In this edition by two distinguished scholars, an introduction discusses the significance of this formative and brilliant play. Detailed commentary is provided on meanings of difficult words, lines, references, and the like. The edition is designed for classroom use in both schools and colleges as well as for the more general reader in search of the best of Renaissance drama.
Widely performed and studied, The Alchemist is one of the world’s great comedies. It was first performed in 1610, and its success kept it in the repertory until the closing of the theatres. After the Restoration, it was one of the first plays to be revived and it has been produced with increasing frequency ever since. This edition is based on a reconsideration of the early texts, but the spelling and punctuation are modernised. The comprehensive introduction details Jonson’s life and the play’s stage history, discusses the text in detail, and has a section of special interest on alchemy. This is a must for scholars and theatre-goers alike.
Everything you need to know about the cultural contexts of 'Volpone'. The unremitting exposure of human vileness is black and bleak, redeemed perhaps by the eventual punishment of the wrongdoers in an outcome achieved more by luck than justice. This book provides detailed in-depth discussion of the various influences that a Jacobean audience would have brought to interpreting the play. How did people think about the world, about God, about sin, about kings, about civilized conduct, about the predatory impulses that drive men to prey upon each other? Historical, literary, political, sociological backgrounds are explained within the biblical-moral matrices by which the play would have been judged. This book links real life in the late 1600s to the world on the stage. Discover the orthodox beliefs people held about religion. Meet the Devil, the Seven Deadly Sins and human depravity. Learn about the social hierarchy, gender relationships, court corruption, class tensions, the literary profile of the time, attitudes to comedy – and all the subversions, transgressions, and oppositions that made the play a topical satire but also an unsettling picture of a world so close to disaster.
A comprehensive introduction to Ben Jonson's Volpone - introducing its critical history, performance history, current critical landscape and new directions in research on the play.
This book is concerned with language, genre, drama, and literary and historical narrative and examines the comedy of Shakespeare in the context of comedies from Italy, Spain, and France in the sixteenth and seventeenth centuries.
Quest'opera (edizione rilegata) fa parte della collana di libri TREDITION CLASSICS. La casa editrice tredition di Amburgo pubblica nell'ambito della collana TREDITION CLASSICS opere datate piu di 2000 anni. Queste opere erano in gran parte esaurite o reperibili solo come pezzi d'antiquariato. La serie di libri contribuise a preservare la letteratura e a promuovere la cultura. Essa aiuta inoltre ad evitare che migliaia di opere cadano nel dimenticatoio. L'obiettivo della serie e di ripubblicare migliaia di classici della letteratura mondiale in diverse lingue... in tutto il mondo!
Each volume contains essays and studies by critics and cultural historians from both hemispheres as well as substantial reviews of books and essays dealing with medieval and early modern English Drama. The journal was founded in 1984, and since then well over four hundred articles, review essays, and book reviews have appeared on its pages.
This is the most thoroughly investigated edition of Volpone to date, based on a wider collation of the 1607 quarto and 1616 folio versions than was previously possible. It calls into question several accepted textual conclusions. The introduction sets Volpone in the context of Jonson’s career at the time of writing and introduces new material on its relation to the Reynard beast epic and the commedia dell’ arte. Ambiguities in the play are discussed with reference to two Renaissance perversions of the myth of the Golden Age. Particular attention is paid to the rhythmic effects of the play in performance, especially interweavings of the main plot and subplot. Fresh suggestions are made about the play’s opening and its controversial conclusion in the light of experiments that have been made in performance since Volpone ’s stage revival in 1921. The modernized text is accompanied by full commentary, notes and illustrations. The appendices include a discussion by John Cutts of the original music, passages translated from the original sources and analogues, and a full record of the play’s modern stage history, its many adaptations, and its transformations into opera, musical comedy, film and television.
This volume offers the broadest range of information on Jonson and his works, from background on contexts to details of recent interpretations of his plays.
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read the material themselves.
The full general introduction includes a biography of Jonson, a full chronology of the plays and masques, and separate essays on each play, dealing particularly with Jonson's satirical treatments of trends and shams of the day, whether political, social, commercial, or spiritual. The changing roles of women in the period come under particular scrutiny. This text is intended to help students, graduate and undergraduate, see Jonson as he was seen by his contemporaries, the most influential and controversial playwright of the seventeenth century.
Woher kommt das Bose? Wie kommt es, dass wir Boses tun? Diese Fragen haben Paul Ricoeur (1913-2005) - den Philosophen und Theologen, der sich selbst nie als solchen bezeichnet hat - seit seinen fruhesten Arbeiten begleitet. Der vorliegende Essay, entstanden aus einem Referat, das Ricoeur 1985 an der Theologischen Fakultat Lausanne gehalten hat, kann stellvertretend fur seine Beschaftigung mit diesen Fragen stehen. Angesichts dessen, was das 20. Jahrhundert an Bosem hervorgebracht hat, beleuchtet Ricoeur hier in einer exemplarischen Tiefe die verschiedenen religiosen, mythologischen und philosophischen Diskurse uber das Bose. Er zeigt, wie die traditionelle Theodizee, aber auch wie Kant, Hegel oder Barth versucht haben, das Problem, das die Existenz des Bosen bedeutet, zu losen. Ricoeur selbst pladiert fur eine Weisheit, die auf die (An-)Klage verzichtet. Paul Ricoeur, 1913-2005, franzosischer Philosoph, war zuletzt Professor an der Universitat Paris-Nanterre und Lehrstuhlnachfolger von Paul Tillich an der University of Chicago. Neben existenz- und geschichtsphilosophischen Forschungen widmete er sich intensiv dem Problem der Sprache.
Christopher Marlowe: Doktor Faustus Entstanden um 1592. Erstmals aufgeführt von der Truppe des Earl of Nottingham, Datum unbekannt. Älteste erhaltene Ausgabe: London 1604. Zweite Fassung: London 1616. Hier nach der Übers. v. Wilhelm Müller. Originaltitel: The Tragicall History of D. Faustus Vollständige Neuausgabe mit einer Biographie des Autors. Herausgegeben von Karl-Maria Guth. Berlin 2014. Textgrundlage ist die Ausgabe: Marlowe, Christoph: Doktor Faustus. Übers. v. Wilhelm Müller, München: Eugen Rentsch Verlag, 1911. Die Paginierung obiger Ausgabe wird in dieser Neuausgabe als Marginalie zeilengenau mitgeführt. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Mikhail Vrubel, Faust, 1896. Gesetzt aus Minion Pro, 11 pt.