If the Garfish Don’t Bite by Alice Lunsford Mary Alice struggles to navigate the world of adults around her. Although she lives in a town plagued by the KKK, she doesn’t understand how there can be so much hatred in a person’s heart. Surrounded by racial injustice, Mary Alice tries to make sense of it all and find her spot in a place run by adults who all seem to know more than she does. While working on those mysteries, she also struggles to shed light in a few dark corners of her own personal life. However, as she grows up life seems to get more complicated. Secrets slowly began to reveal themselves, and Mary Alice must confront the underlying bigotry and violence that exists in her own hometown.
This volume documents Robert Taft's first term in the United States Senate and marks his entrance onto the national political and policymaking stage.
When nine-year-old orphan Georgia James is unexpectedly fostered by the kindly Celia and her bank manager husband she can hardly believe her luck. But then - on her fifteenth birthday - she suffers the cruellest betrayal of all at the hands of her foster father and is forced to run away, leaving everything she loves behind her. Penniless, sleeping rough, Georgia is soon introduced to the sleazy Soho world of brassy strippers, sweat shops, camaraderie and hardship. Fired by a fierce ambition, blessed with an extraordinary voice, her long struggle for fame and fortune begins. But even when she reaches the top she finds that the scars of the past can open up to ruin her... Steeped in atmosphere and raw emotion, Georgia is the story of a determination to succeed against all the odds and of a burning first love.
An anthropologist among aid workers. Her objective: to study that exotic tribe, humanitarian and development workers, along with their state and non-state partners, as they "export democracy" to post-soviet countries of Central Asia and the Caucasus. Her method: to join the tribe for ten years. From New York to Alma-Ata, by way of Geneva and Baku, Laëtitia Atlani-Duault provides both an understanding of the individuals working in the field and a critical analysis of the sweeping political implications of NGO activities. A focus on supposedly "de-politicized" policy areas (notably the prevention of HIV/AIDS epidemic) provides wider insights into the objectives and practices of international aid workers in countries beset by rising poverty, drug trafficking, prostitution, and decaying education and health services. The author also provides a rich canvas of human stories, from the "workshops" in which diametrically opposed political approaches often clash to the occasional small triumphs in which effective public health interventions are worked out. This timely book will be of great interest not only to scholars of post-soviet countries, but also to those interested in humanitarian and development aid worldwide. It will also be relevant for the study of the anthropology of development, as well as medical and political anthropology.
In Talking Art, acclaimed ethnographer Gary Alan Fine gives us an eye-opening look at the contemporary university-based master’s-level art program. Through an in-depth analysis of the practice of the critique and other aspects of the curriculum, Fine reveals how MFA programs have shifted the goal of creating art away from beauty and toward theory. Contemporary visual art, Fine argues, is no longer a calling or a passion—it’s a discipline, with an academic culture that requires its practitioners to be verbally skilled in the presentation of their intentions. Talking Art offers a remarkable and disconcerting view into the crucial role that universities play in creating that culture.
Theo can't stop looking at Max. With those black clothes and piercings, and that sarcastic charm that's enough to intimidate pretty much anyone, he's not exactly what you would call ordinary. Especially not when Theo is as ordinary as it gets, for a high schooler, along with all the insecurity and awkwardness that comes with it. Basically, Max is everything Theo is not, but no matter how hard Theo tries, he can't get him off his mind. He's honestly crushing on him so hard, that it's not even funny. Theo has never spoken to Max, has even tried to hate him, but when their paths actually cross, their first conversation takes a surprising turn. And before long, they both find themselves falling harder and faster than they ever could have anticipated. Sweaters & Cigarettes is a story about first love, first times, and all the sweet thrills that go along with it. (This book has some mature content)
Robert Lowell once remarked, "When Elizabeth Bishop's letters are published (as they will be), she will be recognized as not only one of the best, but one of the most prolific writers of our century." One Art is the magificent confirmation of Lowell's prediction. From several thousand letters, written by Bishop over fifty years—from 1928, when she was seventeen, to the day of her death, in Boston in 1979—Robert Giroux, the poet's longtime friend and editor, has selected over five hundred missives for this volume. In a way, the letters comprise Bishop's autobiography, and Giroux has greatly enhanced them with his own detailed, candid, and highly informative introduction. One Art takes us behind Bishop's formal sophistication and reserve, fully displaying the gift for friendship, the striving for perfection, and the passionate, questing, rigorous spirit that made her a great artist.
"An intense, incantatory, erotic novel . . . An exquisitely calibrated evocation of longing and lust."--Vogue Abandoned by her lover of ten years and devastated by the painful death of her brother, an American writer named Catherine comes to live and heal her wounds in the lush, crisp, light-dappled French Riviera. But the sensual magic of summertime only underscores Catherine's longing, as she falls deeper and deeper into an irretrievable madness. With passionate abandon and detachment, Catherine pursues her own destruction through brief but irresistible sexual encounters with an Arlesian woman, a fireman, a poet, and three thieves, until she meets Lucien, a man who looks as if he "stepped out of an unmade film by dead Truffant," and who she senses to be her match in solitude and beauty. Through this mysterious, doomed, bittersweet liaison Catherine makes one last attempt to halt her decline, only to face the shattering, inevitable conclusion of this mesmerizing drama of sex, betrayal, and dissolution. Author Carole Maso's nuanced storytelling manipulates language with the graceful precision of a stained glass artisan--refracting reality, casting light, and dazzling with color the erotic adventures of a woman and the inner life of an artist inspired and doomed by desire. "Gorgeous . . . an outpouring of passion."--San Francisco Chronicle "Terse, musical and hypnotic . . . Maso tracks with horrifying authenticity the downward spiral of Catherine's depression."--Los Angeles Times "A fever dream of love and sanctuary."--Elle