Plautus was the single greatest influence on Western comedy. Shakespeare's Comedy of Errors and Moliere's The Miser are two subsequent classics directly based on Plautine originals. Plautus himself borrowed from the Greeks, but his jokes, rapid dialogue, bawdy humour, and irreverent characterizations are the original work of an undisputed genius. The comedies printed here show him at his best, and professor Segal's translations keep their fast, rollicking pace intact, making these the most readable and actable versions available. His introduction considers Plautus' place in ancient comedy, examines his continuing influence, and celebrates his power to entertain.
'I thought you'd do what the common run of slaves normally do, cheating and tricking me because my son's having an affair.' Terence's comedies have provided plots and characters for comic drama from classical times to the present; the outstanding comic playwright of his generation at Rome, he has influenced authors from Molière and Wycherley to P. G. Wodehouse. Scheming slaves, parasites, prostitutes, pimps, and boastful soldiers populate his plays, which show love triumphing over obstacles of various kinds, and the problems that arise from ignorance, misunderstanding, and prejudice. Although they reflect contemporary tensions in Roman society, their insights into human nature and experience make them timeless in their appeal. Peter Brown's lively new translation does full justice to Terence's style and skill as a dramatist. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
'Informative, thought-provoking and humane.' - Dr Colin Burrow, University of Oxford From the Royal Shakespeare Company - a fresh new edition of Shakespeare's anarchic comedy THIS EDITION INCLUDES: • An illuminating introduction to The Comedy of Errors by award-winning scholar Jonathan Bate • The play - with clear and authoritative explanatory notes on each page • A helpful scene-by-scene analysis and key facts about the play • An introduction to Shakespeare's career and the Elizabethan theatre • A rich exploration of approaches to staging the play featuring photographs of key productions The most enjoyable way to understand a Shakespeare play is to see it or participate in it. This unique edition presents a historical overview of The Comedy of Errors in performance, recommends film versions, takes a detailed look at specific productions and includes interviews with three leading directors – Paul Hunter, Nancy Meckler and Tim Supple – so that we may get a sense of the extraordinary variety of interpretations that are possible, a variety that gives Shakespeare his unique capacity to be reinvented and made 'our contemporary' four centuries after his death. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare plays offer an accessible and contemporary approach to reading and rediscovering Shakespeare's works for the twenty-first century.
PIERIDES IV, Series Editors: Sophia Papaioannou This volume examines interpretation as the original process of critical reception vis-a-vis Terence’s experimental comedies. The book, which consists of two parts, looks at Terence as both an agent and a subject of interpretation. The First Part (‘Terence as Interpreter’) examines Terence as an interpreter of earlier literary traditions, both Greek and Roman. The Second Part (‘Interpretations of Terence’) identifies and explores different expressions of the critical reception of Terence’s output. The papers in both sections illustrate the various expressions of originality and individual creative genius that the process of interpretation entails. The volume at hand is the first study to focus not only on the interpreter, but also on the continuity and evolution of the principles of interpretation. In this way, it directs the focus from Terence’s work to the meaning of Terence’s work in relation to his predecessors (the past literary tradition), his contemporaries (his literary antagonists, but also his audience), and posterity (his critical readers across the centuries).
A new modern-spelling edition of Shakespeare's shortest play and one of his most popular comedies. The introduction discusses the probably occasion of its first performance at Gray's Inn in December 1594, its multiple sources and its uneven critical and theatrical history. Appendices include the complete text of the play's main source, Plautus' Menaechmi, and extracts from Gesta Grayorum and the Geneva Bible.
Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classics, Musicology, Dance Studies, English Literature, Modern Languages, and Theatre Studies provides an exceptionally wide-ranging and detailed overview of the relationship between the two genres. Since tragedies have played a much larger part than comedies in this branch of operatic history, the volume mostly concentrates on the tragic repertoire, but a chapter on musical versions of Aristophanes' Lysistrata is included, as well as discussions of incidental music, a very important part of the musical reception of ancient drama, from Andrea Gabrieli in 1585 to Harrison Birtwistle and Judith Weir in the late twentieth and early twenty-first centuries.
Dion Boucicault: London AssuranceW. S. Gilbert: EngagedEdward Bulwer-Lytton: MoneyHenry James: The High BidOxford English Drama offers plays from the sixteenth to the early twentieth centuries in selections that make available both rarely printed and canonical works. The texts are freshly edited using modern spelling. Critical introductions, wide-ranging annotation, and informative bibliographiesilluminate the plays' cultural contexts and theatrical potential for reader and performer alike.'The series should reshape the canon in a number of significant areas. A splendid and imaginative project.' Professor Anne Barton, Cambridge University
Offers newly edited texts of five of the British playwright's works, including the great farcial comedy "The Importance of Being Earnest."
From the fifth to the second century BC, innovative comedy drama flourished in Greece and Rome. This collection brings together the greatest works of Classical comedy, with two early Greek plays: Aristophanes' bold, imaginative Birds, and Menander's The Girl from Samos, which explores popular contemporary themes of mistaken identity and sexual misbehaviour; and two later Roman comic plays: Plautus' The Brothers Menaechmus - the original comedy of errors - and Terence's bawdy yet sophisticated double love-plot, The Eunuch. Together, these four plays demonstrate the development of Classical comedy, celebrating its richness, variety and extraordinary legacy to modern drama.
Offers a new, accessible translation of the classic epic poem about a spiritual pilgrim's journey from the depths of the inferno to the heights of paradise, in an edition that also includes notes on the text.
A young man, in despair over gambling debts, buys a magical animal skin that grants his every wish but hastens its owner's death in the process. Balzac's compelling tale is here presented in an exuberant new translation, with an illuminating introduction and notes.
This engaging book provides in-depth discussion of the various influences that an audience in 1607 would have brought to interpreting ‘Antony and Cleopatra’. How did people think about the world, about God, about sin, about kings, about civilized conduct? Learn about the social hierarchy, gender relationships, court corruption, class tensions, the literary profile of the time, the concept of tragedy – and all the subversions, transgressions, and oppositions that made the play an unsettling picture of a disintegrating world lost through passion and machination.
Englisch und deutsch. Übersetzt von Johanna Wange. »Sie ist mehr als modern; sie ist praktisch Science-Fiction«, schreibt der Guardian über Kate Tempest. Zu ihren Einflüssen zählen James Joyce und Wu-Tang Clan, Public Enemy und Virginia Woolf. Sie beherrscht den innigen Volksliedton ebenso wie Londons Straßenslang, wandelt virtuos zwischen lyrischer Tradition und Hip-Hop. Ihre Gedichte bemächtigen sich auf radikal heutige, politische Weise des Mythos von Teiresias, einer zweigeschlechtlichen Figur, von den Göttern geblendet und prophetisch begabt. In vier Teilen folgt der Zyklus dem Kind, dem Jüngling, der Frau und dem Mann, vermittelt eindrucksvoll, wie es ist, alt zu werden und »sehend«, dazu verurteilt, unserer neoliberalen Gesellschaft die Wahrheit zu sagen – und keiner hört zu. Lyrik-Empfehlung 2016 der Deutschen Akademie für Sprache und Dichtung, der Stiftung Lyrik Kabinett und der Literaturwerkstatt Berlin.
The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain.
J M Synge was one of the key dramatists in the flourishing world of Irish literature at the turn of the century. This volume offers all of Synge's plays, which range from racy comedy to stark tragedy, all sharing a memorable lyricism. The introduction sets Synge's work in the context of the Irish literary movement, with special attention to his role as one of the founders of the Abbey Theatre and his work alongside W. B. Yeats and Lady Gregory. Includes: Riders to the Sea; The Shadow of the Glen; The Tinker's Wedding; The Well of the Saints; The Play of the Western World; Deirdre of the Sorrows
When Claudio breaks the new laws against vice in Vienna by getting his financee, Julietta, pregnant, a series of ethical issues is brought under scrutiny. His sister's virtue is held to ransom by the deputy rule of the city until justice is done, mercy shown, and order restored. This is among Shakespeare's most vivid dramatic projections of moral duplicity. The introduction discusses the origins of his treatment of the well-known story and examines his sources. The editor also sets the play in its historical context and offers the most comprehensive available account of the text's theatrical life from Restoration adaptations to present-day productions.