We are making our lives up "here on this bridge / between starshine and clay" (Lucille Clifton). Addressing tough circumstances tenderly, this book is about life--what we inherit, what we create, what shapes us, what's possible.
She Has a Name tells the story of a woman with autism and her family as they share difficulties, doubt, anger, and love
Winner of the Kate Tufts Discovery Award (2015) Brandon Som's The Tribute Horse unearths strange knowledge about the ways migration acts upon and is affected by a body's language, culture, perception and physical manifestations. Using found text, prose poem and Oulipian narrative, Som constructs a poetry deep in its theoretical rigor, ravishing in its sonic pleasure, and delicate in its formal constructions, drawing from various sources, including Chinese painting, Japanese photography, and narrative of immigrants through Angel Island, including that of his own grandfather.
Puccini is the most beloved composer of opera in the world: one quarter of all opera performances in the U.S. are of his operas, his music pervades movie soundtracks, and his plots have infiltrated our popular culture. But, although Puccini’s art still captivates audiences and the popularity of such works as Tosca, La Boh?me, and Madama Butterfly has never waned, he has long been a victim of critical snobbery and cultural marginalization. In this witty and informative guide for beginners and fans alike, William Berger sets the record straight, reclaiming Puccini as a serious artist. Combining his trademark irreverent humor with passionate enthusiasm, Berger strikes just the right balance of introductory information and thought-provoking analysis. He includes a biography, discussions of each opera, a glossary, fun facts and anecdotes, and above all keen insight into Puccini’s enduring power. For anyone who loves Puccini and for anyone who just wonders what all the fuss is about, Puccini Without Excuses is funny, challenging, and always a pleasure to read. INCLUDES: _ Why Puccini’s art and its message of hope is crucial to our world today _ How Anglo audiences often miss the mythic significance of his operas _ The use of his music as shorthand in films, from A Room with a View to Fatal Attraction _ A scene-by scene analysis of each opera _ A guide to the wealth of available recordings, books, and videos
Grounded in technical mastery, the poems in Out of Speech address issues both universal and timely. In this series of ekphrastic works, Adam Vines explores themes as varied as exile, family, disease, desire, and isolation through an array of twentieth- and twenty-first century painters, including Picasso, Hopper, Rothko, de Kooning, Warhol, Lichtenstein, and Artschwager. He also goes within and beyond these works of art to explore characters set in the present-day museums, from a bored docent to a misinformed “explainer” of an artwork’s meaning. Combining these two views—one that looks at the painting and another that looks around it—his poems affirm the artist’s insights into the complexity of being human.
Novel about contemporary Indian culture by Latha Viswanathan.
"This work quakes and blooms and dares us to try to resist the world's grace."-Ada Limón
Talking Pillow celebrates love as amazement, sustenance, and the progenitor of scarce-believable loss. The book centers around the sudden death of the author’s long-time partner and travels outward to events in the world at large. Imagining themselves into multiple times, places, and lives, the poems comically explore the possibilities of attachment between people and the absurdity of death’s sudden intrusion. Antic and often funny, these poems converse with all that we care about, fear, and fail to understand.
Inspired by true events, The Vain Conversation reflects on the 1946 lynching of two black couples in Georgia from the perspectives of three characters—Bertrand Johnson, one of the victims; Noland Jacks, a presumed perpetrator; and Lonnie Henson, a witness to the murders as a ten-year-old boy. Lonnie’s inexplicable feelings of culpability drive him in a search for meaning that takes him around the world, and ultimately back to Georgia, where he must confront Jacks and his own demons, with the hopes that doing so will free him from the grip of the past. In The Vain Conversation, Anthony Grooms seeks to advance the national dialogue on race relations. With complexity, satire, and sometimes levity, he explores what it means to redeem, as well as to be redeemed, on the issues of America’s race violence and speaks to the broader issues of oppression and violence everywhere. A foreword is provided by American poet, painter, and novelist Clarence Major. An afterward is written by T. Geronimo Johnson, the bestselling author of Welcome to Braggsville and Hold It ’Til It Hurts.
Literary Nonfiction. Essays. A moving nonfiction debut by Mississippi Delta poet Mike Smith, this memoir-in-essays, AND THERE WAS EVENING AND THERE WAS MORNING: ESSAYS ON ILLNESS, LOSS, AND LOVE, tracks the loss of Smith's first wife to cancer after the birth of the second child, offering a portrait of marriage, family, and tragedy. In honest, and at times darkly comic terms, Smith documents the strange set of coincidences between his first wife's illness and his stepdaughter's similar battle the year his second marriage began, and examines blended families, remarriage, helping children find ways to cope with the loss of a parent, and the influence of spirituality upon loss. Author Tony D'Souza calls Smith "a reflective and precise writer, [who] invites us to walk each step with him as his heart is annihilated." Beth Ann Fennelly, author of Heating & Cooling, says, "What a gift Mike Smith has given us... His prose is nuanced, his voice considered and considerate, his wisdom hard-earned but never bitter. There is beauty and solace here and gorgeous imagery. Smith has written a book for all of us who are dying--which is to say, all of us who are living, and our lives will be the better for having read it." Author Julianna Baggott's writes: "What I love most is that this isn't a book about learning to let go but instead learning that the heart can expand to hold more love..."
Fimbul-Winter describes three consecutive winters with no summers in between. Fimbul-Winter (or "Fimbulvetr") takes its name from The Prose Edda, a text on Old Norse Poetics written in about 1200. Within these three winters, the poems' characters must force themselves upon the landscape, "sculpt their parking spaces, / carve them out like little caves, arced alcoves." Despite such frozen spaces, Allbery finds consolation: "that passed and so may this."
Anthropological field studies of nongovernmental organizations (NGOs) in their unique cultural and political contexts. Cultures of Doing Good: Anthropologists and NGOs serves as a foundational text to advance a growing subfield of social science inquiry: the anthropology of nongovernmental organizations (NGOs). Thorough introductory chapters provide a short history of NGO anthropology, address how the study of NGOs contributes to anthropology more broadly, and examine ways that anthropological studies of NGOs expand research agendas spawned by other disciplines. In addition, the theoretical concepts and debates that have anchored the analysis of NGOs since they entered scholarly discourse after World War II are explained. The wide-ranging volume is organized into thematic parts: “Changing Landscapes of Power,” “Doing Good Work,” and “Methodological Challenges of NGO Anthropology.” Each part is introduced by an original, reflective essay that contextualizes and links the themes of each chapter to broader bodies of research and to theoretical and methodological debates. A concluding chapter synthesizes how current lines of inquiry consolidate and advance the first generation of anthropological NGO studies, highlighting new and promising directions in this field. In contrast to studies about surveys of NGOs that cover a single issue or region, this book offers a survey of NGO dynamics in varied cultural and political settings. The chapters herein cover NGO life in Tanzania, Serbia, the Czech Republic, Egypt, Peru, the United States, and India. The diverse institutional worlds and networks include feminist activism, international aid donors, USAID democracy experts, Romani housing activism, academic gender studies, volunteer tourism, Jewish philanthropy, Islamic faith-based development, child welfare, women’s legal arbitration, and environmental conservation. The collection explores issues such as normative democratic civic engagement, elitism and professionalization, the governance of feminist advocacy, disciplining religion, the politics of philanthropic neutrality, NGO tourism and consumption, blurred boundaries between anthropologists as researchers and activists, and barriers to producing critical NGO ethnographies.
"Every line resonates with a wind that crosses oceans."—Jamaal May "Zamora's work is real life turned into myth and myth made real life." —Glappitnova Javier Zamora was nine years old when he traveled unaccompanied 4,000 miles, across multiple borders, from El Salvador to the United States to be reunited with his parents. This dramatic and hope-filled poetry debut humanizes the highly charged and polarizing rhetoric of border-crossing; assesses borderland politics, race, and immigration on a profoundly personal level; and simultaneously remembers and imagines a birth country that's been left behind. Through an unflinching gaze, plainspoken diction, and a combination of Spanish and English, Unaccompanied crosses rugged terrain where families are lost and reunited, coyotes lead migrants astray, and "the thin white man let us drink from a hose / while pointing his shotgun." From "Let Me Try Again": He knew we weren't Mexican. He must've remembered his family coming over the border, or the border coming over them, because he drove us to the border and told us next time, rest at least five days, don't trust anyone calling themselves coyotes, bring more tortillas, sardines, Alhambra. He knew we would try again. And again—like everyone does. Javier Zamora was born in El Salvador and immigrated to the United States at the age of nine. He earned a BA at UC-Berkeley, an MFA at New York University, and is a 2016–2018 Wallace Stegner Fellow at Stanford University.
The astonishing, powerful debut by the winner of a 2016 Whiting Writers' Award WHEREAS her birth signaled the responsibility as mother to teach what it is to be Lakota therein the question: What did I know about being Lakota? Signaled panic, blood rush my embarrassment. What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don’t worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father’s language. To sing she motions simultaneously with her hands; I watch her be in multiple musics. —from “WHEREAS Statements” WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature.
Miller Williams Arkansas Poetry Prize Finalist
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