Historical novel with revolving stories both set in Saint Petersburg Russia.
A Companion to the Anthropology of Religion presents a collection of original, ethnographically–informed essays that explore the variety of beliefs, practices, and religious experiences in the contemporary world and asks how to think about religion as a subject of anthropological inquiry. Presents a collection of original, ethnographically–informed essays exploring the wide variety of beliefs, practices, and religious experiences in the contemporary world Explores a broad range of topics including the perspectivism debate, the rise of religious nationalism, reflections on religion and new media, religion and politics, and ideas of self and gender in relation to religious belief Includes examples drawn from different religious traditions and from several regions of the world Features newly–commissioned articles reflecting the most up–to–date research and critical thinking in the field, written by an international team of leading scholars Adds immeasurably to our understanding of the complex relationships between religion, culture, society, and the individual in today s world
The critically acclaimed author of The Madonnas of Leningrad (“Elegant and poetic, the rare kind of book that you want to keep but you have to share” —Isabel Allende), Debra Dean returns with The Mirrored World, a breathtaking novel of love and madness set in 18th century Russia. Transporting readers to St. Petersburg during the reign of Catherine the Great, Dean brilliantly reconstructs and reimagines the life of St. Xenia, one of Russia’s most revered and mysterious holy figures, in a richly told and thought-provoking work of historical fiction that recounts the unlikely transformation of a young girl, a child of privilege, into a saint beloved by the poor.
From modest beginnings in Paris to predominance in the world of high fashion, the rise of the house of Cartier is comprehensively chronicled in this lavish volume. In the 1980s Cartier granted Hans Nadelhoffer exclusive access to its archives in order to write the definitive history. Long out of print, Nadelhoffer's exhaustive research has been revived with lush new photography and design sketches of the world's most distinctive and finely crafted jewelry. Through charming and compelling anecdotes, these famed gemsand the elite clientele who don themare brought to life. This fully illustrated account is the essential complement to any jewelry lover's collection, and will satisfy the longings of all those who covet this legendary brand.
The city on the Neva has recently taken back its original name, St. Petersburg. The official strategies for the Tercentenary in 2003 saw the city's potential as being generated by its imperial past. In a series of scholarly essays the author examines the historical background to St. Petersburg's contemporary identifications. Framed mainly in romantic and nostalgic terms, they imprint an idealized Old Imperial Russia onto the post-Soviet city.
The story of the music that accompanies the cinematic adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, spicing the story with a wealth of fascinating and previously undisclosed tales. Burlingame devotes a chapter to each Bond film, providing the backstory for the music (including a reader-friendly analysis of each score) from the last-minute creation of the now-famous "James Bond Theme" in Dr. No to John Barry's trend-setting early scores for such films as Goldfinger and Thunderball. We learn how synthesizers, disco and modern electronica techniques played a role in subsequent scores, and how composer David Arnold reinvented the Bond sound for the 1990s and beyond. The book brims with behind-the-scenes anecdotes. Burlingame examines the decades-long controversy over authorship of the Bond theme; how Frank Sinatra almost sang the title song for Moonraker; and how top artists like Shirley Bassey, Tom Jones, Paul McCartney, Carly Simon, Duran Duran, Gladys Knight, Tina Turner, and Madonna turned Bond songs into chart-topping hits. The author shares the untold stories of how Eric Clapton played guitar for Licence to Kill but saw his work shelved, and how Amy Winehouse very nearly co-wrote and sang the theme for Quantum of Solace. New interviews with many Bond songwriters and composers, coupled with extensive research as well as fascinating and previously undiscovered details--temperamental artists, unexpected hits, and the convergence of great music and unforgettable imagery--make The Music of James Bond a must read for 007 buffs and all popular music fans. This paperback edition is brought up-to-date with a new chapter on Skyfall.
Two experts dissect the personality of top Russian political figure Vladamir Putin, delineating the different faces he wears depending on the situation with which he is confronted.
Features translated crime and noir short stories set in St. Petersburg, Russia, from such authors as Sergei Nosov, Natalia Kurchatova, Eugene Kogan, and Anna Solovey.
Catalogue of the "In Transition Russia 2008" exhibition held at the Museum of Modern Art, Yekaterinburg andthe National Centre of Contemporary Art Moscow
SHORTLISTED FOR THE DYLAN THOMAS PRIZE The stories of Kseniya Melnik’s debut collection are small-town miracles, each a miniature epic.

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