After Juan's best friend Jamie is faced with major family drama, they decide to skip town until the situation cools down and go to Mexico in search of the perfect wave. Joined by Jamie's sister Amber, the three of them embark on a road trip of a lifetime. Filled with love, loss, and surfing, Jack Lopez delivers a story as intense as catching the ultimate wave.
In this 25th anniversary edition, Tom Nairn reviews the arguments of his classic study and expands his thesis into the new millennium. As Tony Blair sends off his ships and troops to assist America's assault on the Middle East, it is surely unlikely that the UK will survive in anything like its historical form. This edition includes a new 20-page introduction.
In his controversial essay on white jazz musician Burton Greene, Amiri Baraka asserted that jazz was exclusively an African American art form and explicitly fused the idea of a black aesthetic with radical political traditions of the African diaspora. In the Break is an extended riff on "The Burton Greene Affair, " exploring the tangled relationship between black avant-grade in music and literature in the 1950s and 1960s, the emergence of a distinct form of black cultural nationalism, and the complex engagement with and disavowal of homoeroticism that bridges the two. Fred Moten focuses in particular on the brilliant improvisatory jazz of John Coltrane, Ornette Coleman, Albert Ayler, Eric Dolphy, Charles Mingus, and others, arguing that all black performance--culture, politics, sexuality, identity, and blackness itself--is improvisation. For Moten, improvisation provides a unique epistemological standpoint from which to investigate the provocative connections between black aesthetics and Western philosophy. He engages in a strenuous critical analysis of Western philosophy (Heidegger, Kant, Husserl, Wittgenstein, and Derrida) through the prism of radical black thought and culture. As the critical, lyrical, and disruptive performance of the human, Moten's concept of blackness also brings such figures as Frederick Douglass and Karl Marx, Cecil Taylor and Samuel R. Delany, Billie Holiday and William Shakespeare into conversation with each other. Stylistically brilliant and challenging, much like the music he writes about, Moten's wide-ranging discussion embraces a variety of disciplines--semiotics, deconstruction, genre theory, social history, and psychoanalysis--to understand thepoliticized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten's ambitious intellectual project--to establish an aesthetic genealogy of the black radical tradition.
A Dystopian Future is Closer than you think. It’s Wednesday the 7th March 2018 – in the mainland UK. Everywhere else, it’s June 1065. No one knows what caused The Break eleven months ago, but there’s no sign of its end. England is settling into its new future as a reindustrialising concentration camp. The rest of the world is watching… waiting... curious... Jennifer thinks her family survived The Hunger because of their smuggling business – tampons and paracetamol to France, silver back to England. Little does she know what game her father was really playing, as she recrosses the Channel from an Impromptu mission of her own. Little can she know how her life has already been torn apart. Who has taken Jennifer’s parents? Where are they? What is the Home Secretary up to with the Americans? Why is she so desperate to lay hands on Michael? Will Jesus Christ return to Earth above Oxford Circus? When will the “Doomsday Project” go live? Can the Byzantine Empire and the Catholic Church take on the British State, and win? All will be answered – if Jennifer can stay alive in a post-apocalyptic London terrorised by cannibals, by thugs in uniform, and by motorbike gangs of Islamic suicide bombers.
THE SUNDAY TIMES NUMBER ONE BESTSELLER - SHORTLISTED FOR A NATIONAL BOOK AWARD 'Myself and Hugh . . . We're taking a break.' 'A city-with-fancy-food sort of break?' If only. Amy's husband Hugh says he isn't leaving her. He still loves her, he's just taking a break - from their marriage, their children and, most of all, from their life together. Six months in South-East Asia. And nothing she says can stop him. But when does a break become a break-up? For a lot can happen in six months. And it's enough to send Amy and her family of gossips, misfits and troublemakers teetering over the edge. When Hugh returns, if he returns, will he be the same man she married? Will Amy be the same woman? Because if Hugh is on a break from their marriage, then isn't she? _____________ 'Mercilessly funny' The Times 'Just brilliant' Sunday Times 'I laughed . . . I cried' Daily Mail 'Full of darkness and light, this is Keyes at her classic and most brilliant best' Red
Ever had your heart blown to smithereens? Ever wondered if happy-ever-after only happens to other people? Lindsay Davidson is not your usual angst-ridden thirty-something. She's got life sussed. She's just about to marry Paul Hayes - think Johnny Depp meets Colin Firth with a hint of Brad Pitt - when a phone call rips her life apart. Cue bucketloads of tears and self-doubt, until, amazingly, a chink of light in the form of the job of a lifetime. Working behind the scenes on one of the top-rated TV chat shows opens up a fascinating new world, with as much sex and scandal off-screen! A fairytale weekend with a hot new presenter gives Lindsay reason to hope again, until a misunderstanding means her heart takes another battering. Soon, there's a life-changing decision to be made and meanwhile, Paul wonders if he's made a mistake...
This volume, in honour of Peter L. Forey, is about fishes as palaeobiogeographic indicators in the Mesozoic and Cenozoic. The last 250 million years in the history of Earth have witnessed the break-up of Pangaea, affecting the biogeography of organisms. Fishes occupy almost all freshwater and marine environments, making them a good tool to assess palaeogeographic models. The volume begins with studies of Triassic chondrichthyans and lungfishes, with reflections on Triassic palaeogeography. Phylogeny and distribution of Late Jurassic neoselachians and basal teleosts are broached, and are followed by five papers about the Cretaceous, dealing with SE Asian sharks, South American ray-finned fishes and coelacanths, European characiforms, and global fish palaeogeography. Then six papers cover Tertiary subjects, such as bony tongues, eels, cypriniforms and coelacanths. There is generally a good fit between fish phylogenies and the evolution of the palaeogeographical pattern, although a few discrepancies question details of current palaeogeographic models and/or some aspects of fish phylogeny.
A break is generally an unexpected or sacrificial pawn move that can serve multiple purposes, including, but not limited to: Opening up files or diagonals - Directly attacking opponent's king - Gaining space - Freeing up a square (e.g. as an outpost for a knight) - Undermining opponent's pawn structure/chain - Creating a passed pawn Inspiration for this book came from reading Vladimir Kramnik's collection of games, which featured a special section on the pawn breakthroughs. Later studying the games of Mikhail Botvinnik, Carl Schlechter, the author also spotted their great ability to play with the pawns. In the book, the chapters are presented starting with Schlechter and ending with Kramnik, to reflect the development of chess thought. Sacrificial pawn breaks are very common in chess and happen in a wide variety of positions, from sharp opening theoretical positions - to seemingly calm endgames. The challenge in writing this book was not in finding examples, but rather in constraining from adding more and more illustrative games. That means that once you study this topic, you should be able to frequently use the acquired skills in many of your tournament games, making this knowledge of great value for a practical player. The book is filled with dozens of training questions so that before seeing the move played by the grandmaster - the reader can practice their skill and come up with an answer on their own. To see the solution to a position - just go to the next page in your e-reader.
This book documents the development of psychiatry in Singapore since its humble beginnings in the British colonial period. It should be of interest to health professionals, medical students, historians interested in the development of medicine and psychiatry and even members of the public with some basic understanding of psychiatry and psychology. Relatives and caregivers of psychiatric patients would also find the information furnished in this book enlightening.
2007 Arts Club of Washington’s National Award for Arts Writing - Finalist SEE ALSO: Pimps Up, Ho’s Down: Hip Hop’s Hold on Young Black Women by T. Denean Sharpley-Whiting. With roots that stretch from West Africa through the black pulpit, hip-hop emerged in the streets of the South Bronx in the 1970s and has spread to the farthest corners of the earth. To the Break of Dawn uniquely examines this freestyle verbal artistry on its own terms. A kid from Queens who spent his youth at the epicenter of this new art form, music critic William Jelani Cobb takes readers inside the beats, the lyrics, and the flow of hip-hop, separating mere corporate rappers from the creative MCs that forged the art in the crucible of the street jam. The four pillars of hip hop—break dancing, graffiti art, deejaying, and rapping—find their origins in traditions as diverse as the Afro-Brazilian martial art Capoeira and Caribbean immigrants’ turnstile artistry. Tracing hip-hop’s relationship to ancestral forms of expression, Cobb explores the cultural and literary elements that are at its core. From KRS-One and Notorious B.I.G. to Tupac Shakur and Lauryn Hill, he profiles MCs who were pivotal to the rise of the genre, verbal artists whose lineage runs back to the black preacher and the bluesman. Unlike books that focus on hip-hop as a social movement or a commercial phenomenon, To the Break of Dawn tracks the music's aesthetic, stylistic, and thematic evolution from its inception to today's distinctly regional sub-divisions and styles. Written with an insider's ear, the book illuminates hip-hop's innovations in a freestyle form that speaks to both aficionados and newcomers to the art.
Dino is a placid, unambitious man. Living in a small provincial town, his only passion is billiards and he spends his evenings honing his technique. One day, however, Dino's quiet life is interrupted when his wife falls pregnant. This is the first in a series of events that shake him from his slumber and force Dino to test himself for the first time.
The idea of "world literature" has served as a crucial though underappreciated interlocutor for African diasporic writers, informing their involvement in processes of circulation, translation, and revision that have been identified as the hallmarks of the contemporary era of world literature. Yet in spite of their participation in world systems before and after European hegemony, Africa and the African diaspora have been excluded from the networks and archives of world literature. In Sounding the Break, Jason Frydman attempts to redress this exclusion by drawing on historiography, ethnography, and archival sources to show how writers such as W. E. B. Du Bois, Zora Neale Hurston, Alejo Carpentier, Derek Walcott, Maryse Condé, and Toni Morrison have complicated both Eurocentric and Afrocentric categories of literary and cultural production. Through their engagement with and revision of the European world literature discourse, he contends, these writers conjure a deep history of "literary traffic" whose expressions are always already cosmopolitan, embedded in the long histories of cultural and economic exchange between Africa, Asia, and Europe. It is precisely the New World American location of these writers, Frydman concludes, that makes possible this revisionary perspective on the idea of (Old) World literature.
Time is marching on and a new light is arising... The Queen of Algernon faces her toughest challenge yet, when an unknown enemy from the past comes seeking vengeance. Decisions the Queen has made come back to haunt her, as a certain Denzelian sorceress casts a Dark Dream over everyone. What is Queen Alice willing to give to save those she loves? Enter a new source of light. The Princess of Algernon is learning that not all adventures are fun and nothing in her life is simple anymore. If she is to survive, she must find and use her own mystic powers-not rely on those of her mother. Teamed up with the Princess is a half-fairy lad, an aspiring bard and a young shepherd with a dark past. But in this world of complex motives and emotions, can they fight off their own demons within? Before his shattering in a battle nearly 15 years earlier, the demon, Ralston Radburn, once said that evil cannot die because of the darkness in everyone's hearts. Could he possibly be right? Everyone is about to find out.
Going through the articles you will see yourself in a lot of the advice that is offered. This new sight into the world of relationships will leave both men and women with the power to manage their relationships and to see that things are not as hopeless as they might have thought in the past. As you read the articles you will gain tips and perspectives that you can incorporate into your daily relationships and feel that you are able to get a handle on a bad relationship and actually break free from the chains that have been holding you down for so long. There may be that one person out there that will be looking for help to get out of and over a bad relationship. While this is not a replacement for qualified relationship adviser, but it will come very close to giving you the needed help that you are seeking out for all of your relationship needs. While things will seem to be at a dead end, there is hope, these articles are designed to give the reader the knowledge that they need to make the qualified decisions to get out of a relationship. Even when the relationship is over, there is the drama that is associated with the suffering through the break up. In the end the best advice is to remember that things will get better.
Seeing the damage done to her peers and sister in the name of romantic love, Becca starts a business to trick couples into breaking up and accepts an anonymous offer to separate her school's most popular couple, a star football player and her own former best friend.
Despite the fact that Russian Mennonites began arriving in Canada en masse in the 1870s, Mennonite Canadian literature has been marked by a compulsive retelling of the mass migration of some 20,000 Russian Mennonites to Canada following the collapse of the “Mennonite Commonwealth” in the 1920s. This privileging of a seminal dispersal within the community’s broader history reveals the ways in which the 1920s narrative has come to function as an origin story, or “break event,” for the Russian Mennonites in Canada, serving to affirm a communal identity across national and generational boundaries. Drawing on recent work in diaspora studies, Rewriting the Break Event offers a historicization of Mennonite literary studies in Canada, followed by close readings of five novels that rewrite the Mennonite break event through specific strains of emphasis, including a religious narrative, ethnic narrative, trauma narrative, and meta-narrative. The result is thoughtful and engaging exploration of the shifting contours of Mennonite collective identity, and an exciting new methodology that promises to resituate the discourse of migrant writing in Canada.
The brilliant second novel from GMTV’s Penny Smith. A sequel to ‘Coming Up Next’, Katie Fisher’s back in front of the cameras, but not exactly on the sofa.