A pictorial history of the Suffragettes
Marking the centenary of female suffrage, this definitive history charts women's fight for the vote through the lives of those who took part, in a timely celebration of an extraordinary struggle An Observer Pick of 2018 A Telegraph Book of 2018 A New Statesman Book of 2018 Between the death of Queen Victoria and the outbreak of the First World War, while the patriarchs of the Liberal and Tory parties vied for supremacy in parliament, the campaign for women's suffrage was fought with great flair and imagination in the public arena. Led by Emmeline Pankhurst and her daughters Christabel and Sylvia, the suffragettes and their actions would come to define protest movements for generations to come. From their marches on Parliament and 10 Downing Street, to the selling of their paper, Votes for Women, through to the more militant activities of the Women's Social and Political Union, whose slogan 'Deeds Not Words!' resided over bombed pillar-boxes, acts of arson and the slashing of great works of art, the women who participated in the movement endured police brutality, assault, imprisonment and force-feeding, all in the relentless pursuit of one goal: the right to vote. A hundred years on, Diane Atkinson celebrates the lives of the women who answered the call to 'Rise Up'; a richly diverse group that spanned the divides of class and country, women of all ages who were determined to fight for what had been so long denied. Actresses to mill-workers, teachers to doctors, seamstresses to scientists, clerks, boot-makers and sweated workers, Irish, Welsh, Scottish and English; a wealth of women's lives are brought together for the first time, in this meticulously researched, vividly rendered and truly defining biography of a movement.
The Suffragette Movement - An Intimate Account Of Persons And Ideals by Estelle Sylvia Pankhurst (5 May 1882 – 27 September 1960). Estelle Sylvia Pankhurst was an English campaigner for the suffragist movement in the United Kingdom. She was for a time a prominent left communist who then devoted herself to the cause of anti-fascism.
Describes daily life in London from the time of the Roman invasion in A.D. 43, through medieval, Elizabethan, and Victorian times, on to the reign of Elizabeth II.
Shortlisted for the Slightly Foxed Best First Biography Prize Winner of the Eastern Eye Alchemy Festival award for Literature In 1876 Sophia Duleep Singh was born into royalty. Her father, Maharajah Duleep Singh, was heir to the Kingdom of the Sikhs, a realm that stretched from the lush Kashmir Valley to the craggy foothills of the Khyber Pass and included the mighty cities of Lahore and Peshawar. It was a territory irresistible to the British, who plundered everything, including the fabled Koh-I-Noor diamond. Exiled to England, the dispossessed Maharajah transformed his estate at Elveden in Suffolk into a Moghul palace, its grounds stocked with leopards, monkeys and exotic birds. Sophia, god-daughter of Queen Victoria, was raised a genteel aristocratic Englishwoman: presented at court, afforded grace-and-favour lodgings at Hampton Court Palace and photographed wearing the latest fashions for the society pages. But when, in secret defiance of the British government, she travelled to India, she returned a revolutionary. Sophia transcended her heritage to devote herself to battling injustice and inequality,a far cry from the life to which she was born. Her causes were the struggle for Indian independence, the fate of the Lascars, the welfare of Indian soldiers in the First World War – and, above all, the fight for female suffrage. She was bold and fearless, attacking politicians, putting herself in the front line and swapping her silks for a nurse's uniform to tend wounded soldiers evacuated from the battlefields. Meticulously researched and passionately written, this enthralling story of the rise of women and the fall of empire introduces an extraordinary individual and her part in the defining moments of recent British and Indian history.
March of the Suffragettes tells the forgotten, real-life story of "General" Rosalie Gardiner Jones, who in the waning days of 1912 mustered and marched an all-women army nearly 175 miles to help win support for votes for women. General Jones, along with her good friends and accomplices "Colonel" Ida Craft, "Surgeon General" Lavinia Dock, and "War Correspondent" Jessie Hardy Stubbs, led marchers across New York state for their pilgrims' cause, encountering not just wind, fog, sleet, snow, mud, and ice along their unpaved way, but also hecklers, escaped convicts, scandal-plagued industrialists on the lam, and jealous boyfriends and overprotective mothers hoping to convince the suffragettes to abandon their dangerous project. By night Rosalie's army met and mingled with the rich and famous, attending glamorous balls in beautiful dresses to deliver fiery speeches; by day they fought blisters and bone-chilling cold, debated bitter Anti-suffragists, and dodged wayward bullets and pyrotechnics meant to intimidate them. They composed and sang their own marching songs for sisterhood and solidarity on their route, even as differences among them threatened to tear them apart. March of the Suffragettes chronicles the journey of four friends across dangerous terrain in support of a timeless cause, and it offers a hopeful reminder that social change is achieved one difficult, dauntless, daring step at a time.
Presents the best of recent feminist scholarship on the suffrage movement, illustrating its complexity, richness and diversity.
This widely acclaimed book has been described by History Today as a 'landmark in the study of the women's movement'. It is the only comprehensive reference work to bring together in one volume the wealth of information available on the women's movement. Drawing on national and local archival sources, the book contains over 400 biographical entries and more than 800 entries on societies in England, Scotland and Wales. Easily accessible and rigorously cross-referenced, this invaluable resource covers not only the political developments of the campaign but provides insight into its cultural context, listing novels, plays and films.
Seit dem Tag, an dem der leblose Körper seiner Mutter aus dem Haus getragen wurde, lebt William Eng im Waisenhaus. Als er im Kino die schöne Sängerin Willow Frost sieht, ist er überwältigt. Täuschend ähnlich sieht sie seiner Mutter. Entschlossen, den fernen Filmstar aufzuspüren, läuft er fort, schlägt sich auf den Straßen Seattles durch, sucht sie in Theatern und Lichtspielhäusern. Er muss Willow Frost finden. Er muss beweisen, dass sie seine Mutter ist, und endlich erfahren, was damals passierte. Vor dem Hintergrund der Großen Depression im Seattle der dreißiger Jahre hat Jamie Ford einen berührenden Roman über einen Jungen geschrieben, der nicht aufhört, an die Liebe seiner Mutter zu glauben, der alles wagt, um sie wiederzufinden.
This essential guide explores and celebrates the rise and development of modernist and avant-garde literatures and theories in the period 1910-1945, from Imagism to the Apocalypse movement. Jane Goldman charts transitions in writing, reading, performing and publishing practices, and in international groupings and regroupings of writers and artists, and interrogates the term 'Modernism' which labels the era. Goldman introduces students to the work of many canonical high modernist writers, such as Ezra Pound, T. S. Eliot, W. B. Yeats, James Joyce and Virginia Woolf, and samples the work of other important modernist figures, including Nathanael West, John Rodker, Aldous Huxley and the Harlem Renaissance poets.
Zwei Frauen, die die Welt verändern Die elfjährige Sarah, wohlbehütete Tochter reicher Gutsbesitzer, erhält in Charleston ein ungewöhnliches Geburtstagsgeschenk – die zehnjährige Hetty »Handful«, die ihr als Dienstmädchen zur Seite stehen soll. Dass Sarah dem schwarzen Mädchen allerdings das Lesen beibringt, hatten ihre Eltern nicht erwartet. Und dass sowohl Sarah als auch Hetty sich befreien wollen aus den Zwängen ihrer Zeit, natürlich auch nicht. Doch Sarah ahnt: Auf sie wartet eine besondere Aufgabe im Leben. Obwohl sie eine Frau ist. Handful ihrerseits sehnt sich nach einem Stück Freiheit. Denn sie weiß aus den märchenhaften Geschichten ihrer Mutter: Einst haben alle Menschen Flügel gehabt ...
Caroline Norton, born in 1808, was a society beauty, poet and pamphleteer. Her good looks and wit attracted many male admirers, first her husband, the Honourable George Norton, and then the Prime Minister, Lord Melbourne. After years of simmering jealousy, George Norton accused Caroline and the Prime Minister of a ‘criminal conversation’ (adultery) resulting in a trial referred to as ‘the scandal of the century’. Cut off and bankrupted by George Norton, she went on to become one of the most important figures in changing the law for wives and mothers.
The incredible story of two courageous and spirited women who were the only female participants to serve on the western front during World War I. When they met at a motorcycle club in 1912, Elsie Knocker was a thirty year-old motorcycling divorcee dressed in bottle-green Dunhill leathers, and Mairi Chisholm was a brilliant eighteen-year old mechanic, living at home borrowing tools from her brother. Little did they know, theirs was to become one of the most extraordinary stories of World War I. In 1914, they roared off to London 'to do their bit,' and within a month they were in the thick of things in Belgium driving ambulances to distant military hospitals. Frustrated by the number of men dying of shock in the back of their vehicles, they set up their own first-aid post on the front line in the village of Pervyse, near Ypres, risking their lives working under sniper fire and heavy bombardment for months at a time. As news of their courage and expertise spread, the 'Angels of Pervyse' became celebrities, visited by journalists and photographers as well as royals and VIPs. Glamorous and influential, they were having the time of their lives, and for four years Elsie and Mairi and stayed in Pervyse until they were nearly killed by arsenic gas in the spring of 1918. But returning home and adjusting to peacetime life—and the role of women in British society—was to prove more challenging than even the war itself.
Feinsinnige Geschichten – mitten aus dem Leben Warum bricht es einem Vater fast das Herz, als er auf seiner wöchentlichen Einkaufstour eine Packung Fusilli in den Wagen legt? Was geht einem Zwölfjährigen durch den Kopf, bevor er seiner Mutter das Küchenmesser klaut? Was hält eine junge Ehefrau davon ab, das beste Hemd ihres Mannes zu waschen? Es sind Alltagsszenen, fragile Augenblicke und Gefühle, die Graham Swift mit klarer Sprache ertastet wie Gebilde aus sehr dünnem Glas. Stets sind es die scheinbar unbedeutenden, fast beiläufigen Begebenheiten, die Duldsamkeit ein Ende setzen, Aufbruch verheißen, Lebenswegen eine neue Richtung geben.
This exploration into the development of women's self-defence from 1850 to 1914 features major writers, including H.G. Wells, Elizabeth Robins and Richard Marsh, and encompasses an unusually wide-ranging number of subjects from hatpin crimes to the development of martial arts for women.
The Proud Tower, the Pulitzer Prize-winning The Guns of August, and The Zimmerman Telegram comprise Barbara W. Tuchman’s classic histories of the First World War era During the fateful quarter century leading up to World War I, the climax of a century of rapid, unprecedented change, a privileged few enjoyed Olympian luxury as the underclass was “heaving in its pain, its power, and its hate.” In The Proud Tower, Barbara W. Tuchman brings the era to vivid life: the decline of the Edwardian aristocracy; the Anarchists of Europe and America; Germany and its self-depicted hero, Richard Strauss; Diaghilev’s Russian ballet and Stravinsky’s music; the Dreyfus Affair; the Peace Conferences in The Hague; and the enthusiasm and tragedy of Socialism, epitomized by the assassination of Jean Jaurès on the night the Great War began and an epoch came to a close. Praise for The Proud Tower “[Barbara W. Tuchman’s] Pulitzer Prize–winning The Guns of August was an expert evocation of the first spasm of the 1914–1918 war. She brings the same narrative gifts and panoramic camera eye to her portrait of the antebellum world.”—Newsweek “A rare combination of impeccable scholarship and literary polish . . . It would be impossible to read The Proud Tower without pleasure and admiration.”—The New York Times “An exquisitely written and thoroughly engrossing work . . . The author’s knowledge and skill are so impressive that they whet the appetite for more.”—Chicago Tribune “[Tuchman] tells her story with cool wit and warm understanding.”—Time From the Trade Paperback edition.
Wenn Alex Honnold in eine Wand einsteigt, gibt es kein Zurück. Der sympathische 30-Jährige hat die puristischste Form des Kletterns, ohne Seil und Sicherung, in neue Dimensionen geführt. Nun blickt der Star der Szene auf die Highlights seiner Karriere zurück, wie die 400 und 900 Meter langen Free-Solo-Begehungen von »Moonlight Buttress« in Utah und »The Nose« im Yosemite-Nationalpark sowie die »Fitz Traverse« im Alpinstil mit Tommy Caldwell in Alaska. Er verrät, wie er den Spagat zwischen Abgrund und Privatleben schafft. Und erklärt eindrucksvoll, warum Risiko oftmals auch Gewinn bedeuten kann und wie man in Extremsituationen fokussiert bleibt.
Although feminist women have existed throughout history, the term "New Woman" wasn't officially coined until 1894, when British novelists began to address the concept of the New Woman through discussions of female suffrage, dress reform, women's advances toward more legal rights, birth control, sexual freedom, and women working outside the home. This annotated bibliography includes original novels and articles printed from 1894 to 1944, the era most closely associated with the New Woman. It includes all period novels with a New Woman protagonist and all period articles with the New Woman as primary subject, along with several poems, cartoons, advertisements, and artworks. The bibliography also includes critical literature published worldwide from the 1960s to 2008 that examines the primary material included in the first section. Because the New Woman was the target of many derisive articles, poems, and visual works, these critical response pieces are included.