“Satisfying food for thought on the ever-changing dynamics of men and women as they interact and go about their individual lives” (Kirkus Reviews) as cultural commentator Stephen Marche examines contemporary male-female relations—with the help of his wife, writer and editor Sarah Fulford. One morning in New York City, Stephen Marche, then a new father and tenure-track professor, got the call: his wife had been offered her dream job…in Canada. Their decision to prioritize her career over his and move to Toronto sheds new light on the gender roles in their marriage (and in the world around them). As Marche provocatively argues, we are no longer engaged in a war of the sexes, but rather stuck together in a labyrinth of contradictions. And that these contradictions are keeping women from power and confounding male identity. The Unmade Bed is a deeply researched, deeply personal exploration into the moments in everyday life where women and men meet. After all, within offices and homes, on the street, online, and in bed, we constantly ask ourselves: What are we expected to sacrifice? Is it possible to be equal? As he attempts to answer these questions, Marche explores the issues that define our modern conversations on gender, from mansplaining and sexual morality to parenthood and divisions of the domestic sphere. In the process, he discovers that true power remains shockingly elusive for women while the idea of masculinity struggles in a state of uncertainty. The only way out of these mutual struggles is together. With footnote commentary throughout the book from Marche’s wife, The Unmade Bed is a “compelling” (The Globe and Mail, Toronto), uniquely balanced, and honest approach to the revolution going on in our everyday lives—a thought-provoking work of social science that is sure to be a conversation starter.
In response to books such as Anne-Marie Slaughter’s Unfinished Business, cultural commentator Stephen Marche examines the status of male-female relations in the twenty-first century—with the help of his wife, the writer and editor Sarah Fulford. One warm spring morning in New York City, Stephen Marche, then a new father and tenure-track professor, got the call: his wife had been offered her dream job…in Canada. Their mutual decision to prioritize her career over his and move home to Toronto shed new light on the gender roles in their marriage and in the world they saw around them. As Marche provocatively argues, we are no longer engaged in a war of the sexes, but rather stuck together in a labyrinth of contradictions. And that these contradictions are keeping women from power and confounding male identity. The Unmade Bed is a deeply researched, deeply personal exploration into the moments in everyday life where women and men meet. After all, within offices and homes, on the street, online, and in bed, we constantly ask ourselves: Who has the power? How much can we say? What are we expected to sacrifice? Is it possible to be equal? As he attempts to answer these questions, Marche explores the phenomena that have come to define our modern conversations on gender, from mansplaining and sexual morality to parenthood and divisions of the domestic sphere. In the process, he discovers that amid all this chatter, we are not actually facing the real issues—that true power remains shockingly elusive for women while the idea of masculinity, trapped between iconographies of power and powerlessness, struggles in a state of uncertainty to the point where manliness and crudity are almost synonymous. The only way out of these mutual struggles is together. With footnote commentary throughout the book from Marche’s wife, The Unmade Bed is a uniquely balanced and honest approach to the revolution going on in our everyday lives, a thought-provoking work of social science that is sure to be a conversation starter.
In response to books such as Unfinished Business, provocative cultural commentator Stephen Marche examines the state of male-female relations in the 21st century, with the help of his wife, Toronto Life editor in chief Sarah Fulford. One warm spring morning in Brooklyn, Stephen Marche, then new father and tenured track professor, got the call: his wife had been offered her dream job … in Toronto. Their mutual decision to abandon his career for hers and return home to Canada threw new light on the gender roles in their marriage and in the world they saw around them. As Marche provocatively argues, in the West we are no longer engaged in a war of the sexes, but rather stuck together in a labyrinth of contradictions. And these contradictions are keeping women from power and confounding male identity. The Unmade Bed is a deeply researched, personal essay on the aspects of everyday life where men and women meet. It’s Marche’s claim that the way we talk about men and women today is antiquated and that the failure to catch up to the new reality means we are not actually facing the real issues – that true power remains shockingly elusive for women while the idea of masculinity, trapped between iconographies of power and powerlessness, struggles in a state of uncertainty, to the point where manliness and crudity are almost synonymous. The only way out of these mutual struggles is together. With footnote commentary from Sarah Fulford, Marche’s wife and Toronto Life editor in chief, Marche’s message is thought-provoking and ultimately hopeful.
A bold and inspiring memoir and manifesto from a renowned voice in the women's leadership movement who shows women how to cultivate the single skill they really need in order to thrive: the ability to let go. Once the poster girl for doing it all, after she had her first child, Tiffany Dufu struggled to accomplish everything she thought she needed to in order to succeed. Like so many driven and talented women who have been brought up to believe that to have it all, they must do it all, Dufu began to feel that achieving her career and personal goals was an impossibility. Eventually, she discovered the solution: letting go. In Drop the Ball, Dufu recounts how she learned to reevaluate expectations, shrink her to-do list, and meaningfully engage the assistance of others—freeing the space she needed to flourish at work and to develop deeper, more meaningful relationships at home. Even though women are half the workforce, they still represent only eighteen per cent of the highest level leaders. The reasons are obvious: just as women reach middle management they are also starting families. Mounting responsibilities at work and home leave them with no bandwidth to do what will most lead to their success. Offering new perspective on why the women’s leadership movement has stalled, and packed with actionable advice, Tiffany Dufu’s Drop the Ball urges women to embrace imperfection, to expect less of themselves and more from others—only then can they focus on what they truly care about, devote the necessary energy to achieving their real goals, and create the type of rich, rewarding life we all desire.
A “spellbinding” (Publishers Weekly) literary novel with fangs: a sweeping, genre-busting tale of money, morality, and the American Dream—and the men and monsters who profit in its pursuit—set in New York, London, and the Canadian wilderness. Hunters found his body naked in the snow. The body is that of Ben Wylie, the second-richest man in America, and it is found in a remote patch of northern Canada. Far away, in New York, the son of the Wylie family’s housekeepers tries to figure out how and why Ben died. The answer lies in the tortured history of the Wylie family, who built up their massive fortune over three generations. All of the Wylie men struggle with a secret: they are werewolves. The threads of their destinies, both financial and supernatural, lead twistingly but inevitably to the naked body in the snow and a final, terrible revelation. The Hunger of the Wolf is a novel about what it means to be a man in a world of money. It’s about the pursuit of wealth through the rising tide of America in the twentieth century, seen through the sober lens of more recent economic times. It’s a novel about the innate nature of violence: The Wylie men struggle to control their inner rage, through physical restraint, psychotherapy, drugs, hedonistic abandon, and good old-fashioned denial. It’s a story of fathers and sons, about secrets that are kept in families, and about the cost of the tension between the public face and the private soul—the cruelty and loneliness and occasional joy of being a magical being in a quotidian world. A brilliant mystery from page one, “The Hunger of the Wolf is simply one of the most observant and entertaining examinations of modern will-to-wealth that fiction has produced in recent years” (Miami Herald).
Did you know the name Jessica was first used in The Merchant of Venice? Or that Freud's idea of a healthy sex life came from Shakespeake? Nearly four hundred years after his death, Shakespeare permeates our everyday lives: from the words we speak to the teenage heartthrobs we worship to the political rhetoric spewed by the twenty-four-hour news cycle. In the pages of this wickedly clever little book, Esquire columnist Stephen Marche uncovers the hidden influence of Shakespeare in our culture, including these fascinating tidbits: Shakespeare coined over 1,700 words, including hobnob, glow, lackluster, and dawn. Paul Robeson's 1943 performance as Othello on Broadway was a seminal moment in black history. Tolstoy wrote an entire book about Shakespeare's failures as a writer. In 1936, the Nazi Party tried to claim Shakespeare as a Germanic writer. Without Shakespeare, the book titles Infinite Jest, The Sound and the Fury, and Brave New World wouldn't exist. Stephen Marche has cherry-picked the sweetest and most savory historical footnotes from Shakespeare's work and life to create this unique celebration of the greatest writer of all time.
Challenges idealized concepts about motherhood that the author believes compromise women's rights and empowerment without benefiting children, citing such factors as unrealistic parenting standards, media scare tactics, Reprint. 500,000 first printing.
Based on interviews and conversations with leaders and managers in Europe and the United States, this book presents seven of the most common explanations for persistent gender imbalances and shows how they are based on common stereotypes and myths about men's and women's abilities and preferences.
In the overlooked moments and routines of our day, we can become aware of God's presence in surprising ways. How do we embrace the sacred in the ordinary and the ordinary in the sacred? Framed around one ordinary day, this book explores daily life through the lens of liturgy, small practices, and habits that form us. Each chapter looks at something—making the bed, brushing her teeth, losing her keys—that the author does every day. Drawing from the diversity of her life as a campus minister, Anglican priest, friend, wife, and mother, Tish Harrison Warren opens up a practical theology of the everyday. Each activity is related to a spiritual practice as well as an aspect of our Sunday worship. Come and discover the holiness of your every day.
A virtuoso performance from a literary talent who crafts a vividly drawn history of an imaginary country. In this stylistic tour de force, Stephen Marche creates the entire culture of a place called Sanjania—its national symbols, political movements, folk heroes, a group of writers dubbed "fictioneers," a national airline called Sanjair, and a rich literary history. This richly detailed story takes you to an island nation whose English-speaking citizens draw upon the English, American, Australian, and Canadian literary traditions. Marche has compiled this brilliant anthology, guiding the reader from the rough-and-tumble pamphlets of 1870s Sanjania to the extraordinary longing of the writings of the Sanjanian Diaspora. These works develop into a Rashomon-like story, introducing us to illustrious Sanjanian figures such as the repentant prostitute Pigeon Blackhat and the magically talented couple Caesar and Endurance. The result is a vibrant evocation of a country—from the birth pangs of its first settlers and their hardy vernacular to its revolutionary years and all the way to the present.
From the internationally acclaimed author of Gould’s Book of Fish comes an astonishing new novel, a riveting portrayal of a society driven by fear. What would you do if you turned on the television and saw you were the most wanted terrorist in the country? Gina Davies is about to find out when, after a night spent with an attractive stranger, she becomes a prime suspect in the investigation of an attempted terrorist attack. In The Unknown Terrorist, one of the most brilliant writers working in the English language today turns his attention to the most timely of subjects — what our leaders tell us about the threats against us, and how we cope with living in fear. Chilling, impossible to put down, and all too familiar, The Unknown Terrorist is a relentless tour de force that paints a devastating picture of a contemporary society gone haywire, where the ceaseless drumbeat of terror alert levels, newsbreaks, and fear of the unknown pushes a nation ever closer to the breaking point.
More than fifty trailblazing executive women who broke the corporate glass ceiling offer inspiring and surprising insights and lessons in this essential, in-the-trenches career guide from Joann S. Lublin, a Pulitzer-Prize winning journalist and management news editor for The Wall Street Journal. Among the first female reporters at The Wall Street Journal, Joann S. Lublin faced a number of uphill battles in her career. She became deputy bureau chief of the Journal’s important London bureau, its first run by women. Now, she and dozens of other women who successfully navigated the corporate battlefield share their valuable leadership lessons. Lublin combines her fascinating story with insightful tales from more than fifty women who reached the highest rungs of the corporate ladder—most of whom became chief executives of public companies —in industries as diverse as retailing, manufacturing, finance, high technology, publishing, advertising, automobiles, and pharmaceuticals. Leaders like Carly Fiorina, former CEO of Hewlett-Packard, as well as Mary Barra, CEO of General Motors, and Brenda Barnes, former CEO of Sara Lee, were the first women to run their huge employers. Earning It reveals obstacles such women faced as they fought to make their mark, choices they made, and battles they won—and lost. Lublin chronicles the major milestones and dilemmas of the work world unique to women, providing candid advice and practical inspiration for women of all ages and at every stage of their careers. The extraordinary women we meet in the pages of Earning It and the hard-won lessons they share provide a compelling career compass that will help all women reach their highest potential without losing a meaningful personal life.
Globalization discourse now presumes that the “world space” is entirely at the mercy of market norms and forms promulgated by reactionary U.S. policies. An academic but accessible set of studies, this wide range of essays by noted scholars challenges this paradigm with diverse and strong arguments. Taking on topics that range from the medieval Mediterranean to contemporary Jamaican music, from Hong Kong martial arts cinema to Taiwanese politics, writers such as David Palumbo-Liu, Meaghan Morris, James Clifford, and others use innovative cultural studies to challenge the globalization narrative with a new and trenchant tactic called “worlding.” The book posits that world literature, cultural studies, and disciplinary practices must be “worlded” into expressions from disparate critical angles of vision, multiple frameworks, and field practices as yet emerging or unidentified. This opens up a major rethinking of historical “givens” from Rob Wilson’s reinvention of “The White Surfer Dude” to Sharon Kinoshita’s “Deprovincializing the Middle Ages.” Building on the work of cultural critics like Edward Said, Gayatri Spivak, and Kenneth Burke, The Worlding Project is an important manifesto that aims to redefine the aesthetics and politics of postcolonial globalization withalternative forms and frames of global becoming.
Suite Française is both a brilliant novel of wartime and an extraordinary historical document. An unmatched evocation of the exodus from Paris after the German invasion of 1940, and of life under the Nazi occupation, it was written by the esteemed French novelist Irène Némirovsky as events unfolded around her. This haunting masterpiece has been hailed by European critics as a War and Peace for the Second World War. Though she conceived the book as a five-part work (based on the form of Beethoven’s Fifth Symphony), Irène Némirovsky was able to write only the first two parts, Storm in June and Dolce, before she was arrested in July 1942. She died in Auschwitz the following month. The manuscript was saved by her young daughter Denise; it was only decades later that Denise learned that what she had imagined was her mother’s journal was in fact an invaluable work of art. Storm in June takes place in the tumult of the evacuation from Paris in 1940, just before the arrival of the invading German army. It moves vividly between different levels of society–from the wealthy Péricand family, whose servants pack up their possessions for them, to a group of orphans from the 16th arrondissement escaping in a military truck. Némirovsky’s immense canvas includes deserting soldiers and terrified secretaries, cynical bank directors and hapless priests, egotistical writers and hardscrabble prostitutes–all thrown together in a chaotic attempt to escape the capital. Moving between them chapter by chapter, this thrilling novel describes a journey hampered and in some cases abandoned because of confusion, shelling, rumour, lack of supplies, bad luck and ordinary human weakness. Cars break down or are stolen; relatives are forgotten; friends are divided; but there are also moments of love and charity. Throughout, whether depicting saintly forbearance or the basest selfishness, Storm in June neither sweetens nor demonizes its characters; unsentimentally, with stunning perceptiveness, Némirovsky shows the complexities that mean no-one is simply a hero or villain. The second volume, Dolce, is set in the German-occupied village of Bussy. Again, Némirovsky switches seamlessly between social strata, from tenant farmers to the local aristocracy. The focus, however, is on the delicate, secret love affair between a German soldier and the French woman in whose house he has been billeted; the passion, doubts and deceits of their burgeoning relationship echo the complex mixture of hostility and acceptance felt by the occupied community as a whole. Némirovsky is amazingly sensitive in her depiction of changing, often contradictory emotions, but her attention to the personal is matched by her sharp-eyed discussion of small-town life and the politics of occupation. In this myth-dissolving book, the French villagers see the Germans as oppressive warriors, but also as handsome young men, and occupation does nothing to remedy the condescension and envy that bedevil relations between rich and poor. Quite apart from the astonishing story of its survival, Suite Française is a novel of genius and lasting artistic value. Subtle, often fiercely ironic, and deeply compassionate, it is both a piercing record of its time and a humane, profoundly moving novel. From the Hardcover edition.
A magnificent new novel from one of America’s finest writers—a powerfully affecting story spanning the twentieth century of a widow and her daughter and the nuns who serve their Irish-American community in Brooklyn. On a dim winter afternoon, a young Irish immigrant opens the gas taps in his Brooklyn tenement. He is determined to prove—to the subway bosses who have recently fired him, to his badgering, pregnant wife—“that the hours of his life belong to himself alone.” In the aftermath of the fire that follows, Sister St. Savior, an aging nun appears, unbidden, to direct the way forward for his widow and his unborn child. We begin deep inside Catholic Brooklyn, in the early part of the twentieth century. Decorum, superstition, and shame collude to erase the man’s brief existence. Yet his suicide, although never spoken of, reverberates through many lives and over the decades testing the limits and the demands of love and sacrifice, of forgiveness and forgetfulness, even through multiple generations. The characters we meet, from Sally, the unborn baby at the beginning of the novel, who becomes the center of the story to the nuns whose personalities we come to know and love to the neighborhood families with whose lives they are entwined, are all rendered with extraordinary sympathy and McDermott’s trademark lucidity and intelligence. Alice McDermott’s The Ninth Hour is a crowning achievement by one of the premiere writers at work in America today.
• A method for families to share the biblical story at home and learn the practice of sharing one another’s stories as part of God’s Story • Includes full color images of the materials described in text Using Godly Play® methods, Jerome Berryman offers families a way of nourishing faith in the home while supporting children’s spiritual growth through the practice of “storying,” our most ancient way of making meaning. This book offers “storying” rituals and techniques from Godly Play for exploring the meaning of Christmas, Easter, Creation, the Parable of the Good Shepherd, Pentecost, and the Trinity to give sustenance to the family’s flow, play, love, and spirituality. Stories of God at Home follows the rhythm of life’s cycles (birth, death, earth, life, God, and depth) in telling biblical stories and shows how parents and caretakers can grasp their role with children using classic children’s literature.
The Allied occupation of Japan is remembered as the "good occupation." An American-led coalition successfully turned a militaristic enemy into a stable and democratic ally. Of course, the story was more complicated, but the occupation did forge one of the most enduring relationships in the postwar world. Recent events, from the occupations of Iraq and Afghanistan to protests over American bases in Japan to increasingly aggressive territorial disputes between Asian nations over islands in the Pacific, have brought attention back to the subject of the occupation of Japan. In Architects of Occupation, Dayna L. Barnes exposes the wartime origins of occupation policy and broader plans for postwar Japan. She considers the role of presidents, bureaucrats, think tanks, the media, and Congress in policymaking. Members of these elite groups came together in an informal policy network that shaped planning. Rather than relying solely on government reports and records to understand policymaking, Barnes also uses letters, memoirs, diaries, and manuscripts written by policymakers to trace the rise and spread of ideas across the policy network. The book contributes a new facet to the substantial literature on the occupation, serves as a case study in foreign policy analysis, and tells a surprising new story about World War II.
Their passionate love affair limited to the confines of written correspondence when Hannah leaves to spend a year in Jerusalem, Raymond and Hannah find their relationship challenged by Hannah's immersion in the world of Orthodox Judaism and Raymond's ongoing writing of his dissertation from multicultural Toronto. A first novel. Original.
"Propulsive." —Refinery29's "Best Psychological Suspense Novels to Read After Gone Girl" "A twisty, claustrophobic nail-biter." —Entertainment Weekly’s Hot Summer Thrillers "Sibling rivalry on steroids." —BookTrib For fans of Sarah Pinborough and Liane Moriarty comes a taut domestic suspense about the lies we tell to hold our lives together. Sisters, like secrets, are best kept close. Sisters, like secrets, are best kept close. Penny and Hattie, orphaned sisters in a small town, are best friends, bound together to the point of knots. But Penny, at the mercy of her brutal husband, is desperate for a fresh start. Willing to do anything for her older sister, Hattie agrees to help. A match is struck and a fire burns Penny’s marriage to the ground. With her husband gone, Penny is free, and the sisters, it seems, get away with murder. But freedom comes at a cost. More than a year after the fire, a charming young man comes to town. Hattie and Penny quickly bring him into the fold and into their hearts but their love for him threatens the delicate balance. Soon long-held resentments, sibling rivalry, and debts unpaid boil over, and the bonds of sisterhood begin to snap. As one little lie grows into the next, the sisters’ secrets will unravel, eroding their lives until only a single, horrible truth remains: You owe me. A compelling novel of suspense from a talented new voice, Sister of Mine asks us to consider the bonds of family, what it takes to commit the unthinkable, and how far you’ll go to protect the ones you love.