Women, Music, Culture: An Introduction, Second Edition is the first undergraduate textbook on the history and contribution of women in a variety of musical genres and professions, ideal for students in courses in both music and women's studies. A compelling narrative, accompanied by over 50 guided listening examples, brings the world of women in music to life, examining a community of female musicians, including composers, producers, consumers, performers, technicians, mothers, and educators in art music and popular music. The book features a wide array of pedagogical aids, including a running glossary and a comprehensive companion website with streamed audio tracks, that help to reinforce key figures and terms. This new edition includes a major revision of the Women in World Music chapter, a new chapter in Western Classical "Work" in the Enlightenment, and a revised chapter on 19th Century Romanticism: Parlor Songs to Opera. 20th Century Art Music.
Women, Music, Culture is an undergraduate textbook on the history and contribution of women in a variety of musical genres and professions. Clear writing, compelling narrative, and more than fifty guided listening examples bring the world of women in music to life. It includes a wide array of pedagogical aids, including an abundance of photographs, a comprehensive companion website, critical thinking exercises, as well as a running glossary that reinforces key figures and terms. Covering important figures in art music and popular music, it examines a community of women involved in the world of music, including composers, producers, consumers, performers, technicians, mothers, educators and listeners.
This volume offers an introduction to the field of women, music, and culture, examining the implications of gender upon music performance. The presentation focuses on women from many different countries, cultures and historical periods--from the professional musician to the village preserver of traditional music and culture, from the young woman of the 19th century of hymnody tradition of the U.S. to the female tayu or chanter in the male dominated Gidayu narrative tradition of Japan.
Jones is haunted by the specters of Reliability and Validity, motivated by the goals of multivocality and multiple truths, and driven by the music. She is also driven by the mystery and complexity of women's music; a category which is impossible to capture, tame, or pin down. In exploring dynamics of race and gender in the club as an organization, Jones refuses to reduce the richness of her observations to simplistic, categorical statements.
Women's music festivals have been an integral part of both the shaping of lesbian culture and the emergence of women as a musical force. This new book takes the reader on a remarkable backstage tour of the rollicking, legendary world of these festivals and presents an exhilarating insider's journey through this cultural phenomena that has made an important contribution to both musical history and women's history.
Transgender studies is the latest area of academic inquiry to grow out of the exciting nexus of queer theory, feminist studies, and the history of sexuality. Because transpeople challenge our most fundamental assumptions about the relationship between bodies, desire, and identity, the field is both fascinating and contentious. The Transgender Studies Reader puts between two covers fifty influential texts with new introductions by the editors that, taken together, document the evolution of transgender studies in the English-speaking world. By bringing together the voices and experience of transgender individuals, doctors, psychologists and academically-based theorists, this volume will be a foundational text for the transgender community, transgender studies, and related queer theory.
Edited by distinguished scholars in the field of popular music studies, this encyclopedia set is THE authoritative reference guide to popular music from all corners of the globe, the ultimate reference work to do justice to this vibrant subject.
This extensively revised and expanded fifth edition of Understanding Popular Music Culture provides an accessible and comprehensive introduction to the production, distribution, consumption and meaning of popular music, and the debates that surround popular culture and popular music. Reflecting the continued proliferation of popular music studies, the new music industry in a digital age, and the emergence of new stars, this new edition has been reorganized and extensively updated throughout, making for a more coherent and sequenced coverage of the field. These updates include: two new chapters entitled ‘The Real Thing’: Authenticity, covers and the canon and ‘Time Will Pass You By’: Histories and popular memory new case studies on artists including The Rolling Stones, Lorde, One Direction and Taylor Swift further examples of musical texts, genres, and performers throughout including additional coverage of Electronic Dance Music expanded coverage on the importance of the back catalogue and the box set; reality television and the music biopic greater attention to the role and impact of the internet and digital developments in relation to production, dissemination, mediation and consumption; including the role of social network sites and streaming services each chapter now has its own set of expanded references to facilitate further investigation. Additional resources for students and teachers can also be found on the companion website (www.routledge.com/cw/shuker), which includes additional case studies, links to relevant websites and a discography of popular music metagenres.
A pathbreaking study of the women who create electronic dance music, Beyond the Dance Floor focuses on the largely neglected relationship between these women and the conceptions of gender and technology that continue to inform the male-dominated culture surrounding electronic music. In this volume, Rebekah Farrugia explores a number of important issues, including the politics of identity and representation, the bonds formed by women within the DJ community, and the role female DJs and producers play in this dance music culture as well as in the larger public sphere. Though Farrugia primarily focuses on women's relationship to music-related technologies—including vinyl, mp3s, and digital production software—she also deftly extends her argument to the strategic use of the Internet and web design skills for purposes tied to publicity, networking, and music distribution.
For a full list of entries and contributors, sample entries, and more, visit the Routledge International Encyclopedia of Women website. Featuring comprehensive global coverage of women's issues and concerns, from violence and sexuality to feminist theory, the Routledge International Encyclopedia of Women brings the field into the new millennium. In over 900 signed A-Z entries from US and Europe, Asia, the Americas, Oceania, and the Middle East, the women who pioneered the field from its inception collaborate with the new scholars who are shaping the future of women's studies to create the new standard work for anyone who needs information on women-related subjects.
Women & Music now features even more women composers, performers, and patrons, even more musical contexts, and an expanded view of women in music outside Europe and North America. A popular university textbook, Women & Music is enlightening for scholars, a good source of programming ideas for performers, and a pleasure for other music lovers.
An innovative analysis of how ideas of Indian identity negotiated within the Indian diaspora in Trinidad affect cultural identities "back home" in India.
Das Buch erzählt die Lebensgeschichte der Schwestern Meg, Jo, Beth und Amy, die gemeinsam mit ihren Eltern in Neuengland aufwachsen. Die kluge, jungenhafte Josephine, die hübsche und fügsame Meg, die selbstlose und friedliche Beth und das Nesthäkchen, die egoistische Amy, werden von ihren kindlichen Luftschlössern bis hin zur Frauwerdung begleitet. Marmee, Mutter der vier kleinen Frauen, wacht aufmerksam über die Entwicklung und den Umgang ihrer Kinder. Der Vater ist im Krieg. Meg, die im Vergleich zu ihren Schwestern den größten Wert auf die Einhaltung bestehender Konventionen legt, heiratet schon früh. Mit John Brooke, dem Hauslehrer des jungen Nachbarn und Freundes Laurie, gründet sie eine Familie, die bald um die beiden Kinder John, Jr. "Demi" und Margreth "Daisy" erweitert wird. Später kommt noch Josephine "Josy" dazu, die in Little Men erwähnt wird. Beth, die ihr Leben ihrer Familie widmet und aufopferungsvoll im Haushalt und bei kranken und armen Nachbarn arbeitet, ist selbstlos bis in den Tod. Bei der uneigennützigen Versorgung einer armen Nachbarsfamilie steckt sie sich mit Scharlach an. Wenn sie sich auch vorübergehend von der Krankheit erholt, ist diese ausschlaggebend für Beths frühen Tod. Amy, das Nesthäkchen der Familie, möchte alles und bekommt es nicht immer. Sie sieht sich als Künstlerin, kann als Gesellschafterin mit einer Tante nach Europa reisen und sich dort künstlerisch weiterbilden. Sie heiratet Laurie, den wohlhabenden Nachbarsjungen ihrer Familie, den langjährigen Seelenbruder ihrer Schwester Jo, kehrt gemeinsam mit ihm nach Amerika zurück und bekommt eine Tochter. Jo möchte im Gegensatz zu Amy viel, bekommt aber weniger. Sie wünscht sich unter anderem finanzielle und individuelle Unabhängigkeit, Ruhm und Anerkennung als Schriftstellerin sowie eine Reise nach Europa. Die ersehnte Reise wird nicht von ihr, sondern von Amy angetreten.
2007 Alan Merriam Prize presented by the Society for Ethnomusicology 2007 PEN/Beyond Margins Book Award Finalist When we think of African American popular music, our first thought is probably not of double-dutch: girls bouncing between two twirling ropes, keeping time to the tick-tat under their toes. But this book argues that the games black girls play —handclapping songs, cheers, and double-dutch jump rope—both reflect and inspire the principles of black popular musicmaking. The Games Black Girls Play illustrates how black musical styles are incorporated into the earliest games African American girls learn—how, in effect, these games contain the DNA of black music. Drawing on interviews, recordings of handclapping games and cheers, and her own observation and memories of gameplaying, Kyra D. Gaunt argues that black girls' games are connected to long traditions of African and African American musicmaking, and that they teach vital musical and social lessons that are carried into adulthood. In this celebration of playground poetry and childhood choreography, she uncovers the surprisingly rich contributions of girls’ play to black popular culture.
This is the most comprehensive study to date of the rich popular music scene in contemporary China. Focusing on the city of Beijing and drawing upon extensive fieldwork, China's New Voices shows that during the 1980s and 1990s, rock and pop music, combined with new technologies and the new market economy, have enabled marginalized groups to achieve a new public voice that is often independent of the state. Nimrod Baranovitch analyzes this phenomenon by focusing on three important contexts: ethnicity, gender, and state politics. His study is a fascinating look at the relationship between popular music in China and broad cultural, social, and political changes that are taking place there. Baranovitch's sources include formal interviews and conversations conducted with some of China's most prominent rock and pop musicians and music critics, with ordinary people who provide lay perspectives on popular music culture, and with others involved in the music industry and in academia. Baranovitch also observed recording sessions, concerts, and dance parties, and draws upon TV broadcasts and many publications in Chinese about popular music. keywords: Ethnicity
Electric Ladyland is a social and cultural history that tracks the changing conception of female sexuality and gender roles, and the ways women musicians, journalists, and groupies gained influence despite confining double standards applied by male writers and performers.
Mit klarem, offenem Blick erzählt Carrie Brownstein vom Aufwachsen in einer Kleinstadtidylle, deren Fassade früh zu bröckeln beginnt, vom Leben vor, mit und nach einer der bekanntesten Punkbands der USA und von dem Versuch, sich selbst in und außerhalb der Musik zu finden.

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