Since its initial release in 1997, Paul Gilreath's The Guide to MIDI Orchestration has been the premiere text on creating realistic emulations of a symphony orchestra using samplers and computer recording techniques. Now in its fourth edition, The Guide to MIDI Orchestration explains how to merge this ever-expanding technology with the artistry of orchestration to produce the most lifelike recordings possible. The book is written for composers, arrangers, and MIDI musicians of all levels, and will be helpful to game composers, film and television composers, traditional orchestral composers, teachers, instructors, and the serious hobbyist. Highlights of the book include: Introduction to and overview of the orchestra In-depth discussions of each orchestral section Detailed information on each instrument's timbre, range and uses Discussions of orchestration techniques Demonstrations on how to build an orchestration from the ground up Presentations on techniques for achieving balance and musical interest Setup and recommendations for software and equipment Details on setting up a multi-computer network for use as slave computers Overview of software sampler and Digital Audio Workstation software Presentation of note entry methods DAW and sampler template implementation Detailed steps for achieving realistic reverberation and instrument placement Start to finish steps to achieve a final mix Insightful interviews with top mastering engineers Visit www.midi-orchestration.com for updates and enhanced content including PDFs of orchestral library reviews and additional written content, audio files of musical examples from the book, video demonstrations, and much more. Introduction to and overview of the orchestra In-depth discussions of each orchestral section Detailed information on each instrument's timbre, range and uses Discussions of orchestration techniques Demonstrations on how to build an orchestration from the ground up Presentations on techniques for achieving balance and musical interest Setup and recommendations for software and equipment Details on setting up a multi-computer network for use as slave computers Overview of software sampler and Digital Audio Workstation software Presentation of note entry methods DAW and sampler template implementation Detailed steps for achieving realistic reverberation and instrument placement Start to finish steps to achieve a final mix Insightful interviews with top mastering engineers
Acoustic and MIDI Orchestration for the Contemporary Composer, Second Edition provides effective explanations and illustrations to teach you how to integrate traditional approaches to orchestration with the use of the modern sequencing techniques and tools available to today’s composer. By covering both approaches, Pejrolo and DeRosa offer a comprehensive and multifaceted learning experience that will develop your orchestration and sequencing skills and enhance your final productions. A leading manual on its subject, the second edition allows experienced composers and producers to be exposed to sequencing techniques applied to traditional writing and arranging styles. The book continues to provide a comprehensive and solid learning experience and has been fully revised to include the latest tools and techniques. The new edition has been updated to include: A new chapter on cover writing and sequencing for vocal ensembles Coverage of writing for different ensemble sizes A new final chapter on writing and production techniques for mixed contemporary ensembles. All new techniques, tools, and sound libraries available to today’s composer. A companion website (www.routledge.com/cw/pejrolo) includes a wide selection of audio examples, templates, sounds, and videos showcasing operational processes, allows you the opportunity to listen to the techniques discussed within the book.
Provides information on creating realistic sounding orchestrations on a computer.
An inspirational guide for all levels of expertise, Creative Sequencing Techniques for Music Production shows you how to get the most out of the four leading audio sequencers. Using real-life examples, Andrea Pejrolo demonstrates a wide range of technical and creative techniques, giving you tips and new ideas to help you take your work to the next level. Creative Sequencing Techniques covers sequencing from the basics, through intermediate to an advanced level, making this book ideal for music students and acoustic and MIDI composers. With a free CD containing loops, templates and audio examples, and end of chapter exercises to practise new skills, this illustrated practical guide provides all the tools you will need to give your music the vital edge. In a clear, accessible style, Andrea Pejrolo guides you through: * Essential studio equipment, advising on MIDI devices (controllers, synthesizers, sound modules and sequencers), mixing boards, monitors and computers * Basic sequencing topics such as recording and editing techniques and automation * More advanced topics such as groove quantization, converters, sounds layering, tap tempo, creative meter, tempo changes and synchronization * Orchestration for the MIDI ensemble, using both acoustic instruments and synthesizers * Creating a professional final mix, using mixing techniques that take advantage of plug-in technology, maximising the use of effects such as reverb, compressor, limiter, equalizer and much more The accompanying CD is loaded with more than 90 examples of arrangements and techniques, giving you advice on how to troubleshoot those common mistakes and perfect your music production. Anyone producing music who wants to build on their skills in orchestration, composition and mixing will find all the techniques and practical advice they need in this book. Whether you are a student or amateur aspiring to more professional results, or a professional wanting to master new skills, this book will help you to improve the overall quality of your work.
Scoring the Score is the first scholarly examination of the orchestrator’s role in the contemporary film industry. Orchestrators are crucial to the production of a film’s score, yet they have not received significant consideration in film-music research. This book sheds light on this often-overlooked yet vital profession. It considers the key processes of orchestrating and arranging and how they relate, musical and filmic training, the wide-ranging responsibilities of the orchestrator on a film-scoring project, issues related to working practices, the impact of technology, and the differences between the UK and US production processes as they affect orchestrators. Drawing on interviews with American and British orchestrators and composers, Scoring the Score aims to expose this often hidden profession through a rigorous examination of the creative process and working practices, and analysis of the skills, training and background common to orchestrators. It will appeal to scholars, students, and practitioners of film music.
(Berklee Guide). Learn film-scoring techniques from one of the great film/television composers of our time. Lalo Schifrin shares his insights into the intimate relationship between music and drama. The book is illustrated with extended excerpts from his most iconic scores such as Mission: Impossible , Cool Hand Luke , Bullitt and many others and peppered with anecdotes from inside the Hollywood studios. Schifrin reveals the technical details of his own working approach, which has earned him six Oscar nominations, 21 Grammy nominations (with four awards), and credits on hundreds of major productions. Includes the full score of Schifrin's Fanfare for Screenplay and Orchestra , a treasure-trove of unfettered dramatic sound painting, commissioned by the Chicago Symphony Orchestra, and a great thesis on the emblematic language of film music.
Written by a renowned composer whose works have been performed by major orchestras around the world, The Study of Orchestration is the only text that explores the characteristics of orchestral instruments and shows students how a master composer approaches orchestration. The Fourth Edition invites students to experience the instruments through online audio and video recordings and now offers more coverage of writing for band.
This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. Interest in the Scala programming language continues to grow for many reasons. Scala embraces the functional programming style without abandoning the object-oriented paradigm, and it allows you to write programs more concisely than in Java. Because Scala runs on the JVM, it can access any Java library and is interoperable with familiar Java frameworks. Scala also makes it easier to leverage the full power of concurrency. Written for experienced Java, C++, or C# programmers who are new to Scala or functional programming, Scala for the Impatient, Second Edition, introduces the key Scala concepts and techniques you need in order to be productive quickly. It is the perfect introduction to the language, particularly for impatient readers who want to learn the fundamentals of Scala so they can start coding quickly. It doesn’t attempt to exhaustively list all the features of the language or make you suffer through long and contrived examples. Instead, carefully crafted examples and hands-on activities guide you through well-defined stages of competency, from basic to expert. This revised edition has been thoroughly updated for Scala 2.12 and reflects current Scala usage. It includes added coverage of recent Scala features, including string interpolation, dynamic invocation, implicit classes, and futures. Scala is a big language, but you can use it effectively without knowing all of its details intimately. This title provides precisely the information that you need to get started in compact, easy-to-understand chunks. Get started quickly with Scala’s interpreter, syntax, tools, and unique idioms Master core language features: functions, arrays, maps, tuples, packages, imports, exception handling, and more Become familiar with object-oriented programming in Scala: classes, inheritance, and traits Use Scala for real-world programming tasks: working with files, regular expressions, and XML Work with higher-order functions and the powerful Scala collections library Leverage Scala’s powerful pattern matching and case classes Create concurrent programs with Scala futures Implement domain-specific languages Understand the Scala type system Apply advanced “power tools,” such as annotations, implicits, and type classes
Save studio fees with pro-quality recording at home Home Recording For Musicians For Dummies offers simple explanations on how to record music in a home studio, no matter your style, method, or sound. With expert guidance every step of the way, you'll find the answers to your questions about choosing equipment, recording tracks, editing, mixing, mastering, and more. Updated to reflect the latest home recording technology, this new edition addresses styles from live bands to electronica with easy navigation to the information you need most. Beginners will find straightforward instruction on the fundamentals, while more experienced home recording engineers will appreciate insight to the tricks the pros use. With home recording gear increasingly approaching professional quality, the home studio is no longer the domain of the DIY-or-die. Even professional musicians are saving studio fees by recording at home, and today's plug-and-play technology makes high-quality sound accessible to those with a more amateur level of experience and budget. Home Recording For Musicians For Dummies gives you the information you need to set up your studio and use it like a pro: Choose the right gear for the job, and set up for quality sound Learn the fundamentals of recording, from choosing a mic to working with a mixer Master MIDI, multitrack recording, and audio capture for optimum sourcing Edit, mix, and master your tracks, and add effects to enhance your sound Don't let poor audio quality distract from your music. Find out what tools you need, how to use them, and how to follow the time-tested steps of making a record. You spend valuable time developing your talent, skills, and sound, so take a minute to learn how to make your music shine with the expert advice and easy-to-follow instruction in Home Recording For Musicians For Dummies.
Accompanying CD-ROM includes examples and practice files that illustrate all the concepts covered in the book.
So you want to learn the ins and outs of creating dance music and looking to improve your production? Then this book is just for you. No matter what genre you are interested in- trance, techno, garage, chill out, house or what tool you are working with- Abelton, Reason, Reaktor or Absynth, Snowman covers every aspect of dance music production- from sound design, compression and effects to mixing and mastering to help you improve your music. No matter what you level of experience the Dance Music Manual is packed with sound advice, techniques and practical tips to help you achieve professional results. The CD provides demo tracks showing what can be achieved when applying the advice contained in the book, including examples of the quality difference before and after mixing and mastering. The CD also contains free software demos for you to download. For even more advice and resources, check out the book's official website www.dancemusicproduction.com
The Woodwinds: Perform, Understand, Teach provides comprehensive coverage about the woodwind family of musical instruments for prospective instrumental music teachers. What sets this book apart is its focus on how to teach the instruments. Preparing students in the how of teaching is the ultimate goal of the woodwind class and the ultimate goal of this book, which organizes information by its use in teaching beginning instrumentalists. In developing performance and understanding, pre-service teachers are positioned to learn to teach through performance—contrasted with an "old-school" belief that one must first spend much time tediously trying to understand how things work before playing the instruments. The book is organized in three parts: Preliminaries, Teaching the Instruments, and Foundations. Chapters in Teaching the Instruments are organized by instrument (flute, clarinet, saxophone, oboe, bassoon) and, within each instrument, according to how an effective teacher might organize experiences for novice learners. Basic embouchure and air stream are covered first, followed by instrument assembly, then hands and holding. Embouchure coverage returns in greater depth, then articulation, and finally "the mechanism," which includes sections on the instruments of the family, transposition, range, special fingerings, tuning and intonation, and reeds. In Foundations, topics are situated in big picture contexts, calling attention to the broad applicability of information across instruments.
Handmade Electronic Music: The Art of Hardware Hacking provides a long-needed, practical, and engaging introduction for students of electronic music, installation and sound-art to the craft of making--as well as creatively cannibalizing--electronic circuits for artistic purposes. Designed for practioners and students of electronic art, it provides a guided tour through the world of electronics, encouraging artists to get to know the inner workings of basic electronic devices so they can creatively use them for their own ends. Handmade Electronic Music introduces the basic of practical circuitry while instructing the student in basic electronic principles, always from the practical point of view of an artist. It teaches a style of intuitive and sensual experimentation that has been lost in this day of prefabricated electronic musical instruments whose inner workings are not open to experimentation. It encourages artists to transcend their fear of electronic technology to launch themselves into the pleasure of working creatively with all kinds of analog circuitry.
Directing: Film Techniques and Aesthetics is a comprehensive manual that teaches the essentials of filmmaking from the perspective of the director. Ideal for film production and directing classes, as well as for aspiring and current directors, Directing covers all phases of preproduction and production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of expression and control, and goes to the heart of what makes a director. The book outlines a great deal of practical work to meet this goal, with projects, exercises. The third edition emphasizes the connection between knowing and doing, with every principle realizable through projects and exercises. Much has been enhanced and expanded, notably: aspects of dramaturgy; beats and dramatic units; pitching stories and selling one's work; the role of the entrepreneurial producer; and the dangers of embedded moral values. Checklists are loaded with practical recommendations for action, and outcomes assessment tables help the reader honestly gauge his or her progress. Entirely new chapters present: preproduction procedures; production design; script breakdown; procedures and etiquette on the set; shooting location sound; continuity; and working with a composer. The entire book is revised to capitalize on the advantages offered by the revolutionary shift to digital filmmaking.
Capture great sound in the first place, and spend less time "fixing it in the mix" with Ian Corbett’s Mic It! Microphones, Microphone Techniques, and Their Impact on the Final Mix. With his expert guidance, you’ll quickly understand essential audio concepts as they relate to microphones and mic techniques, and learn how to apply them to your recording situation. Whether you only ever buy one microphone, are equipping a studio on a budget, or have a vast selection of great mics to use, you’ll learn to better use whatever tools you have. Mic It! gives you the background to design and discover your own solutions to record the best sound possible. The information in these pages will help you record great source tracks that can be easily developed into anything from ultra-clean mixes to huge, organic soundscapes. Beginning with essential audio theory, then discussing the desirable characteristics of good sound and the elements of a good stereo recording, the book covers microphones, mono and stereo mic techniques, the effect of the recording space or room, and large classical and jazz ensemble recording. A variety of mic techniques for vocals and instruments (both individual and groups) are presented, ranging from vital knowledge that no novice should be without, to advanced techniques that more experienced engineers can explore to benefit and vary the sound of their recordings. Corbett explains large room vs. layer-by-layer small-room recording situations, presents the best techniques for each, and shares typical production challenges and their resolutions. The book provides in depth information on how different mic techniques can be used, modified and fine-tuned to capture not only the best sound, but the best sound for the mix, as well as how to approach and set up the recording session, mixing, and avoid common recording and mixing mistakes.
Modern Recording Techniques is the bestselling, authoritative guide to sound and music recording. Whether you’re just starting out or are looking for a step-up in the industry, Modern Recording Techniques provides an in-depth read on the art and technologies of music production. It’s a must-have reference for all audio bookshelves. Using its familiar and accessible writing style, this ninth edition has been fully updated, presenting the latest production technologies and includes an in-depth coverage of the DAW, networked audio, MIDI, signal processing and much more. A robust companion website features video tutorials, web-links, an online glossary, flashcards, and a link to the author’s blog. Instructor resources include a test bank and an instructor’s manual. The ninth edition includes: Updated tips, tricks and insights for getting the best out of your studio An introduction to the Apple iOS in music production Introductions to new technologies and important retro studio techniques The latest advancements in DAW systems, signal processing, mixing and mastering
This invaluable monograph addresses the specific needs of audio-engineering students and researchers who are either learning about the topic or using it as a reference book on multichannel audio compression. This book covers a wide range of knowledge on perceptual audio coding, from basic digital signal processing and data compression techniques to advanced audio coding standards and innovate coding tools. It is the only book available on the market that solely focuses on the principles of high-quality audio codec design for multichannel sound sources. This book includes three parts. The first part covers the basic topics on audio compression, such as quantization, entropy coding, psychoacoustic model, and sound quality assessment. The second part of the book highlights the current most prevalent low-bit-rate high-performance audio coding standards-MPEG-4 audio. More space is given to the audio standards that are capable of supporting multichannel signals, that is, MPEG advance audio coding (AAC), including the original MPEG-2 AAC technology, additional MPEG-4 toolsets, and the most recent aacPlus standard. The third part of this book introduces several innovate multichannel audio coding tools, which have been demonstrated to further improve the coding performance and expand the available functionalities of MPEG AAC, and is more suitable for graduate students and researchers in the advanced level. Dai Tracy Yang is currently Postdoctoral Research Fellow, Chris Kyriakakis is Associated Professor, and C.-C. Jay Kuo is Professor, all affiliated with the Integrated Media Systems Center (IMSC) at the University of Southern California.
In this new edition of the classic text on the evolution of electronic music, Peter Manning extends the definitive account of the medium from its birth to include key developments from the dawn of the 21st century to the present day. The scope of the many developments that have taken place since the late 1990s are considered in a series of new and updated chapters, including topics such as the development of the digital audio workstation, laptop music, the Internet, and the emergence of new performance interfaces. Emphasizing the functional characteristics of emerging technologies and their influence on the creative development of the medium, Manning covers key developments in both commercial and the non-commercial sectors to provide readers with the most comprehensive resource available on the evolution of this ever-expanding area of creativity.

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