Miranda? Or Caliban, the so-called savage Prospero chained to his will? In this incredible retelling of the fantastical tale, Jacqueline Carey shows readers the other side of the coin—the dutiful and tenderhearted Miranda, who loves her father but is terribly lonely. And Caliban, the strange and feral boy Prospero has bewitched to serve him. The two find solace and companionship in each other as Prospero weaves his magic and dreams of revenge. Always under Prospero’s jealous eye, Miranda and Caliban battle the dark, unknowable forces that bind them to the island even as the pangs of adolescence create a new awareness of each other and their doomed relationship. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The Caliban-Prospero encounter in Shakespeare's The Tempest has evolved as a metaphor for the colonial experience. This book utilizes the Caliban symbol in examining the influence of colonialism in Caribbean literature, focusing on three major writers: Jean Rhys of Dominica, George Lamming of Barbados, and Sam Selvon of Trinidad. The novels chosen are set in England where the writers and their characters experience the alienation of the exiled--unwelcome in Prospero's home country. Other Caribbean writers are included in the analysis, and the volume concludes by examining contemporary writers for whom Caliban's role appears to be shifting beyond physical exile.
With an introduction by Simon Callow Judgements about the quality of works of art begin in opinion. But for the last two hundred years only the wilfully perverse (and Tolstoy) have denied the validity of the opinion that Shakespeare was a genius. Who was Shakespeare? Why has his writing endured? And what makes it so endlessly adaptable to different times and cultures? Exploring Shakespeare's life, including questions of authorship and autobiography, and charting how his legacy has grown over the centuries, this extraordinary book asks how Shakespeare has come to be such a powerful symbol of genius. Written with lively passion and wit, The Genius of Shakespeare is a fascinating biography of the life - and afterlife - of our greatest poet. Jonathan Bate, one of the world's leading Shakespearean scholars, has shown how the legend of Shakespeare's genius was created and sustained, and how the man himself became a truly global phenomenon. 'The best modern book on Shakespeare' Sir Peter Hall
Examines the manifestations of racism, sexism, and homophobia in the literary works of Shakespeare, Mary Shelley, Joseph Conrad, and Toni Morrison.
Shows how Renaissance writers and artists struggled to reconcile past traditions with experiences of 'discovery'.
A new edition of The Tempest which brings alive the rich interpretative possibilities of this most popular play.
Nabokov's Shakespeare is a comprehensive study of an important and interesting literary relationship. It explores the many and deep ways in which the works of Shakespeare, the greatest writer of the English language, penetrate the novels of Vladimir Nabokov, one of the finest English prose stylists of the twentieth century. As a Russian youth, Nabokov read all of Shakespeare, in English. He claimed a shared birthday with the Bard, and some of his most highly regarded novels (Lolita, Pale Fire and Ada) are infused with Shakespeare and Shakespeareanisms. Nabokov uses Shakespeare and Shakespeare's works in a surprisingly wide variety of ways, from the most casual references to deep thematic links. Schuman provides a taxonomy of Nabokov's Shakespeareanisms; a quantitative analysis of Shakespeare in Nabokov; an examination of Nabokov's Russian works, his early English novels, the non-novelistic writings (poetry, criticism, stories), Nabokov's major works, and his final novels; and a discussion of the nature of literary relationships and influence. With a Foreword by Brian Boyd.
This engaging book provides detailed in-depth discussion of the various influences that an audience in 1611 would have brought to interpreting ‘The Tempest’. How did people think about the world, about God, about sin, about kings, about civilized conduct? Learn about the social hierarchy, gender relationships, parenting and family dynamics, court corruption, class tensions, the concept of tragi-comedy – and all the subversions, transgressions, and oppositions that made the play an unsettling picture of a world attempting to come to terms with capitalism and colonialism while re-addressing the nature of rule.