Practice-based film education is a crucial element in the institutional landscape of film. This book fills the gap in understanding practice-based film scholarship, focusing on Europe, Asia, and Australia.
Examining the vast breadth and diversity of contemporary documentary production, while also situating nonfiction film and video within the cultural, political, and socio-economic history of the region, this book addresses topics such as documentary aesthetics, indigenous media, and transnational filmmaking, among others.
Using case studies from Nigeria, Qatar, the United States, the West Indies, and others, the contributors to this volume examine aspects such as audience response, film education for children, and the impact on crime in the various studios, clubs, film festivals, NGOs, peripatetic workshops, and alternative film schools where filmmaking is taught.
A Companion to Eastern European Cinemas showcasestwenty-five essays written by established and emerging filmscholars that trace the history of Eastern European cinemas andoffer an up-to-date assessment of post-socialist filmcultures. Showcases critical historical work and up-to-date assessmentsof post-socialist film cultures Features consideration of lesser known areas of study, such asAlbanian and Baltic cinemas, popular genre films, cross-nationaldistribution and aesthetics, animation and documentary Places the cinemas of the region in a European and globalcontext Resists the Cold War classification of Eastern European cinemasas “other” art cinemas by reconnecting them with themain circulation of film studies Includes discussion of such films as Taxidermia, ElPerro Negro, 12:08 East of Bucharest Big Tõll, andBreakfast on the Grass and explores the work of directorsincluding Tamás Almási, Walerian Borowczyk, RomanPolanski, Jerzy Skolimowski, Andrzej ¯u³awski, and KarelVachek amongst many others
'The contributors supply skilful overviews of the major critical approaches' Sight and Sound May 1998 international coverage ranges from pre-1930s Europe to contemporary 'Bollywood' musicals first class range of contributors from North America, Europe, Australia and Asia many chapters specially commissioned emphasis throughout on critical concepts, methods and debates learning aids include chapter summaries, critiques of individual films and further reading This text is an ideal course companion for undergraduate students studying film, media studies, cultural studies and literary theory. It is especially relevant to 2nd and 3rd year students taking options in World cinema, European cinema, and the impact of changing technologies.
Film Policy is the first comprehensive overview of the workings of the international film industry. The authors examine film cultures and film policy across the world, explaining why Hollywood cinema dominates the global film market, and the effects of the rise of television and video on the international industry. In a series of case studies drawn from North America, Europe, Latin America, Asia and Australia, the authors explore the relationship between Hollywood cinema product and national film cultures, and trace the development of international and national film policies, looking at issues of financing, regulation, protectionism and censorship.
This is an examination of the attitudes, ideals and myths of Japanese imperialism as represented in its film culture. Baskett traces the development of Japanese film culture from its unapologetically colonial roots in Taiwan and Korea to less obvious manifestations of empire, such as the markets of Manchuria.
This book approaches Australo-German relations from comparative and interdisciplinary perspectives. It maps new pathways into the rich landscape of the Australo-German transnational encounter, which is characterized by dense and interwoven cultural, historical and political terrains. Surveying an astonishingly wide range of sites from literary translations to film festivals, Aboriginal art to education systems, the contributions offer a uniquely expansive dossier on the migrations of people, ideas, technologies, money and culture between the two countries. The links between Australia and Germany are explored from a variety of new, interdisciplinary perspectives, and situated within key debates in literary and cultural studies, critical theory, politics, linguistics and transnational studies. The book gathers unique contributions that span the areas of migra tion, aboriginality, popular culture, music, media and institutional structures to create a dynamic portrait of the exchanges between these two nations over time. Australo-German relations have emerged from intersecting histories of colonialism, migration, communication, tourism and socio-cultural representation into the dramatically changed twenty-first century, where traditional channels of connection between nations in the Western hemisphere have come undone, but new channels ensure cross-fertilization between newly constituted borders.
For a full list of entries and contributors, sample entries, and more, visit the Routledge International Encyclopedia of Women website. Featuring comprehensive global coverage of women's issues and concerns, from violence and sexuality to feminist theory, the Routledge International Encyclopedia of Women brings the field into the new millennium. In over 900 signed A-Z entries from US and Europe, Asia, the Americas, Oceania, and the Middle East, the women who pioneered the field from its inception collaborate with the new scholars who are shaping the future of women's studies to create the new standard work for anyone who needs information on women-related subjects.
Explains the forces underlying Japan's industrial success and examines Japan's commitment to achieving world leadership in the information technology sector. Describes the problems facing U.S. industries and the steps that have been taken to solve them. Discusses the competition between the U.S. and Japan. Projects future activities.
Documentary films have enjoyed a huge resurgence over the last few years, and there's a new generation of filmmakers wanting to get involved. In addition, the digital revolution has made documentaries even more accessible to the general filmmaker. Documentary films can now be shot professionally using cheaper equipment, and smaller cameras enable the documentarian to be less intrusive and therefore more intimate in the subjects' lives. With an increasing number of documentaries making it to the big screen (and enjoying ongoing sales on DVD), the time is right for an information-packed handbook that will guide new filmmakers towards potential artistic and commercial success. The Documentary Film Makers Handbook features incisive and helpful interviews with dozens of industry professionals, on subjects as diverse as interview techniques, the NBC News Archive, music rights, setting up your own company, the Film Arts Foundation, pitching your proposal, the Sundance Documentary Fund, the Documentary Channel, the British Film Council, camera hire, filmmaking ethics, working with kids, editing your documentary, and DVD distribution. The book also includes in-depth case studies of some of the most successful and acclaimed documentary films of recent years, including Mad Hot Ballroom, Born Into Brothels, Touching the Void, Beneath the Veil,and Amandla! The Documentary Film Makers Handbook will be an essential resource for anyone who wants to know more about breaking into this exciting field.
Vols. for 1969- include ACTFL annual bibliography of books and articles on pedagogy in foreign languages 1969-
The members of the Visual Effects Society (VES) make their living creating the stunning visual effects we see on the big and small screen. Though they gain recognition and satisfaction contributing to the mesmerizing effects for movies, TV and games, they're all too frequently bringing someone else's vision to life. VESAGE showcases the art that the VES members create when they're not at work on visual effects. It offers a unique insight into the personal creativity of the people behind some of the most-recognized imagery in the world.
This book asks what ‘transnationalism’ might mean for Cultural Studies as an intellectual project shaped in vastly differing circumstances across the world. With contributions from scholars with experience of cultural life and the work of education in various regions, countries and locales - from francophone Africa, Eastern Europe and the Middle East to Hawaii, Jamaica, South Korea and Japan - Cultural Studies of Transnationalism ranges across literary, film, dance, theatrical and translation studies to explore the socially material and institutional factors that not only shape transnational developments in culture broadly understood, but also frame the academic and professional spaces in which we reflect on these. This book was originally published as a special issue of the journal Cultural Studies.