From the Clash to Los Crudos, skinheads to afro-punks, the punk rock movement has been obsessed by race. And yet the connections have never been traced in a comprehensive way. White Riot is a definitive study of the subject, collecting first-person writing, lyrics, letters to zines, and analyses of punk history from across the globe. This book brings together writing from leading critics such as Greil Marcus and Dick Hebdige, personal reflections from punk pioneers such as Jimmy Pursey, Darryl Jenifer and Mimi Nguyen, and reports on punk scenes from Toronto to Jakarta.
Black Bloc, White Riot revisits the struggles against globalization that marked the beginning of the twentieth century and explores the connection between political violence and the white middle class.
When the savagely beaten body of a Muslim student is discovered in a rundown area of Newcastle, blame falls on the far right National Unity Party - but for once they appear to be innocent. In fact, with elections looming, they are poised to make significant gains. Not the best time for Trevor Whitman, ex-70s radical, to return to his native north-east. Haunted by his violent past, he's receiving death threats over the murder of a policeman years ago. Joe Donovan is called in to investigate and before long the investigation takes a more dangerous turn as Donovan and his team find themselves the targets of a ruthless killer unlike any they have faced before. A killer who will do anything to ensure an explosive thirty-year-old secret remains buried, no matter who stands in his way...
The latter part of the 1960s saw the advent of a small, short-lived genre of Vietnam War-related cinema - the "peacenik/draft-dodger" movie, in which student anti-war demonstrations and ruses used by America's youth to avoid conscription were used as plot devices in films ranging from the underground to teen exploitation and arthouse productions. WHITE RIOT looks at a whole range of these films, including works by Martin Scorsese, Brian de Palma, Andy Warhol, John Lennon, and Kenneth Anger. With 9 photographic illustrations.
In a bold work that cuts across racial, ethnic, cultural, and national boundaries, Sheila Smith McKoy reveals how race colors the idea of violence in the United States and in South Africa—two countries inevitably and inextricably linked by the central role of skin color in personal and national identity. Although race riots are usually seen as black events in both the United States and South Africa, they have played a significant role in shaping the concept of whiteness and white power in both nations. This emerges clearly from Smith McKoy's examination of four riots that demonstrate the relationship between the two nations and the apartheid practices that have historically defined them: North Carolina's Wilmington Race Riot of 1898; the Soweto Uprising of 1976; the Los Angeles Rebellion in 1992; and the pre-election riot in Mmabatho, Bhoputhatswana in 1994. Pursuing these events through narratives, media reports, and film, Smith McKoy shows how white racial violence has been disguised by race riots in the political and power structures of both the United States and South Africa. The first transnational study to probe the abiding inclination to "blacken" riots, When Whites Riot unravels the connection between racial violence—both the white and the "raced"—in the United States and South Africa, as well as the social dynamics that this connection sustains.
Before he was the world's foremost Catholic biographer, Joseph Pearce was a leader of the National Front, a British-nationalist, white-supremacist group. Before he published books highlighting and celebrating the great Catholic cultural tradition, he disseminated literature extolling the virtues of the white race, and calling for the banishment of all non-white from Britain. Pearce and his cohorts were at the center of the racial and nationalist tensions—often violent—that swirled around London in the late-1970s and early 80s. Eventually Pearce became a top member of the National Front, and the editor of its newspaper, The Bulldog. He was a full-time revolutionary. In 1982 he was imprisoned for six months for hate speech, but he came out with more anger, and more resolve. Several years later, he was imprisoned again, this time for a year and it spurred a sea change in his life. In Race with the Devil: My Journey from Racial Hatred to Rational Love, Pearce himself takes the reader through his journey from racist revolutionary to Christian, including: The youthful influences that lead him to embrace the National Front and their racist platform His dark, angry, exhilarating but ultimately empty days as a revolutionary on the front lines His imprisonment and subsequent dark night of the soul The role that Catholic luminaries such as G. K. Chesterton, Hilaire Belloc, and C. S. Lewis played in his conversion from racist radical to joyful Christian And his eventual reception in the Catholic Church Race with the Devil is one man's incredible journey to Christ, but it also much more. It is a testament to God's hand active among us and the infinite grace that Christ pours out on his people, showing that we can all turn—or return—to Christ and his Church.
This book presents the chapters - 'Exodus to the Mother Country'; 'An expendable commodity'; 'No coloureds, no Irish, no dogs'; 'From Rachman to ruin'; 'Keeping Britain white'; 'The beginning of anger'; 'Riot'; 'Notting Hill to Westminster'; 'Out of the a
With its fiery crosses and nightriders in pointed hoods and flowing robes, the Ku Klux Klan remains a recurring nightmare in American life. What began in the earliest post–Civil War days as a social group engaging in drunken hijinks at the expense of perceived inferiors soon turned into a murderous paramilitary organization determined to resist the “evils” of radical Reconstruction. For six generations and counting, the Klan has inflicted misery and death on countless victims nationwide and since the early 1920s, has expanded into distant corners of the globe. From the Klan’s post–Civil War lynchings in support of Jim Crow laws, to its bloody stand against desegregation during the 1960s, to its continued violence in the militia movement at the turn of the 21st century, this revealing volume chronicles the complete history of the world’s oldest surviving terrorist organization from 1866 to the present. The story is told without embellishment because, as this work demonstrates, the truth about the Ku Klux Klan is grim enough.
Skinheads, Mods, Teddy Boys, Hell's Angels, Punks, Glory Boys to name just a few ... this fascinating book is the definitive guide to hooligan history in the UK. It examines who the men behind the cults were, what made them tick and why they fought their battles.These warring youth factions inspired copycat cultures around the globe. This in-depth book cuts through the myths that Fleet Street built up around the cults; it tells the truth about the young, angry Britain of the 1970s that inspired a kaleidoscope of chaos which continues to this day with copycat scenes everywhere from Argentina to China and Japan.
Isle of Noises features brand-new, exclusive, in-depth conversations with twenty-seven of the UK's greatest living musicians. Artists discuss their individual approach to writing, the inspiration behind their most successful songs, and the techniques and methods they have independently developed. It is an incredible musical journey spanning fifty years, from 'Waterloo Sunset' by Ray Davies to 'The Beast' by Laura Marling, with many lyrical and melodic secrets revealed along the way. Original handwritten lyrics from personal archives and notebooks (many never-before-seen) offer a unique glimpse into the heart of the creative process, and some of the greatest names in photography, including Jill Furmanovsky, Pennie Smith and Sheila Rock, have contributed stunning portraits of each artist. The combination of individual personal insights and the breadth and depth of knowledge in their collected experience makes Isle of Noises the essential word on classic British songwriting - as told by the songwriters themselves.
“An honest and genuine DIY punk-rock lesbian love story.” —Kirkus Reviews Amanda moves to London with nothing but her guitar and her collection of punk music as the soundtrack to her every move. With the company of a few friendly voices in her head, she looks for—and finds—a best friend and new lover. She forms a band, Lesbian Raincoat, and completely rewrites the story of her life. In this irreverently funny yet profound novel, Amanda risks deportation, recalls the fervor of AIDS activism in the United States, connects to the class struggle of punk, and finds redemption in love. But she also must confront her own mental illness, her lover’s rape, and the violence of post-9/11 politics. Pissing in a River captures the glee and turbulence of surviving the cacophony of modern life. “A love letter to the obsessions that captivated an outcast generation: punk, politics, passion, and provocation.” —Maria Raha, author of Cinderella’s Big Score: Women of the Punk and Indie Underground
'It all started in 1975. I was fifteen years, three hundred and forty-four days old, nothing but a kid, albeit a kid they'd highlighted in The Year Book as a hard case. I was four months out of juvey, give or take, and I had a swagger, an edge, abrasion ...' ?So begins the hilarious, often vexed, and constantly twisted life story of Teri Louise Kelly in this first volume of her memoirs. Writing as the boy she once was, Teri takes us into the cloistered world of swanky hotels in England and Paris. She describes with solicitous accuracy the pranks, mind games and seedy morals of an ensemble of lunatics overlorded by a booze-addled despot. Set in the days when sadistic men ruled the ranges and disco pigs strutted their moves on highly polished dance ?oors, 'Sex, Knives and Bouillabaisse' is a funny, savage and punchy read.
Alone in a hospital bed the night before major surgery, Bernie Malone struggles to find a purpose in his life. None of the various pub bands he managed over the years was ever picked up; he gave his whole life to music, infatuated with rock and roll since seeing The Who in an iconic show at fifteen. Now, facing a life threatening operation, Bernie is forced to search for meaning to his existence. Framed with the classic rock and roll soundtrack of his life, Bernie's search for answers drives him to examine his relationships with his family and business, as well as his vices, virtues and politics. As Bernie remembers his life, he is haunted by his present circumstances and the burning question: "This can't be it can it?" One, two. One, two is an evocative portrait of one man's valiant attempt to follow his dream in the music industry. Mick Foden was raised in a small village in Cheshire, England.
Law and Order offers a valuable new study of the political and social history of the 1960s. It presents a sophisticated account of how the issues of street crime and civil unrest enhanced the popularity of conservatives, eroded the credibility of liberals, and transformed the landscape of American politics. Ultimately, the legacy of law and order was a political world in which the grand ambitions of the Great Society gave way to grim expectations. In the mid-1960s, amid a pervasive sense that American society was coming apart at the seams, a new issue known as law and order emerged at the forefront of national politics. First introduced by Barry Goldwater in his ill-fated run for president in 1964, it eventually punished Lyndon Johnson and the Democrats and propelled Richard Nixon and the Republicans to the White House in 1968. In this thought-provoking study, Michael Flamm examines how conservatives successfully blamed liberals for the rapid rise in street crime and then skillfully used law and order to link the understandable fears of white voters to growing unease about changing moral values, the civil rights movement, urban disorder, and antiwar protests. Flamm documents how conservatives constructed a persuasive message that argued that the civil rights movement had contributed to racial unrest and the Great Society had rewarded rather than punished the perpetrators of violence. The president should, conservatives also contended, promote respect for law and order and contempt for those who violated it, regardless of cause. Liberals, Flamm argues, were by contrast unable to craft a compelling message for anxious voters. Instead, liberals either ignored the crime crisis, claimed that law and order was a racist ruse, or maintained that social programs would solve the "root causes" of civil disorder, which by 1968 seemed increasingly unlikely and contributed to a loss of faith in the ability of the government to do what it was above all sworn to do-protect personal security and private property.
The image of the West looms large in the American imagination. Yet the history of American Jewry and particularly of American Jewish women—has been heavily weighted toward the East. Jewish Women Pioneering the Frontier Trail rectifies this omission as the first full book to trace the history and contributions of Jewish women in the American West. In many ways, the Jewish experience in the West was distinct. Given the still-forming social landscape, beginning with the 1848 Gold Rush, Jews were able to integrate more fully into local communities than they had in the East. Jewish women in the West took advantage of the unsettled nature of the region to “open new doors” for themselves in the public sphere in ways often not yet possible elsewhere in the country. Women were crucial to the survival of early communities, and made distinct contributions not only in shaping Jewish communal life but outside the Jewish community as well. Western Jewish women's level of involvement at the vanguard of social welfare and progressive reform, commerce, politics, and higher education and the professions is striking given their relatively small numbers. This engaging work—full of stories from the memoirs and records of Jewish pioneer women—illuminates the pivotal role these women played in settling America's Western frontier.