It's 1981 and Belfast is burning. So, too, is freshly widowed Bessie Halstone: she burns with a desire to break with her troubled past. With her feckless husband gone, she leaves home hurriedly with her naughty nine-year-old son, Herkie, and not much else. The Dentist, an IRA enforcer, is on her tail. He's convinced that Bessie, with her "yella hair all puffed up like Merlin Monroe's," has absconded with the takings from a bank heist. But car trouble strands mother and son in Tailorstown, a sleepy Ulster village. Bessie finds temporary work as housekeeper for the handsome and mysterious parish priest. In the meantime, Lorcan Strong, an artist and a native of the village, is summoned home. He's been shanghaied into forging paintings for the IRA. It's work he cannot refuse; his mother and their business are under threat. Yet things are not what they seem in quirky Tailorstown. There is a "sleeper" in the village. But who? Bizarrely, it is young Herkie, due to his childish curiosity, who unravels the mystery and saves the day.
A cloth bag containing eight copies of the title and 1 discussion folder.
When Ruby Clare's father was alive, they happily toiled together on their small dairy farm in Northern Ireland. Since his death seven months ago, Ruby--thirty-three years old, plain, and plump--has become a veritable drudge for Martha, her endlessly critical mother. Then comes the day when Ruby finds her late grandmother's old suitcase in the attic. Among its strange contents: a slim, handmade volume called The Book of Light. The deeper Ruby delves into its mysterious pages, the more confident she feels. But Martha, convinced that her newly empowered daughter must be possessed, enlists the help of psychiatrist Henry Shevlin. Henry is unflappable on the surface, yet inwardly he's reeling from his wife's unexplained disappearance the year before. As Ruby undergoes therapy alongside other local patients, including lonely bachelor farmer Jamie McCloone, all their lives intersect in unexpected ways. And Ruby, alone for so long, finds the courage to connect--with Jamie, with Henry, and with her own loving, indomitable spirit.
Rita-Mae has lived in fear for as long as she can remember. Fear of being alone, fear of her past and, above all, fear of her husband, Harry. Until she spots an advertisement for a vacant cottage in a small town in Northern Ireland. She makes her escape filled with hope, ready to start a new life in a new home, free from the pain of her past. But her place of refuge may not be as safe--or as anonymous--as she thought.
A stunning, heartbreaking novel about an intrepid girl who challenges the injustice of the adult world - a triumph of imagination and storytelling. It is 1970. 'Bean' Holladay is twelve and her sister Liz fifteen when their artistic mother Charlotte, a woman who 'flees every place she's ever lived at the first sign of trouble', takes off to 'find herself'. She leaves the girls enough money for food to last a month or two. But when Bean gets home from school one day and sees a police car outside the house, she and Liz board a bus from California to Virginia, where their widowed Uncle Tinsley lives in the decaying antebellum mansion that has been in the family for generations. An impetuous optimist, Bean discovers who her father was and learns many stories about why their mother left Virginia in the first place. Money is tight, so Liz and Bean start babysitting and doing office work for Jerry Madox, foreman of the mill in town, a big man who bullies workers, tenants and his wife. Bean adores her whip-smart older sister, inventor of word games, reader of Edgar Allan Poe, non-conformist. But when school starts in the autumn, it is Bean who easily adjusts and makes friends, and Liz who becomes increasingly withdrawn. And then something happens between Liz and Maddox... 'Tragic and comic at the same time... an outrageous story, one that will break your heart' Sunday Independent 'There isn't a shred of self-pity in this deeply compassionate book' Marie Claire ***Half Broke Horses (S&S, 2009) 'Has immense power and readibility... What it does with aplomb is to track the birth of a nation: the conjuring of modern America from a scorched, dusty wasteland' The Times
Welcome to Parr's Landing, Population 1,528 . . . and shrinking. The year is 1972. Widowed Christina Parr, her daughter Morgan, and her brother-in-law Jeremy have returned to the remote northern Ontario mining town of Parr’s Landing, the place from which Christina fled before Morgan was born, seeking refuge. Dr. Billy Lightning has also returned in search of answers to the mystery of his father’s brutal murder. All will find some part of what they seek—and more. Built on the site of a decimated 17th-century Jesuit mission to the Ojibwa, Parr’s Landing is a town with secrets of its own buried in the caves around Bradley Lake. A three-hundred-year-old horror slumbers there, calling out to the insane and the murderous for centuries, begging for release—an invitation that has finally been answered. One man is following that voice, cutting a swath of violence across the country, bent on a terrible resurrection of the ancient evil, plunging the town and all its people into an endless night.
A remarkable memoir which is often humorous and ultimately very moving as a young Catholic girl struggles to break away from destructive influence of her father in 1960s Ulster.
A woman in a township in Zimbabwe is surrounded by throngs of dusty children but longs for a baby of her own; an old man finds that his new job making coffins at No Matter Funeral Parlor brings unexpected riches; a politician's widow stands quietly by at her husband's funeral, watching his colleagues bury an empty casket. Petina Gappah's characters may have ordinary hopes and dreams, but they are living in a world where a loaf of bread costs half a million dollars, where wives can't trust even their husbands for fear of AIDS, and where people know exactly what will be printed in the one and only daily newspaper because the news is always, always good. In her spirited debut collection, the Zimbabwean writer Petina Gappah brings us the resilience and inventiveness of the people who struggle to live under Robert Mugabe's regime. She takes us across the city of Harare, from the townships beset by power cuts to the manicured lawns of privilege and corruption, where wealthy husbands keep their first wives in the "big houses" while their unofficial second wives wait in the "small houses," hoping for a promotion. Despite their circumstances, the characters in An Elegy for Easterly are more than victims—they are all too human, with as much capacity to inflict pain as to endure it. They struggle with the larger issues common to all people everywhere: failed promises, unfulfilled dreams, and the yearning for something to anchor them to life.
With the incomparable vision and breathtaking detail that brought his now-classic Mars trilogy to vivid life, bestselling author KIM STANLEY ROBINSON boldly imagines an alternate history of the last seven hundred years. In his grandest work yet, the acclaimed storyteller constructs a world vastly different from the one we know.... The Years of Rice and Salt It is the fourteenth century and one of the most apocalyptic events in human history is set to occur–the coming of the Black Death. History teaches us that a third of Europe’s population was destroyed. But what if? What if the plague killed 99 percent of the population instead? How would the world have changed? This is a look at the history that could have been–a history that stretches across centuries, a history that sees dynasties and nations rise and crumble, a history that spans horrible famine and magnificent innovation. These are the years of rice and salt. This is a universe where the first ship to reach the New World travels across the Pacific Ocean from China and colonization spreads from west to east. This is a universe where the Industrial Revolution is triggered by the world’s greatest scientific minds–in India. This is a universe where Buddhism and Islam are the most influential and practiced religions and Christianity is merely a historical footnote. Through the eyes of soldiers and kings, explorers and philosophers, slaves and scholars, Robinson renders an immensely rich tapestry. Rewriting history and probing the most profound questions as only he can, Robinson shines his extraordinary light on the place of religion, culture, power, and even love on such an Earth. From the steppes of Asia to the shores of the Western Hemisphere, from the age of Akbar to the present and beyond, here is the stunning story of the creation of a new world. From the Hardcover edition.
Traces the murder of multimillionaire financier Ted Ammon in 2001, discussing the investigation into his volatile marriage to decorator Generosa, the infidelities of both partners, and Generosa's ex-con lover, who is believed to have played a key role in the killing. By the author of The Surgeon's Wife. 40,000 first printing.
Ireland’s Haunted Women tells the chilling tales of nine modern Irishwomen, and one young girl, who have experienced hauntings. This is not just another ghost book – no rehashing of old tales or stories borrowed from other collections. These cases are told here for the first time, collected from women the length and breadth of Ireland – women who are vulnerable to seeing ghosts, to house-hauntings and to demonic possession. We have come a long way from headless horsemen, pookas, banshees and the like. The modern ghost has to be more sophisticated than that. On the other hand, poltergeist activity has remained virtually unchanged down the centuries; scenes of past wickedness continue to haunt the living; the spirits of the deceased stubbornly insist on returning. Riveting, suspenseful, these tales of the paranormal will draw you in and leave you petrified! Whether you accept them as truth or reject them as delusion or false memory, we guarantee that they will leave you shaken and slow to switch off your bedside lamp for many nights to come.
The two novels tell the story of Mara and her widowed father, Enrique Aracil, a physician, from her earliest years, sharing her life with family members and growing into womanhood. Her fathers involvement with the anarchist movement brings him in contact with a young fanatic Nilo Brull, who fails in a desperate attempt to assassinate the young king and his bride, throwing a bomb at their open carriage on their wedding day. Aracil is accused of abetting the bomber, and he and his daughter are forced to flee Madrid. The first novel follows the pair as they travel on foot and later on horseback through the countryside west of the city on their way to Portugal. The author describes in great detail all their adventures as they move from one town to the next, staying at inns and meeting the many characters on their way. It ends with their voyage by sea from Portugal to London. The second novel describes their stay in London, at a pension in Bloomsbury, and the various people they encounter while they remain in London. Baroja reveals the influence of his favorite author, Charles Dickens, throughout many picturesque scenes. When they consider its safe to return to Spain, they sail back, and Marie ends up marrying her cousin.
A MADAM OF ESPIONAGE MYSTERY Whether running a brothel or running from danger as a spy for Her Majesty, India Black knows how to use the tricks of her trade. This time she's off to Scotland to ensure that the Queen doesn't end up getting killed... When Queen Victoria attends a séance, the spirit of her departed husband, Prince Albert, insists she spend Christmas at their Scottish home in Balmoral, a deviation from her usual practice. The prime minister suspects that Scottish nationalists are planning to assassinate the Queen, and sends the ever-resourceful India and the handsome British spy French to the Scottish Highlands undercover. French takes the high road, looking for a traitor among the Queen's guests - and India takes the low road, disguised as a servant in case an assassin is hiding among the Queen's staff. For her part, India doesn't need a medium to predict that someone at Balmoral is determined that this Christmas will be her Majesty's last... “Fast, funny and entertaining.” RT BOOK REVIEW “Plenty of derring do...close calls and narrow escapes.” MYSTERIOUS REVIEWS “Fans of historical murder mysteries should rejoice at the appearance of a second India Black adventure and the prospect of more - the madam comes highly recommended.”?OPEN LETTERS MONTHLY
“Insightful, richly entertaining . . . Evison writes humanely and with good humor of his characters, who, like the rest of us, muddle through, too often without giving ourselves much of a break. A lovely, forgiving character study that’s a pleasure to read.” —Kirkus Reviews, starred review With Bernard, her husband of fifty-five years, now in the grave, seventy-eight-year-old Harriet Chance impulsively sets sail on an ill-conceived Alaskan cruise that her late husband had planned. But what she hoped would be a voyage leading to a new lease on life becomes a surprising and revelatory journey into Harriet’s past. Jonathan Evison has crafted a bighearted novel with an endearing heroine at the helm. Part dysfunctional love story, part poignant exploration of the mother-daughter relationship, nothing is what it seems in this tale of acceptance, reexamination, and forgiveness. “A terrific novel, funny and moving, wistful and wise. Jonathan Evison’s writing crackles on the page.” —Jess Walter, author of Beautiful Ruins “This Is Your Life, Harriet Chance! is as sweet as it is inventive, profound as it is hilarious, unflinching as it is bighearted.” —Maria Semple, author of Where’d You Go, Bernadette “[An] irresistible, inventive novel full of important ideas about how we live our lives as parents, children, partners, and human beings . . . Evison is a ridiculously gifted storyteller.” —Jami Attenberg, author of The Middlesteins “A generous and wise tale, told with Evison’s trademark verve and charisma, This Is Your Life, Harriet Chance! is a deeply felt and deeply comforting novel.” —Patrick deWitt, author of The Sisters Brothers “This Is Your Life, Harriet Chance! has all the wonderful snap and sizzle we’ve come to expect from Jonathan Evison’s work, and as much heart as any novel I’ve read in recent years.” —Ben Fountain, author of Billy Lynn’s Long Halftime Walk “Both uplifting and melancholy, funny and thought-provoking, this entertaining read speaks directly to the importance of acceptance and healing.” —Booklist
In Book Two of the Disenchanted & Co. steampunk series, Charmian (Kit) Kittredge confronts native magics and mechanical menaces in Toriana—an alternate America that lost the Revolutionary War. As the proprietor of Disenchanted & Co. in a steampunk version of America, Charmian “Kit” Kittredge makes her living solving magical crimes. But when a snobbish lady begs for help, saving her reputation might very well cost Kit her life. Doing a favor for deathmage Lucien Dredmore, Kit agrees to interview a newly widowed lady as a potential client. Upon meeting, however, she learns that the woman in question is none other than Lady Eugenia Bestly, president of the Rumsen Ladies Decency Society—someone who once led a vicious campaign to ruin Kit’s life. Ironically Lady Bestly now lives in fear herself, for the press is about to unmask her husband as the savage “Wolfman” who died while terrorizing the city. As monstrous rampages continue to occur, Kit soon determines there is more than one Wolfman, and that they may themselves be victims of evil players. While avoiding both mechanized assassins and attempts by Dredmore and Chief Inspector Tom Doyle to take her under their protection, Kit follows a tangled path that leads from a prestigious gentlemen’s club fronting a hellish secret to a vengeful native tribe and dangerous, ancient magics.
Reproduction of the original: The Book of Khalid by Ameen Rihani
Jean Serjeant, the heroine of Julian Barnes’s wonderfully provocative novel, seems ordinary, but has an extraordinary disdain for wisdom. And as Barnes—winner of the Man Booker Prize for The Sense of an Ending—follows her from her childhood in the 1920s to her flight into the sun in the year 2021, he confronts readers with the fruits of her relentless curiosity: pilgrimages to China and the Grand Canyon; a catalog of 1940s sexual euphemisms; and a glimpse of technology in the twenty-first century (when The Absolute Truth can be universally accessed). Elegant, funny and intellectually subversive, Staring at the Sun is Julian Barnes at his most dazzlingly original. “Brilliant. . . . A marvelous literary epiphany.” —Carlos Fuentes, The New York Times Book Review “Barnes’s literary energy and daring are nearly unparalleled.” —New Republic
Ashlyn Carter feels as brittle as the lifeless roses that border her new house. A year after the tragic death of her husband, the young widow discovers a horrifying secret. Heartbroken and humiliated, she resolved that no one could ever know. Now, back in her hometown with her three-year-old daughter, she's ready for a fresh start. But Ashlyn is unprepared to find that an embarrassing memory, buried deep in her past, is about to resurface. . .Ryan Anderson was the last person Ashlyn expected to see. After the unexpected kiss they'd shared years earlier, she assumed she'd never see him again. Though she tries to avoid him at all costs, Ashlyn finds herself running into her former flame far more often than she'd like.Between her uncomfortable history with Ryan and the series of well-meaning suitors pursuing her, Ashlyn finds herself disenchanted with dating altogether. Yet as she and Ryan slowly become reacquainted, she feels her resolve to avoid a relationship slipping. But when moving forward with Ryan means revealing the secret she's worked so hard to keep, will Ashlyn have the courage to leave behind her late husband's legacy of deceit and learn to love again?
"Leicester performs a full-scale revision of the 'dramatic way of reading Chaucer, ' the 'character-oriented, dramatic approaches' that continue to underlie many (perhaps most) current readings of Chaucer. His well-articulated approach to the "Tales " is informed by immersion in and understanding of current literary-critical theory. In fact, he makes an important intervention in critical theory (certainly in medieval literary criticism) in his project of 'recovering the subject' and theorizing its agency after the evacuation of individual subjectivity by structuralism. He operates in the knowledge that the human subject is a construct, however, a knowledge that structuralism provided; Leiscester's is thus best understood as a 'post-structuralist acitivity.' Along the way, he does brilliant close readings of thee major "Tales"--the Wife of Bath's, Pardoner's, and Knight's--and the "General Prologue." Very few writers have asked of and gotten so much from Chaucer's texts."--Carolyn Dinshaw, author of "Chaucer's Sexual Politics" "A brilliant study of the nature of human subjectivity in Chaucer's "Canterbury Tales." It responds to some controversial issues in Chaucer criticism and to relevant questions in modern psychoanalytic, post-structuralist, and sociological theories of the self. It contributes to both Chaucer studies and modern theory by giving rich, nuanced, and fruitful readings of three tales. . . . Leicester's interpretations of the poems are original and compelling. Having read them, I find them indispensable."--Judith Ferster, author of "Chaucer on Interpretation"
A lively and revealing behind-the-scenes look at the making of one of history's most controversial and influential movies, drawing on exclusive interviews with the cast and crew. “You’ve always been crazy,” says Louise to Thelma, shortly after she locks a police officer in the trunk of his car. “This is just the first chance you’ve had to express yourself.” In 1991, Thelma & Louise, the story of two outlaw women on the run from their disenchanted lives, was a revelation. Suddenly, a film in which women were, in every sense, behind the wheel. It turned the tables on Hollywood, instantly becoming a classic, and continues to electrify audiences as a cultural statement of defiance. But if the film’s place in history now seems certain, at the time its creation was a long shot. Only through sheer hard work and more than a little good luck did the script end up in the hands of the brilliant English filmmaker Ridley Scott, who saw its huge potential. With Scott on board, a team willing to challenge the odds came together—including the stars Geena Davis and Susan Sarandon and a fresh-faced up-and-coming actor named Brad Pitt, as well as legends like actor Harvey Keitel, composer Hans Zimmer, and old-school studio chief Alan Ladd Jr.—to create one of the most controversial movies of all time. But before icons like Davis and Sarandon got involved, Thelma & Louise was just an idea in the head of Callie Khouri, a thirty-year-old music video production manager, who was fed up with working behind the scenes on sleazy sets. At four a.m. one night, sitting in her car outside the ramshackle bungalow in Santa Monica that she shared with two friends, she had a vision: two women on a crime spree, fleeing their dull and tedious lives—lives like hers—in search of a freedom they had never before been able to realize. But in the late 1980s, Hollywood was dominated by men, both on the screen and behind the scenes. The likelihood of a script by an unheard-of screenwriter starring two women in lead roles actually getting made was remote. But Khouri had one thing going for her—she was so inexperienced she didn't really know she would be attempting the nigh impossible. In Off the Cliff, Becky Aikman tells the full extraordinary story behind this feminist sensation, which crashed through barricades and upended convention. Drawing on 130 exclusive interviews with the key players from this remarkable cast of actors, writers, and filmmakers, Aikman tells an inspiring and important underdog story about creativity, the magic of cinema, and the unjust obstacles that women in Hollywood continue to face to this day.

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